Decoy

This past Christmas, I found a $3 discount DVD with four episodes of this obscure 1950s TV series. I was intrigued about a cop show featuring a female police officer dating back to the Father Knows Best and I Love Lucy era. Plus I admit I thought Beverly Garland looked cute in uniform.

I was very pleasantly surprised to discover - at least based upon the 4 episodes on the DVD - that Decoy was an excellent, ahead-of-its-time show. Yes, it was very much a forerunner of Police Woman, only without the cheesiness. In fact the show felt a lot more like Dragnet - complete with Garland providing a Jack Webb-style narration.

The 4 episodes all focused on women being victimized by crime, and Policewoman Casey Jones' efforts to right wrongs, often acting undercover (in one episode she becomes what is called a "honey trap" to attract a bad guy). Despite it being 1957-58, an era when women were not expected to be action heroes, Beverly Garland provides a surprising amount of action in an appealingly understated way, whether it be sneaking through a forest to snatch a hostage to freedom, or (in the DVD's most memorable moment) outdrawing a bad guy with a rifle!

Casey Jones is a character who takes her work very seriously. Perhaps too seriously -- but then Joe Friday was never a bundle of laughs, either. If I had to pick a modern-day equivalent to Casey, it would have to be Mariska Harigtay's policewoman in Law and Order Special Victims Unit. The two characters have much in common.

Sadly, Decoy only ran one season (and it looks as if some episodes were in cold storage for a couple of years before being aired), and while there are a few DVDs out there with episodes, the series looks set to fade into undeserved oblivion. Personally, with the popularity of such female action hero series as Alias and La Femme Nikita on TV and on DVD these days, I think a DVD release of the Decoy series would be a great move. Decoy is undeniably an historical document - but it stands up well more than 45 years later.

Watching this on Amazon Prime. It's a series I hadn't had the opportunity to view on television. Yes, it's dated and some police techniques might seem questionable by today's standards, but it's ahead of its time by focusing on a female police officer and female victims and criminals. Lots of terrific early performances by actors who became well known and respected.

Stumbled across this on YouTube and ended up watching all 39 episodes - some better than others , most kept interest and some very good indeed - I remember having seen Beverly Garland in guest roles in many other tv shows back in the day - Westerns etc - she was very good - had great expressive eyes that did get the acting - The NYC locales were good and her voice overs added to the intimacy of the scripts - The Amazing thing was the number of later very familiar stars and character actors that appeared in this small syndicated show - if look up show on Wiki it lists them, over 35 listed - Peter Falk , Suzanne Pleshette , Simon Oakley and Barbara Barrie and on and on - almost a time capsule for fans actually . All from back in the day.

Most lead characters on TV cop shows in the 1950s and 60s were guys. Decoy was a departure from the usual fare by casting Beverly Garland as Policewoman Casey Jones. Amazon Prime currently has all episodes available.

"Decoy," a title fitting perfectly with Casey's assignments, would have benefited with the more marketable name "Policewoman." Surprisingly the classictvhistory.wordpress blog only mentions Decoy once in an article about Brenner, another late-50s Manhattan-based crime show. It deserves a detailed analysis.

What I first noticed about Decoy is the performance by the great Beverly Garland and her sympathetic yet no-nonsense, duty-bound and calm characterization. There is no humor whatsoever in Decoy, not even fatalistic police humor or the sardonic closing line of a conversation that Jack Webb practically patented in Dragnet. In her narration, she accepts her job with a sense of pessimism about the worst qualities of human nature that she knows will continue to repeat. What real policemen and policewomen see and deal with everyday would break the average person.

Then there's the world Casey lives in, when police science technology was still fairly crude and a lack of knowledge by the TV writers about the physical reality of criminal acts, something that continues in today's TV and films. She relies on her intuition and her ability to influence criminals to accept her so she can find the evidence or get the confession that allows her to slap the cuffs on them. There's very little gun play and shootouts, no insane car chases or gun glorification that's filled TV screens for decades and there's not much physical violence, something that Angie Dickinson's Policewoman would make up for in the more permissive 1970s, adding sexual themes and an emphasis on Dickinson's sex appeal to the mix.

The black and white location shooting of New York City and outer boroughs, when the city was heading to a decline adds a huge downbeat, melancholy tone. The dirty streets, sense of decay and crumbling tenements that Naked City also captured (and Hawk did in color in the 60s) creates a moody, grim feel to Casey's thankless job. The threadbare, shabby studio sets, a standard in 50s TV, reinforces that atmosphere. The brief, opening theme music to Decoy is stock, used in several earlier movies, and creates a sense of impending doom that sets the pace.

Casey solves her cases with a sense of fatalism, knowing that solving a case doesn't close the book on the tragedy in the wake of a crime. Families are destroyed, reputations are tarnished.

Later on, Beverly Garland opened the Beverly Garland hotel in Studio City. I occasionally attended movie collectible shows at the hotel but never had the chance to meet her and get an autograph. Now called The Garland as of 2014, it was built by her second husband.

Yes, this is a wonderfully gritty, no-nonsense cop yarn. What struck me is: Where's the sexism? Where's the condescension? Where's the "Oh, ya gonna arrest me, Officer Sweetie Pie?" This was the Fifties, right? It's a cop show with a twist: a cop who gets emotional over what she sees and what she has to do. But Casey Jones never, and I mean never, lets it get in the way of her completely professional approach to her job. She works with male officers, and they are nothing if not equals, comrades in arms. And for those of you who know Beverly Garland only from the fluff of My Three Sons, have you got a surprise coming. Great entertainment all the way around. And for something a little snappier, try Front Page Detective.