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IMDbPro

Final Curtain

  • 2012
  • Not Rated
  • 22min
PUNTUACIÓN EN IMDb
4,5/10
255
TU PUNTUACIÓN
Jeannie Stevens in Final Curtain (2012)
HorrorShort

Añade un argumento en tu idiomaAfter a horror play's final performance, The Vampire roams the theater.After a horror play's final performance, The Vampire roams the theater.After a horror play's final performance, The Vampire roams the theater.

  • Dirección
    • Edward D. Wood Jr.
  • Guión
    • Edward D. Wood Jr.
  • Reparto principal
    • Duke Moore
    • Dudley Manlove
    • Jeannie Stevens
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    4,5/10
    255
    TU PUNTUACIÓN
    • Dirección
      • Edward D. Wood Jr.
    • Guión
      • Edward D. Wood Jr.
    • Reparto principal
      • Duke Moore
      • Dudley Manlove
      • Jeannie Stevens
    • 12Reseñas de usuarios
    • 10Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Imágenes10

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    Reparto principal3

    Editar
    Duke Moore
    • The Actor
    • (as James 'Duke' Moore)
    Dudley Manlove
    • Narrator
    Jeannie Stevens
    • The Vampire
    • (as Jenny Stevens)
    • Dirección
      • Edward D. Wood Jr.
    • Guión
      • Edward D. Wood Jr.
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios12

    4,5255
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    Reseñas destacadas

    gortx

    Ed Wood's suspense pilot

    It's basically a radio drama with pictures. Duke Moore stumbles around a large empty theater while Dudley Manlove drones Ed Wood's dialogue on and on and on. When the Duke finally comes across a 'surprise' behind a door (Jeannie Stevens) it looks like dialogue might break out.............but, no. Duke closes the door and Manlove drones some more. Cinematographer William C. Thompson gives it a better look than it deserves. The music and sound FX aren't bad, but, again, those latter two elements would have worked just as well on radio. It's no surprise that even in an era with shows like Lights Out and Tales of the Unexpected, there were no takers for this talky nothing of a pilot. At least Wood got to recycle some of it for NIGHT OF THE GHOULS.
    1planktonrules

    Too bad the network execs weren't completely insane...otherwise this MIGHT have been a TV series.

    "Final Curtain" is a pilot for a failed TV series from Ed Wood that was assumed lost. However, back in 2012, it was shown at a film festival and since then someone posted it to YouTube.

    The film is not as horrible as some of Ed Wood's other productions...not that this is a glowing endorsement. But if you didn't know it was from Wood, you might think it was some art film!

    The pilot is much like major portions of "Plan 9 From Outer Space" in that it obviously was shot without sound and to 'cleverly' get past this, there's some ultra-bizarro narration and weird edits. As I said, it seems much more like an art film than anything else....a very BAD art film. Most of it simply consist of a guy in a tux staring about an empty theater as nonsensical narration supposedly tells his increasingly distraught thoughts of terror.

    While this is a bad film and it's obvious why the proposed series never was made, for laughs I suggest you show the film (without the opening credits that say it's from Ed Wood) to a pretentious friend. Tell them it's a lost Ingmar Bergman film he made for American TV...and watch them wax philosophical about this great pilot and how it would have changed TV for the better.

    Overall, very bad but not nearly as bad as Wood could have done!
    5HEFILM

    Pretty good Wood

    Go in understanding this is basically a story or radio play read while an actor reacts and searches through an empty theater. The fact that it was shot at a real, at the time, abandoned theater helps greatly as does Woods good choices of stock music to support the voice over and visuals.

    For all that it is kind of creepy and moody--the crazed voice over somehow works with the purposefully twisty words. Wood keeps the visual pace pretty fast as well as far as the editing goes. The acting and voice over are pretty stagey but given the stage setting Wood gets away with this too---it has a legitimate camp value in the true meaning of the word.

    Nice final shot too--by the way.

    Some of what people love/hate Wood for is really the fact that he almost never had enough money to pull off a film that was slick enough to not have distracting--or at times-hilarious--low budget defects.

    With this movie the fact that it's so limited in scope prevents total low budget lapses--for the most part.

    If you like CARNIVAL OF SOULS and or DAUGHTER OF HORROR this has some of the effectiveness and mood of those--though this is a short not a feature.

    If you like Wood--because you like him or like him because you think he sucks, let's face it you won't want to miss this and should not miss it.
    Michael_Elliott

    Technically Probably the Best Thing Wood Did

    Final Curtain (1957)

    ** 1/2 (out of 4)

    This short film was originally meant as the pilot episode for a TV series that never got off the ground but the interesting thing is that this was actually made before The Twilight Zone and it's perhaps the best thing Edward D. Wood, Jr. did in his career. The setting is an abandoned theater where an actor (Duke Moore) begins to walk around and feels that he's not alone. This film was lost for several decades until a print recently turned up and until then the only thing really known about it was that rumor had it Bela Lugosi, who was meant to play the actor, died while reading the screenplay. I think it's safe to say that this is the best thing Wood ever did on a technical level. There's no question this has a very low budget but I thought Wood actually did a good job at building up some nice atmosphere. He also did a very good job with the editing as he's trying to do a psychological horror film and one clearly influenced by the work of Edgar Allan Poe. I think this is a major discovery for fans of the director simply because it shows him doing a horror film and in a way that isn't seen in his other works. I'd add that the dialogue isn't nearly what you'd expect from Wood as it's actually decent! There are some major problems with the film though. For starters, at 22-minutes it's a tad bit too long for its own good as around the ten-minute mark you start asking yourself what the point is. You also keep wondering why the actor is walking around as it's never made clear as to why he doesn't just leave. I also didn't care for the narration by Dudley Manlove as at times it's way too over-the-top. With that said, overall this is a fairly impressive film by Wood's standards and something his fans will want to check out.
    3microx96002

    If only Dudley would shut up!

    This could have been something if someone like the great Boris Karloff would have narrated it. But, unfortunately we get Dudley (Plan 9 from Outer Space) Manlove, and that is a little bit over the top. In fact annoying would be a better term. It's a good thing I'm an Ed Wood fan, or I couldn't bear the short 20 minute running time.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Bela Lugosi was reading the script for this movie when he died.
    • Pifias
      The theatre is supposed to be totally deserted, except for the Actor. But at 1 minute, 48 seconds, in the reflection of the glass on a machine, you can clearly see a crewman walking along.
    • Citas

      Narrator: I cannot tell where space ends, and the auditorium walls begin. But, do I really want to know? Something deep from within my very being draws me from this stage... I must see the floors above, to enter into the costume rooms, the scenery rooms, the make-up rooms, all those rooms where one may change his appearance to any character nameable.

      [ominous thunderclap]

      Narrator: And unnameable.

    • Conexiones
      Featured in Night of the Ghouls (1959)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 23 de enero de 2012 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Последний занавес
    • Localizaciones del rodaje
      • Ocean Park Pier, Santa Mónica, California, Estados Unidos(Dome Theatre)
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      22 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.37 : 1

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