La misteriosa dama de negro

I saw this film for the first time on Turner Classic Movies tonight

A comedy set in England with this quartet of leads - Jack Lemmon, Kim Novak, Fred Astaire, Lionel Jeffries - a London cab full of great character actors, crisp and fully-toned black and white photography and a script from Larry Gelbert and Blake Edwards could not have been more pleasant. Gershwin's "A Foggy Day in London Town," washed it in additional wonderfulness. The sequences near the end of the film at a seaside resort in Penzance is wickedly choreographed with actors, camera moves and scoring for big laughs to a live band shell performance of a Gilbert and Sullivan ditty. Everything is spot on, silly to smart.

Kim Novak was a Columbia star and went from a supporting role in Jack Lemmon's great Phfft to co star in Bell Book and Candle to lead and top billed over Jack Lemmon in this wickedly funny comedy mystery directed by Richard Quine.

This was the last movie Kim Novak made at Columbia and ended a legendary relationship between studio and star where Kim made Picnic, Pal Joey, Bell Book and Candle, Strangers When We Meet among others and her declared favorite film Middle Of The Night. Looking at times like the fabled Jean Harlow Ms. Novak reaches the top of the stardom ladder in this film.

To me Kim Novak was what a movie star looked like!

Kim Novak is "The Notorious Landlady" in this 1962 Columbia film starring Jack Lemmon, Fred Astaire, Estelle Winwood, and Lionel Jeffries.

William Gridley (Lemmon) is a junior diplomat assigned to London who comes to look at rooms for rent by one Mrs. Hardwicke (Novak). As soon as Gridley lays eyes on her, he wants the room. At first she says she's the maid and can't rent to him, but she drops the pretense and allows herself to be talked into giving him the rooms, though she preferred a couple.

When his boss, Franklyn Ambruster (Astaire) hears the name of Gridley's landlady, it sounds familiar. It takes him a couple of minutes to find out that she is suspected of murdering her husband and remains the talk of London. The police, headed up by Inspector Oliphant, want Gridley to see what he can find out. Gridley, of course, is sure that his landlady is incapable of murder.

The plot thickens and so does the comedy, leading to an atypical trial and finally to a chase scene out of the Keystone Kops. Along the way there's blackmail, fire, a witness, poison, and a few other things.

As good as I thought this film was, and as much as I like Kim Novak (who designed her own clothes and they're gorgeous - she could have had a second career) I thought she could have added to the comedy a little more, although she's just fine as the beautiful, mysterious Mrs. Hardwicke. Jack Lemmon is delightful as the confused Gridley, and Lionel Jeffries is a standout as the exasperated Inspector. Fred Astaire makes an elegant Ambruster. Estelle Winwood, as an elderly neighborhood, is on hand for some fun comedy.

Very entertaining film, recommended, especially given the stars. Written by Larry Gelbart and Blake Edwards.

This movie is not bad at all,not one of Lemmon's best by any stretch of the imagination but it has some funny situations and its likable for the most part.Near the ending it gets completely out of hand and instead of comedy-mystery which is the most part,it becomes mad slapstick for no apparent reason.Is like someone told the scriptwriter that a Lemmon movie should be crazier than what they had up to that point.Anyway,its kinda weird this way from that point on but you get to smile and the stars are all likable.Novak is at her sexiest, even in B&W!!Funny role for Astaire who was at his second career by that time,plays a manipulating official at the American Embassy in London with an eye for Novak.

I just bought this video from a reputable company. I was quite surprised to see that it was available - it has been out of circulation for years. One person told me long ago that it had never been put on video. That person was obviously misinformed.

The video itself is not in the best condition. The film is in black and white and there are several moments of white glare, followed by excessive darkness. There are some breaks and pops, just like my old LP's.

These visual defects, strangely enough, added to my enjoyment, for they gave the movie a vintage quality. Indeed, one has the feeling that this movie could have been made in the 1930's or 1940's.

This film is a direct descendant of earlier screwball comedies and screwball mysteries such as the Thin Man. Kim Novak looks at times like Jean Harlow and the scenes of London are a wistful reminder of how very British the city once was.

The clever plot revolves around the question of Mrs. Hardwicke played by Kim Novak. Is she or is she not guilty of murder? Briefly Bill Gridley wrestles with himself over this issue, but his attraction to her gets the upper hand. Hey, what's one dead husband when you're in love?

An unexpected event leads to a zany trial and last but not least to a madcap chase straight out of a Buster Keaton comedy. Lovely Kim really has trouble keeping her hat on as she tears through the fields in pursuit of poor Estelle Winwood.

I found Jack Lemmon in top form, contrary to one commentary posted here. He is completely natural, without the slightest hint of effort. But he usually is this way.

Casting Fred Astaire was a stroke of genius - his presence adds even more vintage, and I mean vintage in the most complimentary sense. He is a real asset and I wish he had just danced a little.

All in all, great fun.