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TU PUNTUACIÓN
El estricto y anacrónico sargento mayor de regimiento Lauderdale, en un remoto ejército colonial africano atrapado en un golpe de estado local, debe utilizar su experiencia para defender a l... Leer todoEl estricto y anacrónico sargento mayor de regimiento Lauderdale, en un remoto ejército colonial africano atrapado en un golpe de estado local, debe utilizar su experiencia para defender a los que están a su cargo.El estricto y anacrónico sargento mayor de regimiento Lauderdale, en un remoto ejército colonial africano atrapado en un golpe de estado local, debe utilizar su experiencia para defender a los que están a su cargo.
- Dirección
- Guión
- Reparto principal
- Ganó 1 premio BAFTA
- 2 premios y 2 nominaciones en total
Reseñas destacadas
It's the early 60's, Africa is being decolonised and a supposedly peaceful transition from colony to independent nation goes awry. All that stands between order and "enemies of the new state" being butchered is Dickie Attenborough's RSM and his Sergeant's mess. He has to defend his barracks, put up with a naive left wing politician, a young girl who's taken a fancy to a conscript private who wants his last day in the army to go without a hitch, a wounded African officer who is greatly respected by the RSM, but is an enemy of the new army he's supposed to be in charge of and a largely absent British officer corps. But this won't get Dickie down; the worse things get, the more determined and resolved he gets. Some of his dialogue is fantastic and his calm (and not so calm) put downs of those who threaten him or complain to him are brilliant. Like Anthony Hopkins in "Remains of the Day", his is a lifetime of service and duty; but one that kicks serious ass.
It's one of Attenborough's finest performances: Certainly up there with Brighton Rock.
It's one of Attenborough's finest performances: Certainly up there with Brighton Rock.
I remember seeing this film when it first came out and recall it made an impression on me as a young man. Saw it again last night on Fox Classics during war film week in the first week of November and it impresses me even more.
Since the first viewing I have experienced a military career in the air force and as a trainee pilot our WOD (Warrant Officer Disciplinary) could have been RSM Lauderdale to a tee. They just seem to know all about life and know what to do or say in any situation. And they have a wonderful innate knowledge of the big picture as well as the most intimate attention to detail. I am sure that this type of military rank was a vital cog in winning every war that has ever been won.
Loved the script - why, oh why, don't the smash, crash, wallop Hollywood script writers look at these old classics and learn how to put an interactive character piece together which can keep you on the edge of your seat without having cars smash through plate glass windows? Richard Attenborough certainly earned his BAFTA for his performance not only for the way he delivered his lines but his visual representation to every bat of his eyelid and twitch of his moustache.
My only criticism is the fact that being low budget it is quite obvious that it was shot in England especially when you can see English trees and houses in the background in some of the scenes. If only it could have been shot on location like "Zulu" it could have been even greater. But then again the strength of the film is the script and how cleverly it covered the type of dilemma which we still face to-day. Makes me wonder why it has never been done on the stage or maybe it has.
Since the first viewing I have experienced a military career in the air force and as a trainee pilot our WOD (Warrant Officer Disciplinary) could have been RSM Lauderdale to a tee. They just seem to know all about life and know what to do or say in any situation. And they have a wonderful innate knowledge of the big picture as well as the most intimate attention to detail. I am sure that this type of military rank was a vital cog in winning every war that has ever been won.
Loved the script - why, oh why, don't the smash, crash, wallop Hollywood script writers look at these old classics and learn how to put an interactive character piece together which can keep you on the edge of your seat without having cars smash through plate glass windows? Richard Attenborough certainly earned his BAFTA for his performance not only for the way he delivered his lines but his visual representation to every bat of his eyelid and twitch of his moustache.
My only criticism is the fact that being low budget it is quite obvious that it was shot in England especially when you can see English trees and houses in the background in some of the scenes. If only it could have been shot on location like "Zulu" it could have been even greater. But then again the strength of the film is the script and how cleverly it covered the type of dilemma which we still face to-day. Makes me wonder why it has never been done on the stage or maybe it has.
Perhaps it is because I am a sucker for British military movies.
Or maybe it's because the first time I saw it I did not expect much from it, but Guns at Batasi lept to the top of my all-time favorites list the first time I saw it.
It stays there no matter how many times I see it.
It's hokey, it's overdone and it's certainly low-budget. But it does have a sterling cast of British character actors, and it has several powerful scenes and Attenborough is magnificent as the sergeant-major. A great character study.
Here's a man, who has dedicated his entire adult life to a code, a way of life. It's all he knows, it's all he wants and in this one incident everything he has ever stood for or worked for it tested and threatened.
The sergeant major, despite what you might think of the military is a man of honor and courage. He's the kind of guy you would want on your side no matter what.
If you have not seen this movie. Find it, see it. Give it a chance. I think you will like. A definite thumbs up.
Or maybe it's because the first time I saw it I did not expect much from it, but Guns at Batasi lept to the top of my all-time favorites list the first time I saw it.
It stays there no matter how many times I see it.
It's hokey, it's overdone and it's certainly low-budget. But it does have a sterling cast of British character actors, and it has several powerful scenes and Attenborough is magnificent as the sergeant-major. A great character study.
Here's a man, who has dedicated his entire adult life to a code, a way of life. It's all he knows, it's all he wants and in this one incident everything he has ever stood for or worked for it tested and threatened.
The sergeant major, despite what you might think of the military is a man of honor and courage. He's the kind of guy you would want on your side no matter what.
If you have not seen this movie. Find it, see it. Give it a chance. I think you will like. A definite thumbs up.
This is a brilliant representation of a classic Regimental Sergeant Major, and shows the classic values that should continue to thrive (and sadly don't) in our military of today.
Over the top? Yes... a little...but show me a TRUE RSM who isn't. Such men really existed... and they were a source of inspiration, guidance and customs and traditions for many.
Well done by Sir Richard.
From what I've heard, he spent a year preparing for this role by understudying real RSMs at the RSM-prep school in Sandhurst.
I've used this film as a training aid when teaching leadership to young soldiers - and I continue to enjoy it today.
Over the top? Yes... a little...but show me a TRUE RSM who isn't. Such men really existed... and they were a source of inspiration, guidance and customs and traditions for many.
Well done by Sir Richard.
From what I've heard, he spent a year preparing for this role by understudying real RSMs at the RSM-prep school in Sandhurst.
I've used this film as a training aid when teaching leadership to young soldiers - and I continue to enjoy it today.
10beeryusa
I'd never even heard of Guns at Batasi before but I was amazed to find that it's a superlative film. I was expecting standard British stiff-upper-lip fare that the British did so well in the 1950s and '60s, but what I wasn't expecting is that a film I'd never even heard of rivals and even exceeds top-notch British dramas like Sidney Lumet's 'The Hill'.
The film stands squarely on Richard Attenborough's pitch-perfect performance as a Regimental Sergeant Major - the performance of a lifetime, especially when you consider that Attenborough is the complete opposite of the character he plays in this film - in reality he's soft-spoken and unassuming, yet the character he's playing is not at all those things. To say that this role was a stretch somehow doesn't do the performance justice - Attenborough literally becomes the RSM, and every moment he's on screen is incredible. Some reviewers assume that his performance is over-the-top, but I can assure everyone that British NCOs do act like this - or at least they did in the 1960s - I had the honour of knowing one of them.
Not that Attenborough is doing it all alone - the other performances are perfect too, as is the direction. The fact that the film was made in a studio in England makes you realise what a great job a truly great crew can do for a film - there's no way you'd think this movie wasn't made in Africa.
Altogether a fantastic movie - probably the best new film (new to me anyway) I've seen in the last two years. This blows everything else out of the water.
Oh, and for those worried that it's a war film - definitely not. It's a drama set in a military barracks, but psychological drama is what we have here, and unlike a lot of those kinds of films this one has a heart and a sense of humour. Don't miss this one!
The film stands squarely on Richard Attenborough's pitch-perfect performance as a Regimental Sergeant Major - the performance of a lifetime, especially when you consider that Attenborough is the complete opposite of the character he plays in this film - in reality he's soft-spoken and unassuming, yet the character he's playing is not at all those things. To say that this role was a stretch somehow doesn't do the performance justice - Attenborough literally becomes the RSM, and every moment he's on screen is incredible. Some reviewers assume that his performance is over-the-top, but I can assure everyone that British NCOs do act like this - or at least they did in the 1960s - I had the honour of knowing one of them.
Not that Attenborough is doing it all alone - the other performances are perfect too, as is the direction. The fact that the film was made in a studio in England makes you realise what a great job a truly great crew can do for a film - there's no way you'd think this movie wasn't made in Africa.
Altogether a fantastic movie - probably the best new film (new to me anyway) I've seen in the last two years. This blows everything else out of the water.
Oh, and for those worried that it's a war film - definitely not. It's a drama set in a military barracks, but psychological drama is what we have here, and unlike a lot of those kinds of films this one has a heart and a sense of humour. Don't miss this one!
¿Sabías que...?
- CuriosidadesBritt Ekland had been cast as Karen Eriksson but pulled out three weeks into production. She had just married Peter Sellers who apparently was so jealous of her casting alongside John Leyton that he asked his actor friends David Lodge and Graham Stark who were also in the cast, to secretly spy on her. After being frequently quizzed on the telephone by Sellers about the shooting and who she acted with, Ekland left the Pinewood Studios in Buckinghamshire, and joined Sellers in Los Angeles. 20th Century-Fox sued Ekland for $1.5 million; Sellers counter-sued for $4 million claiming the Fox suit caused him "mental distress and injury to his health".
- PifiasThe personal weapon used by the British is the Sterling sub machine gun which replaced the Sten in the British Army in 1953. This weapon is held with the left hand on the barrel and never the magazine or housing. Holding the magazine is a throwback to its predecessor, the Sten. The experienced senior members of the Mess are holding it incorrectly whilst the most inexperienced among them (Private Wilkes) holds it correctly and naturally.
- Citas
RSM Lauderdale: Will you stick a boomerang in that great Aussie cakehole of yours until I've finished?
- ConexionesFeatured in Film Review: Richard Attenborough (1968)
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- How long is Guns at Batasi?Con tecnología de Alexa
Detalles
- Duración1 hora 43 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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By what name was Cañones en Batasi (1964) officially released in India in English?
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