Agente 04 del imperio sumergido

The evil empire of Mu had sunk to the depths of the Pacific around 10,000 B.C., but, as the 1963 Japanese film "Atragon" shows us, by the year 1965 its people were alive and well, surviving on the ocean floor and ready to conquer the surface lands once again. After Hong Kong and Venice are destroyed, it seems that only the supersub Atragon might be able to save the nations of Earth from the Mu menace, and so a team is dispatched to locate its renegade Capt. Jinguji, a superpatriot for whom World War II has never ended.... Anyway, "Atragon" is a very fine example of a "tokusatsu" (Japanese special FX movie), and the ship itself, with its drilling bow, cold-air cannon and ability to fly through the air, is quite a pleasing creation. The film reunites director Ishiro Honda, composer Akira Ifukube and FX master Eiji Tsuburaya from 1954's "Gojira," the original Godzilla picture, as well as that earlier film's Akihiko Hirata, the inventor of the Oxygen Destroyer, here playing Mu Agent #23. "Atragon" also dishes out some impressive-looking sets (such as those gigantic royal chambers in Mu) and rousing battle sequences (the Mu sub, with its serpent-shaped cannon, destroying a Japanese fleet, looks especially awesome). Although not a "kaiju eiga" (monster movie), the film still offers us one "daikaiju" (giant monster) in the form of Manda, a snaky serpent creature that gives the folks on the Atragon a rough moment or two. The picture packs quite a bit of story--perhaps too much story--into its 96-minute running time and probably would have benefited from an extra half hour for a more leisurely exposition. Still, the film is undeniably fun, and the Mu empress really is something to see. The DVD that I just watched, by the way, from Media Blasters' Tokyo Shock series, looks very fine, and really is everything one could ask for.

This is a great kaiju movie from Toho Studios. Right off the beginning of this film, we see an already intriguing scene when a scientist gets kidnapped by a creature from under the sea. The suspense builds when the creatures reveal themselves to be habitants of the Undersea Kingdom of Mu, and that they have come to Earth to reclaim its land (of course the Earth people do not accept that, so it's the super-submarine Atragon to the rescue). The scenes where it show the origin and the places of the Mu Kingdom are very entertaining. We actually get to see what the Mu Kingdom looks like. The scene where the Mu people sing and dance and worship is a real charmer. For this movie, the special effects by Eiji Tsuburaya are spectacular and the screenplay by Shinichi Sekizawa is exciting, spellbinding, and full of suspense and drama. The plot is solid and perfect and Ishiro Honda's directing is superb. The music by Akira Ifukube is excellent and fantastic. The main title music is full of melody and harmony and is probably my favorite Akira Ifukube music score. And, virtually everybody is in this movie: Tadao Takashima, Yoko Fujiyama, Yu Fujiki, Ken Uehara, Jun Tazaki, Kenji Sahara, Hiroshi Koizumi, Yoshifumi Tajima, Akihiko Hirata, Eisei Amamoto, and Susumu Fujita.

The scenes where the Earth humans and the Mu people battle each other is inspiring. Manda, the giant sea serpent, is an awesome-looking monster. He is the protector of the Mu Kingdom. From the sounds of the worships, Manda seemed to be a powerful creature. However, he is actually pretty weak since he hardly put up a descent battle with Atragon, and he appeared only briefly throughout the entire movie. That was a disappointment - more scenes of Manda would have made this an even better feature. But overall, this film is a great one from Toho.

Grade B+

THE MYSTERIANS was about a big battle with aliens that takes place on Earth, BATTLE IN OUTER SPACE was about a big battle with aliens in outer space. So I suppose following that logic, it was inevitable that Toho would follow up those films with one that takes place beneath the sea.

This time Earth is threatened by inhabitants from beneath the sea who are descendants of the lost continent of Mu. Much of what is "known" about Mu comes from the speculative works of William Churchwald. Mu is said to be a lost continent like Atlantis, except Mu was in the Pacific. Like Atlantis, Mu was according to Churchwald at least, the home of an advance race that perished eons ago beneath the waves when world wide disaster struck.

ATRAGON (Aka KAITEI GUNKAN) is a fairly entertaining science fiction from Toho, but its one of their lesser efforts. There is not as much spectacle as can found in THE MYSTERIANS and BATTLE IN OUTER SPACE. The special effects and miniatures are not as colorful and detailed as in previous Toho epics. The big world threat promised by the Muians never materializes, about all they do is sink a Japanese merchant vessel and sink an American navel sub. They also try to kidnap a few surface people, but all that is hardly a reason to destroy a whole civilization. When the submarine Atragon attacks Mu, the Muians make a feeble attempt to protect themselves. Overall, the Muians bark is worse than their bite.

THE MYSTERIANS and BATTLE IN OUTERSPACE are very well paced and exciting films and are recommended to fans of Japanese science fiction. ATRAGON however, was a film I sat through with only mild interest and little enthusiasm.

This is one of the better non-Godzilla films from the minds of Honda, Tanaka, Tsubaraya and Ifukube. Even though this film pretty much covers the same ground as they did in the Mysterians (even using some stock footage from that film), it still was a great film. The special effect's work by Tsubaraya has to rank as some of his best and the story is better than average for this type of film. I loved how they pretty much showed how tortured Jinguji was as he was torn between his loyalty to Japan, his love for his daughter and the needs of the world as they were being attacked by the Mu Empire. Also, in an interesting bit of casting, Akihiko Hirata and Kenji Sahara play villains instead of their normal heroic roles. It also was interesting that the threat to Earth in this film didn't come outer space but from beneath the ocean by one of the most legendary lost civilizations after Atlantis. This is definitely a great film.

This is one of Toho's gem that has gone unnoticed for many years. The original story was written by a Japanese science fiction writer Oshikawa Shunro in 1900, which was then heavily modified for this movie adaptation by Shinichi Sekizawa. Casting is good, and the plot is very original.

During WW II, Japan created three largest submarines in the world the I 400 class which housed 3 bomber planes with plans to covertly bomb the Panama Canal. The story's premise is that a 4th variation of this sub I 403 was made by the Japanese, commanded by Capt. Jinguji (Jun Tazaki). It was thought that this sub sank off the coast of Saipan with all hands lost, but Jinguji and his crew survived and created an underground base in an uncharted island. There Jinguji also being an engineer, puts into action his plan to build a flying battleship/submarine called the Gotengo. The year is 1964 and there're few mysterious kidnapping of scientists in Japan and sitings of a strange submarine. The culprit (Akihiko Hirata) tries to kidnap ex-Lt. Admiral Kozumi (Ken Uyehara) and Jinguji's daughter Makoto (Yoko Fujiyama) but fails, and reveals that there's a plan for the Muans from the lost continent of Mu to return to the surface for world conquest. Kozumi now aware of Jinguji's survival and his creation the Gotengo, is asked by the UN to convince Jinguji to use it against the Muans. During their excursion to Jinguji's island, Muan spy (Kenji Sahara) kidnaps Makoto and her fiancée Hatanaka (Tadao Takashima). Jinguji's original idea was to use Gotengo to win the war (WW II that is) for Japan, but is now convinced he will have to fight the Muans.

The star of this movie is the outrageously cool looking flying battleship/submarine (Designed by notable Japanese science fiction artist Shigeru Komatsuzaki) that's armed to its teeth. This submarine comes with a drill at its nose and can drill through earth where the enemy has their lair. The Muans who are the race of people from the legendary continent Mu which sank in the pacific 12000 years ago (There are three lost continent legend if you're not familiar with Mu. One is Atlantis, other is Mu in the Pacific, and third is Lemuria in the Indian ocean which all sank around the same time ) are planning to return to the surface, and take over the world. Gotengo (the name of the sub) challenges Muans in their world to stop their invasion plan. As director of special effects Shinji Higuchi once said, Japanese might be the only people who have fetish for a flying battleship. This story, and Uchu Senkan Yamato is a prime example.

The American title of this movie "Atragon" which is also the American name for Gotengo is an abbreviation of the words "Atomic Dragon".

When I first saw the picture of this submarine, I long waited for the day I could see the movie. I saw a badly dubbed version on TV which was disappointing, but now a DVD is available with original Japanese dialogs. This is a movie worth watching.