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Cita en Las Vegas

Título original: Viva Las Vegas
  • 1964
  • Approved
  • 1h 25min
PUNTUACIÓN EN IMDb
6,4/10
9,8 mil
TU PUNTUACIÓN
Elvis Presley and Ann-Margret in Cita en Las Vegas (1964)
Musical rockComediaMusical

Un piloto de carreras se prepara para el Gran Premio trabajando como camarero para pagar su nuevo motor. Pronto entabla un romance con una hermosa joven.Un piloto de carreras se prepara para el Gran Premio trabajando como camarero para pagar su nuevo motor. Pronto entabla un romance con una hermosa joven.Un piloto de carreras se prepara para el Gran Premio trabajando como camarero para pagar su nuevo motor. Pronto entabla un romance con una hermosa joven.

  • Dirección
    • George Sidney
  • Guión
    • Sally Benson
  • Reparto principal
    • Elvis Presley
    • Ann-Margret
    • Cesare Danova
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,4/10
    9,8 mil
    TU PUNTUACIÓN
    • Dirección
      • George Sidney
    • Guión
      • Sally Benson
    • Reparto principal
      • Elvis Presley
      • Ann-Margret
      • Cesare Danova
    • 132Reseñas de usuarios
    • 49Reseñas de críticos
    • 69Metapuntuación
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
    • Premios
      • 3 nominaciones en total

    Imágenes175

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    + 167
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    Reparto principal78

    Editar
    Elvis Presley
    Elvis Presley
    • Lucky Jackson
    Ann-Margret
    Ann-Margret
    • Rusty Martin
    Cesare Danova
    Cesare Danova
    • Count Elmo Mancini
    William Demarest
    William Demarest
    • Mr. Martin
    Nicky Blair
    Nicky Blair
    • Shorty Fansworth
    Robert Aiken
    • Driver
    • (sin acreditar)
    Don Anderson
    Don Anderson
    • Wedding Guest
    • (sin acreditar)
    Larry Barton
    • Son of the Lone Star State
    • (sin acreditar)
    Toni Basil
    Toni Basil
    • Dancer in Red Dress (What'd I Say)
    • (sin acreditar)
    Herman Boden
    • Casino Patron
    • (sin acreditar)
    William Burnside
    • Son of the Lone Star State
    • (sin acreditar)
    Carl Carlsson
    Carl Carlsson
    • Juggler
    • (sin acreditar)
    Ruth Carlsson
    Ruth Carlsson
    • Juggler
    • (sin acreditar)
    Regina Carrol
    Regina Carrol
    • Showgirl
    • (sin acreditar)
    Steve Carruthers
    Steve Carruthers
    • Maitre 'd
    • (sin acreditar)
    Jack Carter
    Jack Carter
    • Casino Performer
    • (sin acreditar)
    Taggart Casey
    • Guard
    • (sin acreditar)
    George Cisar
    George Cisar
    • Manager of Swingers
    • (sin acreditar)
    • Dirección
      • George Sidney
    • Guión
      • Sally Benson
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios132

    6,49.7K
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    Reseñas destacadas

    8bobyyy223

    I enjoyed it very much.

    I have always been an Elvis fan, but I've never really seen a movie with Ann-Margaret featured in it. I always thought she was just a (very) pretty face, but I feel bad that I only now know what a dynamic entertainer she was in her day...and what a knockout!!! The scene."The lady loves me" is such a keeper!!! Forty-one years later, it's still a blast. Most people would call it corny as hell, but I thought it was a great performance by both Elvis and A-M. I just really don't think there are any female performers today with the combination of looks, personality and overall talent of Ann-Margaret in her hey-day!...a terrific movie....
    7minerva-11

    Ann-Margret, what a cool woman.

    For me this is one of Elvis' best, and all because of his oh-so cool leading lady. The songs are terrific; using some priceless musical banter and really catchy tunes- check out the duet "She Loves Me". And, of course, that amazingly 60s dance number set in the college gymnasium "Lovin' my Baby". Ann-Margret is simply brilliant and there is a real chemistry between herself and the King. Watch this film if you get the opportunity.
    movibuf1962

    Elvis meets his perfect match.

    I used to not be a big fan of Elvis movies. For all of his talent with a song, his films (with a few exceptions) were basically all the same formula: a crooning playboy situated in (exotic location of your choice), with any number of young, excited women waiting in the wings. But in "VLV" he has a more independent-than-usual female co-star (the stunningly beautiful Ann-Margret), who not only matches him in sex appeal, but who forces him to fight for her affection. It's a wonderful match of wits, from the first number, "The Lady Loves Me." They are both marvelous as they each musically bait the other, right up until he takes a header into a swimming pool. (In subsequent scenes they water ski, have a western-style showdown, tour Vegas in a helicopter, and dance in a gymnasium.) Later, when they both compete in the same talent show, A-M gives Elvis a run for his money with her hotter-than-hot striptease "Appreciation." It's perfect that the final shot in the movie is a split-screen of the title song sung (by him) and danced (by her). If no one knew that they were having a romance in real life; they'd figure it out from the chemistry generated in this film. This one and "G.I. Blues" (which features another independent co-star) are my favorites.
    tigerman2001

    Viva el Rey! (and Viva Ann Margret, too!)...

    I love this film! Actually, every time that I see it I like it more. I'm biased, of course, being an Elvis fan (hey, isn't everyone?...if you're not, you should give it a try), but it's still an entertaining way to spend a while. The film's not based on the strongest storyline ever created and it relies on the chemistry between foxy mamacita Ann Margret and the King himself, and that's more than enough. The two had some intense off-screen things going on, too, and perhaps that helps the movie. Both Elvis and Ann Margret look great and they trade lines perfectly. Elvis is more engaged in this film than he had been in any since 1961 and the result's one that he could have been proud of. The shame is that the glossy musical formula than began with 1960's "GI Blues" became an endless rerun throughout Elvis' '60s Hollywood career, but "Viva Las Vegas" is perhaps the highlight of these musicals. Perhaps it's no coincidence that this film has less singing than the ones before and after, the songs all fitting well within the plot. The songs are also among the strongest of Elvis' '60s soundtrack offerings -- pretty much all of them are great tunes. This was most definitely not the case even in earlier films and would progressively become less the norm in subsequent years. The cinematography is also first-rate, as are lighting and transitions -- all of the things that add up to 'production value.' Lush colors and effective use of scenery -- natural and manmade -- included. This is obvious right from the opening credits and is stunningly apparent in the musical numbers. It really looks like a lot of thought went into how the songs were staged, lit, and filmed and that alone is a departure from Elvis' norm. Even most of the other of the better '60s films just stick Elvis up there, singing, while they roll film. Not a lot of imagination very evident in that approach. Check out the great presentation work on songs like "C'mon Everybody" and "What'd I Say," as well as the classic "Viva Las Vegas" talent-contest scene and the perfectly-executed "I Need Somebody To Lean On" scene in which onscreen Elvis is double-tracked with a melancholy inner-voice Elvis. Great stuff.

    The film's -- to me -- probably the most entertaining and enjoyable of any of Elvis' '60s musicals. In that category I include most of the films that Elvis shot during the '60s except for the two dramas of 1960 ("Flaming Star" being a particularly excellent film), the two song-sparse movies of 1961 ("Kid Galahad" and the great "Follow That Dream"), and some of the late '60s movies that included only one or a few token songs and had stronger storylines ("Live A Little, Love A Little," "Stay Away, Joe," "Charro!," "The Trouble With Girls," and "Change Of Habit"). Actually, "Viva Las Vegas" is even more enjoyable than most of these ones, too.

    Among the supporting actors are Cesare Danova, a beatnik-y Nicky Blair, and William Demarest (Uncle Charlie from "My Three Sons"!), all of whom do a great job. Sharp eyes might also catch Terri Garr, especially in the "C'mon Everybody" scene, though she's in at least one or two others in the film. Red West, Elvis' bodyguard (he also wrote a song -- "If You Think I Don't Need You" -- used in this film) is an extra in the scene that included a bunch of Texas rowdies. Lance Le Gault (a blues singer and Elvis' double in '60s films, inadvertently seen in "Kissin' Cousins" and on full display as a tambourine-player in Elvis' sensational leather-clad 1968 'comeback' shows...he was also Colonel Decker on TV's "The A Team") plays a waiter who, ironically enough, is mistaken for Elvis by Ann Margret's character.

    But yeah, when it comes down to it this is a film that succeeds primarily on the strengths of its male and female leads. Some great work by supporting actors doesn't hurt, but Elvis seems inspired to do a good job of acting -- not the walk-through that was becoming increasingly tempting in the face of uninspiring and mediocre storylines and production staff and accountants who didn't care about quality as long as the film was completed on time and on budget to result in the predictable crazy profits that Elvis movies generated in the first half of the '60s. The scene with Elvis waiting on the Count and Rusty exploits Elvis' comedic talents and was a nice touch. I'm surprised, really, that the pairing of Elvis and Ann Margret was never attempted again. They could've done "Grease" in '68!

    The film also accomplishes its travelogue role and both it and the title song have become inextricably linked with that desert city. For those of us who have only visited Vegas in more recent years, and to those who remember it as it was in the summer of 1963, this film is a handy time capsule to the Vegas of yore. It was a kick for me to see Elvis and Ann Margret at the Sahara's camel statues because I had my picture taken there, atop one of the camels, back in the '80s (without realizing that it had such a direct Elvis connection). Cool!

    All in all, if you haven't yet seen this film you might just enjoy it. It's not going to change your life (then again...who knows?) and it's not "Citizen Kane" (it's a lot more fun, though), but it's a classic of its kind. Scratch that -- it's just a classic. Unfortunately, a couple of months after wrapping "Viva Las Vegas" Elvis began production of "Kissin' Cousins," a film from producer Sam Katzman ("King of the Quickies") that was as cheap and nasty as they come and that showed the way to even greater profit (but at what cost?).
    7blanche-2

    Star chemistry makes this a cut above the usual Elvis fare

    Viva Las Vegas is a highly entertaining and lively film, sparked by the chemistry of its two gorgeous stars, Elvis Presley and Ann-Margret.

    When Ann-Margret appeared on Larry King last year, King kept bringing up Elvis, but she wasn't about to talk about him. They were certainly a hot couple, and if they were crazy about each other, which reportedly they were, who can blame them?

    There is absolutely nothing special about the story, but the movie has some delightful musical numbers, including the title song - which has become part of the popular culture as it personifies everything Vegas.

    Colonel Parker wasn't happy about Viva Las Vegas because he felt that Ann-Margret was getting too many closeups in an Elvis Presley film. But without her sexy presence, the film would have lacked a lot of its energy.

    Elvis was unhappy making this kind of movie, and I imagine he was more willing to go to work with Ann-Margret on the set. It's fun to see them so young and beautiful, and having fun.

    Más del estilo

    Chicas, chicas, chicas
    5,6
    Chicas, chicas, chicas
    El rock de la cárcel
    6,5
    El rock de la cárcel
    Amor en Hawai
    6,1
    Amor en Hawai
    El ídolo de Acapulco
    5,9
    El ídolo de Acapulco
    Hazme cosquillas
    5,8
    Hazme cosquillas
    Loco por las muchachas
    6,3
    Loco por las muchachas
    Puños y lágrimas
    6,1
    Puños y lágrimas
    Kissin' Cousins
    5,3
    Kissin' Cousins
    Pista de carreras
    5,5
    Pista de carreras
    El trotamundos
    6,0
    El trotamundos
    El barrio contra mí
    7,0
    El barrio contra mí
    Mi regalo de cumpleaños
    5,8
    Mi regalo de cumpleaños

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      This was the biggest grossing of all Elvis Presley's movies, eclipsing his previous all-time top hit, Amor en Hawai (1961), by about $450,000.
    • Pifias
      When Rusty is dancing in a lavender bodysuit, she wears high heels until about 2/3 way through and then she is shown with lavender ballet slippers.
    • Citas

      Rusty Martin: Can you help me, please?

      Lucky Jackson: Can we help you? Yes ma'am.

      Rusty Martin: Well, then, I'd like you to check my motor, it whistles.

      Lucky Jackson: I don't blame it!

    • Conexiones
      Edited into Kingdom: Elvis in Vegas (2007)
    • Banda sonora
      The Yellow Rose of Texas/The Eyes of Texas
      (uncredited)

      Written by Don George, adapted by Randy Starr and Fred Wise/John Lang Sinclair

      Performed by Elvis Presley

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    Preguntas frecuentes18

    • How long is Viva Las Vegas?Con tecnología de Alexa
    • Is is true Ann-Margret upstaged the King?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 20 de mayo de 1964 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Official Site
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Amor en Las Vegas
    • Localizaciones del rodaje
      • Las Vegas, Nevada, Estados Unidos
    • Empresas productoras
      • Metro-Goldwyn-Mayer (MGM)
      • Jack Cummings Productions
      • Winters Hollywood Entertainment Holdings Corporation
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

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    • Presupuesto
      • 1.000.000 US$ (estimación)
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 25min(85 min)
    • Relación de aspecto
      • 2.35 : 1

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