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La mansión encantada

Título original: The Haunting
  • 1963
  • 13
  • 1h 52min
PUNTUACIÓN EN IMDb
7,4/10
44 mil
TU PUNTUACIÓN
POPULARIDAD
4795
316
Julie Harris in La mansión encantada (1963)
A scientist doing research on the paranormal invites two women to a haunted mansion. One of the participants soon starts losing her mind.
Reproducir trailer1:08
2 vídeos
99+ imágenes
Horror psicológicoTerrorTerror sobrenatural

Un científico se instala en una vieja mansión en la que se han cometido terribles crímenes con el objetivo es comprobar si se producen en el lugar fenómenos extraños. Una de las invitadas es... Leer todoUn científico se instala en una vieja mansión en la que se han cometido terribles crímenes con el objetivo es comprobar si se producen en el lugar fenómenos extraños. Una de las invitadas es la insegura Eleanor, con habilidades psíquicas.Un científico se instala en una vieja mansión en la que se han cometido terribles crímenes con el objetivo es comprobar si se producen en el lugar fenómenos extraños. Una de las invitadas es la insegura Eleanor, con habilidades psíquicas.

  • Dirección
    • Robert Wise
  • Guión
    • Nelson Gidding
    • Shirley Jackson
  • Reparto principal
    • Julie Harris
    • Claire Bloom
    • Richard Johnson
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,4/10
    44 mil
    TU PUNTUACIÓN
    POPULARIDAD
    4795
    316
    • Dirección
      • Robert Wise
    • Guión
      • Nelson Gidding
      • Shirley Jackson
    • Reparto principal
      • Julie Harris
      • Claire Bloom
      • Richard Johnson
    • 495Reseñas de usuarios
    • 105Reseñas de críticos
    • 74Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 2 premios y 2 nominaciones en total

    Vídeos2

    Trailer
    Trailer 1:08
    Trailer
    The Haunting (1963)
    Trailer 2:14
    The Haunting (1963)
    The Haunting (1963)
    Trailer 2:14
    The Haunting (1963)

    Imágenes145

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    + 137
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    Reparto principal21

    Editar
    Julie Harris
    Julie Harris
    • Eleanor Lance
    Claire Bloom
    Claire Bloom
    • Theodora
    Richard Johnson
    Richard Johnson
    • Dr. John Markway
    Russ Tamblyn
    Russ Tamblyn
    • Luke Sannerson
    Fay Compton
    Fay Compton
    • Mrs. Sannerson
    Rosalie Crutchley
    Rosalie Crutchley
    • Mrs. Dudley
    Lois Maxwell
    Lois Maxwell
    • Grace Markway
    Valentine Dyall
    Valentine Dyall
    • Mr. Dudley
    Diane Clare
    Diane Clare
    • Carrie Fredericks
    Ronald Adam
    Ronald Adam
    • Eldridge Harper
    Pamela Buckley
    • First Mrs. Crain
    • (sin acreditar)
    Amy Dalby
    Amy Dalby
    • Abigail Crain - Age 80
    • (sin acreditar)
    Rosemary Dorken
    • Abigail Crain's Nurse-Companion
    • (sin acreditar)
    Verina Greenlaw
    Verina Greenlaw
    • Dora Fredericks
    • (sin acreditar)
    Claude Jones
    • Garage Attendant
    • (sin acreditar)
    Frieda Knorr
    • Second Mrs. Crain
    • (sin acreditar)
    Howard Lang
    • Hugh Crain
    • (sin acreditar)
    Janet Mansell
    • Abigail Crain - Age 6
    • (sin acreditar)
    • Dirección
      • Robert Wise
    • Guión
      • Nelson Gidding
      • Shirley Jackson
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios495

    7,444.4K
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    Reseñas destacadas

    10Holmesister

    One of my all-time favorite horror flicks

    I saw this movie the summer I got out of high school. I went with a date and he about dug a hole in the arm of my sweater, it scared him that much. What makes the movie really scary is the fact that it does not have any slashers, monsters, blood and/or gore. Robert Wise scared you with camera angles, the unknown "presences" that seemed to be always lurking behind every door, and the sound effects were very effective. Filming it in black and white also made it creepier. The audiences imaginations and their own personal fears make the movie very effective. We have all experienced a frightening event at some time in our lives (dark closets, what's under the bed, what's outside the window after dark, did you hear that?, etc.) This movie plays on those feelings as you watch it. The remake was disappointing at the least. It had a great cast, but the producers/directors were trying too hard. These days, it seems that special effects can sometimes ruin a movie. There's nothing to play on ones imagination. That's why the book is usually much better than the movie. I purchased this movie on VHS a few years ago and I watch it every once in awhile in the dark (of course) when my husband is here. I don't think I could watch it alone - in the dark - in the night....
    8AlsExGal

    Great implied and psychological horror

    When director Robert Wise works on a small scale, with oppressive and/or claustrophobic settings, and uses less than mega box office actors, his films are usually good. Examples of this would be "The Set Up," "House On Telegraph Hill," "Andromeda Strain," "Odds Against Tomorrow" and "Born To Kill". It's also the case that when this director decides to go all "epic" on us he's a windy bore. I won't name those films, but you know who you are. Fortunately, this film is in the former category. It's just five characters in a creepy house and it grabs you from the get go with an effective montage of the house's macabre history and keeps your interest with acute examinations of the personalities of the main characters and the fear of the unseen.

    What makes "The Haunting" so genuinely terrifying is the subtly expressed theme: that the house gradually devours Eleanor because her sad, pathetic life encapsulates the history of Hill House. This is made even clearer in the novel, where Hugh Crain had two daughters, who hated each other, and whose lifelong feud mirrors Eleanor's loathing of her own sister. Eleanor really has had no life up to this point - as a result she is emotionally all of thirteen. She doesn't get Theo's not so subtle hints that she is attracted to her. She also doesn't get that just because Professor Markway talks to her like a human being does not mean he is attracted to her. She's like the junior high kid in love with her teacher.

    It has superb performances, a credible atmosphere, and gorgeous direction and cinematography. If you are after a body count ala John Carpenter look elsewhere, but if you like your horror implied this is worth your while.
    9john_vance-20806

    Surprising how many people DON'T like it.

    Perhaps this is a movie that appeals only to certain people. Perhaps it has to be viewed at a particular moment in life. Perhaps it's just too dated for many to get into it. In any case, it's disappointing to see how many simply find it a waste of time.

    I saw this under special circumstances. I was about 12 years old and my parents were out for the evening when it came on TV. I didn't know anything about it but considered myself quite the connoisseur of horror and sci-fi shown at the small local theater. I figured it would be along the line of Universal monsters and Roger Corman fare, nothing particularly notable.

    It scared the absolute daylights out of me. Sitting alone the in house at night with the creepy sounds and images emanating from that little B&W screen got to me badly. Even after my parents were home and I went to bed I found myself looking for faces in the plaster walls of my room and imagining every creak as an approaching but invisible malevolent force.

    I still get it out every couple of years on a dark dreary night, and though the lines of dialog sound more stilted to my now elderly mind I can still remember the effect it had on me so many decades ago.

    I had an even more intense reaction from Hitchcock's "The Birds" and I've noticed the commentary about that film to be similar to this. Perhaps you just had to be there.
    To'kun

    More faithful to the book

    After finding this gem at the public library's VHS section, I finally received the chance to watch the 'better' version of The Haunting. With what I could recall from reading the original novel (after seeing the modern version), I found this cinematic version infinately better and denser in character exposition than the 1999 version. In this 1963 version, the ending stayed closer to what happened in the novel and that was the definitive moment of The Haunting. I can't say much for the modern version, other than it was an effects film.

    What I found original in this 1963 version is that there were some clever uses of lensing effects to heighten the strangeness of Hill House. By adjusting the props in the sets so that they are off by a few degrees, it helps to unsettle the viewer.

    I'm hoping for a dvd release so that I can own both versions of the film. In the meantime, read the novel. There were a few details left out.
    10Vanillaheart

    The only movie that truly frightened me.

    After watching "The Haunting" 1963, I slept with my hands under the covers for 3 weeks.

    I was alone in the house, very late at night. Every sound amplified.. I was a full grown woman. For Pete's sake, I have watched almost every monster movie made. Even the original "Wolfman." Hummm, I could handle this.

    Wrong! I have never been so frightened in my life. Who or What was holding her hand??...

    The door at the top of the spiral stair almost gave me a stroke.

    This movie made a believer out of me. The sound effects, the lighting, the "breathing door", plus the fact it was Black and White.. The house, well don't ask me to attend a dinner party there. You will be eating alone.

    Perfect movie for Halloween.

    I give this movie a "10", The "remake" ?? Was that from the same book?

    Nuff Said.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      To make Theodora appear more bohemian, beatnik, garments designed by Mary Quant from a recent collection were used to dress Claire Bloom.
    • Pifias
      When Nell leaves the Boston garage, she sees a signpost that for the most part is correct with respect to route numbers and directions for the towns indicated. However, one sign refers to "US 50", and Nell then reads aloud her directions to take "US 50 from Boston and watch for the turn-off to Route 238." US 50 is nowhere near Boston; prior to the advent of the Interstate Highway System, US Route 50 was one of the principal highways that went straight through the middle of the country from Maryland on the East coast to California on the west coast. It is instead US 20 which begins in Boston and runs westward through Massachusetts before continuing across the country.
    • Citas

      Mrs. Dudley: [Eleanor has just been shown her room after she arrives] I can't keep the rooms the way I'd like, but there's no one else they could get that would help me.

      Eleanor Lance: How very nice.

      Mrs. Dudley: I set dinner on the dining room sideboard at 6. I clear up in the morning. I have breakfast for you at 9. I don't wait on people. I don't stay after I set out the dinner, not after it begins to get dark. I leave before the dark.

      Eleanor Lance: Your husband?

      Mrs. Dudley: We live over in town, miles away.

      Eleanor Lance: Yes.

      Mrs. Dudley: So there won't be anyone around if you need help.

      Eleanor Lance: I understand.

      Mrs. Dudley: We couldn't hear you. In the night.

      Eleanor Lance: Do you have any idea when Dr. Markway...

      Mrs. Dudley: [cuts her off] No one could. No one lives any nearer than town. No one will come any nearer than that.

      Eleanor Lance: I know.

      Mrs. Dudley: In the night. In the dark.

      [Mrs. Dudley grins and leaves]

    • Versiones alternativas
      The original cut of movie (shown 24/9/03 at Filmhouse, Edinburgh) has several differences from the general release print -
      • Alternate opening with voice-over by the Mrs. Sannerson character in place of the Markway monologue. The titles prior to this scene are slightly different. The 'History of Hill House' scene continues into the meeting with Mrs. Sannerson and Markway but in this version, it is Sannerson who is doing most of talking.
      • The following scene from the general release print of Markway listing his subjects on a blackboard is missing. In its place is a scene where Theo throws her lover out her apartment and, next to a photo of her lover, writes "I Hate You!" on a mirror in lipstick, looks at her reflection and mutters "I hate you too...". She then receives her invitation from Markway. This is delivered to her by her landlady, who requires the excess postage to be paid. Theo already knows this is to be paid and there is humorous exchange concerning her ESP or her 'gift.'
      • There are several extended scenes involving Eleanor's 'inner thoughts' - most of which tie into her thoughts on her possible relationship with Markway. The scene showing her traveling to Hill house is extended with more 'inner monologue' material including a couple of shots of her turning onto 'Route 238' and commenting on "Journey's end in lovers meeting...".
      • The Morning/Harp scene runs longer and contains more dialogue from both Eleanor and Markway. This print had a title card prior to the MGM logo - "This print is on loan from the National Film and Television Archive."
    • Conexiones
      Featured in 7 Nights to Remember (1966)

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    Preguntas frecuentes

    • How long is The Haunting?Con tecnología de Alexa
    • What is 'The Haunting' about?
    • Is "The Haunting" based on a book?
    • Is this a true story?

    Detalles

    Editar
    • Fecha de lanzamiento
      • enero de 1964 (España)
    • Países de origen
      • Estados Unidos
      • Reino Unido
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • La casa encantada
    • Localizaciones del rodaje
      • Ettington Park Hotel, Alderminster, Stratford-upon-Avon, Warwickshire, Inglaterra, Reino Unido(Hill House-exterior)
    • Empresas productoras
      • Metro-Goldwyn-Mayer (MGM)
      • Argyle Enterprises
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 1.400.000 US$ (estimación)
    • Recaudación en todo el mundo
      • 847 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 52 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 2.35 : 1

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