Túnel 28

Robert Siodmak had nothing to prove when he made "Escape from East Berlin".Maybe his film ,although inspired by real facts ,looks more like fiction,but he knew what he was talking about: Driven away from his land by Goebbels after "Brennendes Geheimnis " in 1933, he took refuge in France where he made at least two classics ("Mollenard" and "Piège" ),then in America where he reached peaks of films noirs ("cry of the city" "spiral staircase" "criss cross" ....).When he returned to Germany ,he depicted his country after the war ("die Ratten" ) without indulgence.Another movie made in France ("L'Affaire Nina B") dealt with Nazi criminals .

Siomak's genius as a film noir past master can still be felt in "escape...." ,notably in the first scenes where the characters seem to be buried alive in walls of stone and barbed wire.A short prologue with a voice over tells us so: "these men and women have done nothing and they are prisoners..."Don Murray looks too American but it's not a big problem.Since 1989,the Wall of shame has fortunately become a thing of the past.Siomak's movie was one of the first thrusts.

For many younger people today, they might have no idea what life was like during the occupation of Eastern Europe by the Soviets. Freedom was negligible and people did not have to right to live or go where they wanted. And, in Berlin, the city was divided into an East and West sector...and in the early 60s, the East German government put up a wall to deter folks from going to the West and freedom. And, to guarantee this, guard towers, machine guns and barbed wire were strung along the wall. And, many people died trying to sneak across or over or under the wall. This film concerns a group who are tunneling under the wall.

So is it any good? Yes...especially because it's a nice history lesson. My only complaint, and it's very minor, is that I didn't understand putting Don Murray in the lead...a German leading man would have made more sense. Still, it's well worth seeing.

It's 1962 and the Berlin Wall has recently gone up. Kurt Schröder is the driver to East German Major Eckhardt and his wife Heidi. He witnesses his friend Günther Jurgens' failed crossing. Erika Jurgens starts looking for her missing brother Günther. She is also desperate to escape. After a misunderstanding with Kurt, she assumes that her brother escaped to the West when in reality, he died in the attempt.

This is a ripped-from-the-headlines story. It's an interesting premise. I don't know any of these actors. This movie might actually have some German content. The tunnel digging is not the most compelling except for the phone line issue. In the end, it's not the most intense movie, but it has a few interesting ideas.

After Berlin built the wall that divided Germany into East and West. A desperate young woman tries to cross and is stopped in time by a young man who prevents her from being shot by the guards, hiding her in his house, which is located right against the wall. The family devises a daring escape plan by digging a tunnel under the wall. The risk is deadly since if they are discovered they will be shot. Some neighbors aware of the plan join in working on the construction of the tunnel or carry out distractions for the soldiers who guard it. This is a great little movie. It is clear that its budget is modest but the director manages to load it with great suspense at times distressing. The cast is perfect in their roles, the music accompanies very well and the rhythm is dynamic. A film that has perfectly withstood the passage of time and continues to be one of the best in reflecting those sadly famous moments in history.

I recently saw this movie on television and it was of interest to me because back in August 2006 I visited Germany for the first time and went to Berlin. I was accompanied by German friends who live in Hamburg. One of them was working in Berlin when the Wall fell in 1989.

While in Berlin I toured the Wall museum and of course visited Checkpoint Charlie. I am a baby boomer who grew up during the Cold War and I well remember the TV footage of the Wall and of people trying to escape. Escape from East Berlin may seem rather old-fashioned today but I thought it was a gritty, true-to-life type of film, even if liberties were taken with the actual events of Tunnel 28.

It was interesting that while my German friends and I drove through Berlin, they would constantly inform me "now we are in The East" or "now we are in the West"...the same thing when we were on the Autobahn...apparently Germans still refer to "East" and "West"...it will probably take a generation of two more before East and West Berlin and East and West Germany are relegated to history in the minds of the German people.

Elaine Clearwater FL