PUNTUACIÓN EN IMDb
7,2/10
11 mil
TU PUNTUACIÓN
Tres mujeres muy diferentes y los hombres que atraen.Tres mujeres muy diferentes y los hombres que atraen.Tres mujeres muy diferentes y los hombres que atraen.
- Ganó 1 premio Óscar
- 8 premios y 3 nominaciones en total
Tonino Cianci
- (segment "Adelina")
- (as Antonio Cianci)
Gianni Ridolfi
- Umberto (segment "Mara")
- (as Giovanni Ridolfi)
Argumento
¿Sabías que...?
- CuriosidadesThe red car that picks up Mara after the accident is an extremely rare 1960 Ferrari 250 GT California Spyder SWB. Only 56 of these cars were made and some have sold for over $10M at auction in the 2010's.
- PifiasAs Anna and Renzo talk while driving, the windshield of her Rolls-Royce Silver Cloud II shakes because the little side windows are gone, but the little side windows are intact in the wide shots.
- Citas
Carmine Sbaratti: The people of Forcella are out of this world. They've risen up in a gesture of solidarity!
Verace's sister: I must say, it almost makes you forget how filthy and ignorant they are.
- ConexionesEdited into Marcello, una vita dolce (2006)
Reseña destacada
Marcello Mastroianni and Sophia Loren star in three stories about - well, men and women - in "Yesterday, Today, and Tomorrow," a Vittorio de Sica film.
The stories vary, with the two stars playing roles that show off their different talents. All three of the stories showcase one of Loren's great talents - her awe-inspiring beauty.
I was lucky to have seen this in Italian with subtitles. The Italian language is so beautiful. I loved hearing it spoken and to see the Italian scenery along with it.
The first story is about a woman who keeps getting pregnant to avoid going to prison for not paying for furniture she purchased. She ends with 7 kids and a husband so worn out he can barely walk. Meanwhile, with each birth, she becomes more beautiful. It's either the longest story or it went on the longest - it's not the most interesting of the three.
The second story involves a rich woman with no regard for anyone but herself and her money, even though she talks a different game entirely to her new boyfriend as they're driving. She keeps bumping into people with her car. When she lets the boyfriend drive, he crashes the car rather than a hit a child, and she has a fit. A real nasty piece of work.
The third story is really the best - Loren is a high-class prostitute who befriends a young man studying for the priesthood. He's staying with his vicious grandmother in the apartment across from hers. The grandmother flings insults at Loren. Meanwhile, one of Loren's steadies, Mastroianni, can't get to first base with her because she's so distracted. This vignette is famous for Loren's hot striptease, which she repeats for Mastroianni again in 1994's "Pret a Porter." Marcello Mastroianni and Sophia Loren are excellent in all of their roles, set against the beauty of the Italian locales. Loren is gorgeous, in fact, beyond gorgeous, particularly in the last sequence. Even today, she manages to dazzle. There's something about her that no American actress can even approximate.
This film may have been a little overrated in its day, but it is certainly well worth seeing.
The stories vary, with the two stars playing roles that show off their different talents. All three of the stories showcase one of Loren's great talents - her awe-inspiring beauty.
I was lucky to have seen this in Italian with subtitles. The Italian language is so beautiful. I loved hearing it spoken and to see the Italian scenery along with it.
The first story is about a woman who keeps getting pregnant to avoid going to prison for not paying for furniture she purchased. She ends with 7 kids and a husband so worn out he can barely walk. Meanwhile, with each birth, she becomes more beautiful. It's either the longest story or it went on the longest - it's not the most interesting of the three.
The second story involves a rich woman with no regard for anyone but herself and her money, even though she talks a different game entirely to her new boyfriend as they're driving. She keeps bumping into people with her car. When she lets the boyfriend drive, he crashes the car rather than a hit a child, and she has a fit. A real nasty piece of work.
The third story is really the best - Loren is a high-class prostitute who befriends a young man studying for the priesthood. He's staying with his vicious grandmother in the apartment across from hers. The grandmother flings insults at Loren. Meanwhile, one of Loren's steadies, Mastroianni, can't get to first base with her because she's so distracted. This vignette is famous for Loren's hot striptease, which she repeats for Mastroianni again in 1994's "Pret a Porter." Marcello Mastroianni and Sophia Loren are excellent in all of their roles, set against the beauty of the Italian locales. Loren is gorgeous, in fact, beyond gorgeous, particularly in the last sequence. Even today, she manages to dazzle. There's something about her that no American actress can even approximate.
This film may have been a little overrated in its day, but it is certainly well worth seeing.
- blanche-2
- 1 ene 2010
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- How long is Yesterday, Today and Tomorrow?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- Ahir, avui i demà
- Localizaciones del rodaje
- Piazza Navona, Roma, Lacio, Italia(3rd part - Mara's apartment)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 58 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principal laguna de datos
By what name was Ayer, hoy y mañana (1963) officially released in India in English?
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