Prisioneros de guerra aliados planean una elaborada fuga de varios cientos de ellos de un campo alemán durante la Segunda Guerra Mundial.Prisioneros de guerra aliados planean una elaborada fuga de varios cientos de ellos de un campo alemán durante la Segunda Guerra Mundial.Prisioneros de guerra aliados planean una elaborada fuga de varios cientos de ellos de un campo alemán durante la Segunda Guerra Mundial.
- Director/a
- Guionistas
- Estrellas
- Nominado para 1 premio Óscar
- 3 premios y 12 nominaciones en total
- Director/a
- Guionistas
- Todo el reparto y equipo
- Producción, taquilla y más en IMDbPro
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Resumen
Reviewers say 'The Great Escape' is acclaimed for its thrilling World War II prison camp escape, blending suspense and tragedy. The all-star cast, including Steve McQueen and James Garner, and Elmer Bernstein's iconic score are praised. Historical accuracy and nuanced German characters are highlighted. The camaraderie and resilience of prisoners, along with the film's balance of humor and war's grim realities, are celebrated. Some critics find the pacing and camp conditions too lenient.
Reseñas destacadas
Outstanding Entertainment
Credit should be given to the brilliant score by Elmer Bernstein. If you listen to it closely, it literally is a battle between the Allied Prisoners (flutes & woodwinds) and the Germans (tubas). The escape scenes with the little boat on the scenic german river is evocative of Wagner and his heroic Germanic Operas. The scenery of the German countryside and the Alps is breathtaking. I believe that the scriptwriters emphasized the heroism, humor, and character of the prisoners to make an uplifting statement of what is essentially a cruel and tragic story. As a child growing up in the seventies, our 7th grade glass was reading the Paul Brickhill book and we had the opportunity to meet a former (American) Stalag Luft III prisoner from that era. He had arrived at the camp after the Great Escape, but was placed on the monument detail for the 50 executed men. He said that few men seriously contemplated escape after this incident and the emphasis was on surviving the war and going home alive.
If you're going to critique the history, then know the history.
I find it difficult to believe that some reviewers' negative reactions to this film are based on their (misguided) beliefs that none of this could possibly have happened. Comments like these make it crystal clear that what some people don't know about history is appalling. If you are going to judge a film based on historical fact, it helps if you know what it is.
It is well-documented what amazing technical feats the POW's were able to accomplish in the stalags. There was even an entire section of the British Secret Service dedicated to coming up with all sorts of clever ways to send these captured men the tools they needed to facilitate their escape attempts, i.e., sandwiching maps between the split sides of a record album (yes, the Germans allowed the prisoners to have records in the camps) or compasses in pens. At Colditz Castle, one of the more forbidding stalags, (actually an offlag since is was for officers only), many, many tunnels were dug and disguises created. One man actually created a German sergeant's uniform totally from scratch, donned a moustache and created an overall impersonation so realistic, it fooled two out of three sets of sentries. Some of the POW's built and concealed an entire glider that would have carried two men off the roof and over the wall! The only reason it didn't fly was because the prison was liberated before they got the chance! The Colditz experience is well documented. There are many books written about that particular prison complete with photographs, including one by a German officer confirming these amazing escapes and attempts. The reviewers who doubt what can be done when necessity is truly the mother of invention should look for them and learn something.
As for the prisoners not being in jumpsuits, as suggested by one reviewer as one reason to question the authenticity of the film? Ludicrous, POW's wore what they were captured in. The German military (different from the Gestapo and the SS) considered them soldiers and allowed them to keep their badges of rank.
As for the film itself, it is long, but absorbing. There are historical flaws (as there are in all movies), but several of the former POW's participated in the filming process, keeping it, for the most part, very authentic. As for the emphasis on Americans, it's true they were not among the escapees per se, but several did assist in the effort before they were transferred out, as mentioned by a previous reviewer. However, you must remember that the movie was made for an American audience in 1963, long before international distribution revenue became so important to a studio's bottom line. They needed American stars who would appeal to an American audience. Who knows, perhaps if they were to remake it today, the cast would be all British and German, but I doubt it (see "Hart's War" where not only the plot, but all the British and Canadian characters that were in the book, disappeared).
All in all, "The Great Escape" is an entertaining movie telling a fascinating story of what ordinary men can achieve in adverse circumstances. It's well worth the time.
It is well-documented what amazing technical feats the POW's were able to accomplish in the stalags. There was even an entire section of the British Secret Service dedicated to coming up with all sorts of clever ways to send these captured men the tools they needed to facilitate their escape attempts, i.e., sandwiching maps between the split sides of a record album (yes, the Germans allowed the prisoners to have records in the camps) or compasses in pens. At Colditz Castle, one of the more forbidding stalags, (actually an offlag since is was for officers only), many, many tunnels were dug and disguises created. One man actually created a German sergeant's uniform totally from scratch, donned a moustache and created an overall impersonation so realistic, it fooled two out of three sets of sentries. Some of the POW's built and concealed an entire glider that would have carried two men off the roof and over the wall! The only reason it didn't fly was because the prison was liberated before they got the chance! The Colditz experience is well documented. There are many books written about that particular prison complete with photographs, including one by a German officer confirming these amazing escapes and attempts. The reviewers who doubt what can be done when necessity is truly the mother of invention should look for them and learn something.
As for the prisoners not being in jumpsuits, as suggested by one reviewer as one reason to question the authenticity of the film? Ludicrous, POW's wore what they were captured in. The German military (different from the Gestapo and the SS) considered them soldiers and allowed them to keep their badges of rank.
As for the film itself, it is long, but absorbing. There are historical flaws (as there are in all movies), but several of the former POW's participated in the filming process, keeping it, for the most part, very authentic. As for the emphasis on Americans, it's true they were not among the escapees per se, but several did assist in the effort before they were transferred out, as mentioned by a previous reviewer. However, you must remember that the movie was made for an American audience in 1963, long before international distribution revenue became so important to a studio's bottom line. They needed American stars who would appeal to an American audience. Who knows, perhaps if they were to remake it today, the cast would be all British and German, but I doubt it (see "Hart's War" where not only the plot, but all the British and Canadian characters that were in the book, disappeared).
All in all, "The Great Escape" is an entertaining movie telling a fascinating story of what ordinary men can achieve in adverse circumstances. It's well worth the time.
Awesome warlike movie with memorable images and outstanding acting by well-known faces
This is a splendid film about a daring breakout from inescapable Nazi concentration camp , Stalag Luft North , with all star cast and magnificently realized by John Sturges . It's partially based on facts adapted by James Clavell and W.R. Burnett from a bestselling written by Paul Brickhill . The continuous escapes have caused the Nazi staff ordered 'putting all the rotten eggs in one basket' as the prisoners are reunited into a special concentration camp . It deals with hard preparatives of a diverse group formed by rebel air officers and soldiers mounting a dangerous getaway from a barbed-wired and strongly controlled camp . The most part of the film concerns on the elaborated process of secretly digging an underground tunnel and the last one deals with spectacular breakout and effort the approx. 70 escaped prisoners throughout Germany trying to make their bid to freedom , including an impressive motorcycle pursuit in charge of iconic Steve McQueen for one of the best action sequences in years .
This exciting story contains thrills, intrigue, tension, excitement galore, entertainment and lots of fun . Suspenseful WWII epic packs exceptional plethora of prestigious actors incarnating the motley group of POWs , giving good acting and support , as a sensational Steve McQueen whose character , ¨The Cooler King¨ , remains today as attractive iconography ; Charles Bronson as digging expert but suffering claustrophobia ; Donald Pleasance as professional on forge documents but blind , James Coburn as roguish Australian and of course Richard Attenborough as Air Force Squadron leader who plans the massive breakout , furthermore , James Garner as American officer , the British Gordon Jackson and David McCallum, among others . Colorful, atmospheric cinematography shot in Bavaria,Germany, by Daniel Fapp and perfectly remastered . Excellent production design and art direction with evocative sets by Fernando Carrere. Rousing and lively soundtrack , nowadays a classic score, by Elmer Bernstein . This blockbuster is followed by inferior TV sequel with Christopher Reeve, Judd Hirsch , Ian McShane and directed Jud Taylor who played to Goff in the original version . The motion picture is magnificently directed By John Sturges , author of various classic Western as ¨Escape from Fort Bravo, Gunfight at the OK Corral, The law and Jake Wade, Magnificent seven¨ and also realized another nice wartime film as ¨ The eagle has landed ¨ . Rating : Two thumbs up , essential and indispensable watching , a real must see.
This exciting story contains thrills, intrigue, tension, excitement galore, entertainment and lots of fun . Suspenseful WWII epic packs exceptional plethora of prestigious actors incarnating the motley group of POWs , giving good acting and support , as a sensational Steve McQueen whose character , ¨The Cooler King¨ , remains today as attractive iconography ; Charles Bronson as digging expert but suffering claustrophobia ; Donald Pleasance as professional on forge documents but blind , James Coburn as roguish Australian and of course Richard Attenborough as Air Force Squadron leader who plans the massive breakout , furthermore , James Garner as American officer , the British Gordon Jackson and David McCallum, among others . Colorful, atmospheric cinematography shot in Bavaria,Germany, by Daniel Fapp and perfectly remastered . Excellent production design and art direction with evocative sets by Fernando Carrere. Rousing and lively soundtrack , nowadays a classic score, by Elmer Bernstein . This blockbuster is followed by inferior TV sequel with Christopher Reeve, Judd Hirsch , Ian McShane and directed Jud Taylor who played to Goff in the original version . The motion picture is magnificently directed By John Sturges , author of various classic Western as ¨Escape from Fort Bravo, Gunfight at the OK Corral, The law and Jake Wade, Magnificent seven¨ and also realized another nice wartime film as ¨ The eagle has landed ¨ . Rating : Two thumbs up , essential and indispensable watching , a real must see.
A genuine timeless classic.
During World War Two the Germans build a new prison camp, Stalag Luft III, for the express purpose of housing many of their most troublesome captured Allied airmen. However, all this serves to do is to pool the resources of some of the most ingenious escape artists in captivity and fill them with a resolve to engineer a mass breakout from the camp.
Based largely on real events, this film has assumed classic status over the years and its easy to understand why. Quite simply, it excells in many departments. Director John Sturges was at the height of his creative powers and he keeps a firm grip on the proceedings. Although the film runs close to three hours it never feels sluggish, while at the same time winding up the tension gradually and developing the characters. The production design is first rate, to the point where Donald Pleasance (who had been a P.O.W.) felt quite intimidated by the vast set on his arrival. Daniel Fapp's beautiful photography shows this and the picturesque German locations off to full effect. Put these virtues together with a good script, inspired casting and a classic score by Elmer Bernstein, and you have an object lesson in how to create an intelligent and exciting big budget adventure film.
On the subject of the cast; Much is made of Steve McQueen's role. While I am a huge McQueen fan, I feel that some of the other performances are equal to, if not better than his. Richard Attenborough, James Garner, Donald Pleasance, Charles Bronson and Gordon Jackson are all excellent. Good too are James Coburn, James Donald, David McCallum and Hannes Messemer as the sympathetic Commandant.
This is one of those films that I can happily watch time and time again. In September of this year a new print was screened at the NFT in London as part of an 'Attenborough at 80' season. It was a pleasure to see this on the big screen at last. For the most part the print was in very good condition. The DVD was one of the first that I ever bought some three and a half years ago, and I watched its inevitable Christmas screening on BBC2 last night. I just never tire of it. In these days of brainless, poorly executed action fodder, its a joy to behold something that hits its targets so precisely.
Based largely on real events, this film has assumed classic status over the years and its easy to understand why. Quite simply, it excells in many departments. Director John Sturges was at the height of his creative powers and he keeps a firm grip on the proceedings. Although the film runs close to three hours it never feels sluggish, while at the same time winding up the tension gradually and developing the characters. The production design is first rate, to the point where Donald Pleasance (who had been a P.O.W.) felt quite intimidated by the vast set on his arrival. Daniel Fapp's beautiful photography shows this and the picturesque German locations off to full effect. Put these virtues together with a good script, inspired casting and a classic score by Elmer Bernstein, and you have an object lesson in how to create an intelligent and exciting big budget adventure film.
On the subject of the cast; Much is made of Steve McQueen's role. While I am a huge McQueen fan, I feel that some of the other performances are equal to, if not better than his. Richard Attenborough, James Garner, Donald Pleasance, Charles Bronson and Gordon Jackson are all excellent. Good too are James Coburn, James Donald, David McCallum and Hannes Messemer as the sympathetic Commandant.
This is one of those films that I can happily watch time and time again. In September of this year a new print was screened at the NFT in London as part of an 'Attenborough at 80' season. It was a pleasure to see this on the big screen at last. For the most part the print was in very good condition. The DVD was one of the first that I ever bought some three and a half years ago, and I watched its inevitable Christmas screening on BBC2 last night. I just never tire of it. In these days of brainless, poorly executed action fodder, its a joy to behold something that hits its targets so precisely.
Of action and tragedy
"The Great Escape" is a rousing blend of suspense, action and ultimately tragedy, bolstered by an all-star cast, terrific music and beautiful European locations. A few fellow reviewers have cited the unbelievably "pristine" prison conditions, but the German authorities did try to uphold the Geneva Convention for Western Allied POWs. The characters in this film left their well-run 'stalag' anyway, and many paid the ultimate price. While entertaining its viewers, "The Great Escape" effectively depicted the tragic consequences.
-Tony
-Tony
¿Sabías que...?
- CuriosidadesThe real camp can be visited today in Sagan, Poland. It's a ruin now, that's mostly used for archaeological purpose. A replica of the camp is located forty kilometers (twenty-five miles) south, where you can enter a model of tunnel "Harry" yourself. In the movie, they confused the actual names of the tunnels.
- PifiasStrong timbers are needed to support thousands of pounds of dirt above a tunnel. The three foot long, 1/2 inch thick boards taken from the bed frames shown used in the tunnel seemingly could not support the weight. However, documentary interviews and excavation of the actual Stalag Luft 3 site, reveal that the film's depiction of the tunnel's construction was accurate. While the materials used may not have been adequate for a professional tunnel or mine, they were apparently adequate to the task and some are still holding up the tunnel even now.
- Versiones alternativasSome TV versions edit the scene in which Ives is shot and killed for trying to escape over the fence.
- ConexionesEdited into Return to 'The Great Escape' (1993)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- La gran evasió
- Localizaciones del rodaje
- Füssen, Bavaria, Alemania(motorcycle scenes; Gestapo agents chase Bartlett and MacDonald)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 4.000.000 US$ (estimación)
- Recaudación en todo el mundo
- 232.707 US$
- Duración
- 2h 52min(172 min)
- Color
- Relación de aspecto
- 2.35 : 1
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