Tarzán y los cazadores

TARZAN AND THE TRAPPERS (Sol Lesser Productions, 1958), directed by Charles Haas and Sandy Howard, became the second and final installment in the series to feature Gordon Scott (Tarzan), Eve Brent (Jane) and Rickie Sorensen (Boy). Unlike their previous entry, TARZAN"S FIGHT FOR LIFE (Metro-Goldwyn-Mayer, 1958), this edition was not theatrically released nor filmed in color. In fact, TARZAN AND THE TRAPPERS was reportedly said to be three separate television episodes from a proposed TV series that was never bought by any of the three major networks. Instead, the episodes were edited together to form a feature length 70 minute feature film that didn't get publicly shown until some time in the 1960s. New lettering titles superimposed over different Tarzan and then various animals roaming the jungle are presented for its opening credits before an off-screen narrator introduces how jungle life being "instant death or narrow escapes being the point of every day life" before introducing Tarzan, the jungle warlord hero, as one who befriends the weak and helps the distress. The first part of the story introduces Tarzan and his family going through their daily routine. Their pet chimp, Cheta, rescues Jane from a poisonous snake crawling on her leg. Soon Tarzan hears sounds of frightened animals from afar and swings on the vines to investigate. An elephant has been shot and killed by Schroeder (Leslie Bradley), a hunter and boss man to the trappers, along with his assistant, Rene (Maurice Marsac) and a couple of native tribesmen. Chaining a baby elephant's leg to a tree, Tarzan arrives to free the animal. By doing this, Schroeder holds Tarzan at gunpoint to abduct and cage both Cheta and Boy before driving away. Tarzan isn't far behind to plot his rescue. The second half of the story finds Tarzan receiving a message from tribesman, Tyana (Struther Crothers) that Lepin (William Keene) from the trading post, wants to see him, only to learn this to be a meeting between Tarzan and Sikes (Saul Gorss), brother of Schroeder, who, because of Tarzan, is now serving seven years for his illegal animal hunting. He plots vengeance against Tarzan to give him a two hour start running loose loose in jungle so he can hunt him down like an animal. Later, Sikes and the other men force Tarzan to lead them to the lost city of Zaro where they can acquire richness of hidden gold and jewels. Tightly edited, highly underscored with enough Tarzan yells and well staged battles to remind viewers that this is a "Tarzan" adventure. The scene shifts are obvious, especially during the early portion where Jane's long blonde hairstyle becomes a shorter cut following the opening of the second portion where her Jane gives son Boy an education by reading literary classics like "Treasure Island," before her hair resumes longer-length again as was for the introduction. While Rickie Sorensen's character is often identified as Boy (as in the Johnny Weissmuller series in the 1940s) in the story, there was one time where he's called Tartu (the name used from the previous Gordon Scott adventure of TARZAN'S FIGHT FOR LIFE). Though photographed in black-and-white, the scene of Tarzan riding a giraffe, along with actual African scenery and natives were lifted from that FIGHT FOR LIFE color film into this edition as well. Of the three portions of the story, the first was better while the second shows promise of a re-enactment to Richard Connell's exciting story to "The Most Dangerous Game," where Tarzan becomes the hunted, actually a disappointment due to edits. Jane and Boy are absent through long stretches of time during the second half of the story, leaving Tarzan to be the sole factor of interest through much of the proceedings. The final portion becomes typical scenario for the "Tarzan" series involving greedy hunters where old material is revamped and recycled, if nothing else. A public domain where TARZAN AND THE TRAPPERS was distributed to video cassette by various distributors, often double-billed packaged with TARZAN THE FEARLESS (1933) with Buster Crabbe, the made-for-television edition, also available on DVD, has shown on commercial and public television, along with cable channels as American Movie Classics (1998) and Turner Classic Movies (TCM premiere: September 17, 2011). Not the very best nor the worst of the Scott/Tarzan adventures, TARZAN AND THE TRAPPERS attempts to add something new to material that has seemed exhausted by this time.

While improvements were developed in future installments, recasting the Tarzan character (after Scott turned in his loincloth by 1960) to the form and likes of the thin Jock Mahoney (1962-63) and the muscular Mike Henry (1965-1968), before the Edgar Rice Burrough's jungle hero eventually became a prominent figure in his very own "Tarzan" television series (1966-1969) starring Ron Ely. Next in the series: Gordon Scott minus Jane and Boy in TARZAN'S GREATEST ADVENTURE (1959). (**)

At six foot three inches, with a muscular frame, Gordon Scott cuts a fine figure as legendary ape-man Tarzan: he's perfectly cast, even though his hair is rarely out of place while swinging from vine to vine.

But as impressive as the ex-lifeguard is in the role, Tarzan and the Trappers isn't one of the character's more memorable cinematic adventures, the film being edited together from three episodes for a television series that never happened. The result is, unsurprisingly, rather episodic and cheap looking, with a scrappy narrative that sees Tarzan foiling the plans of a party of animal-trappers, one of whom wants revenge on the ape-man for having his brother sent to jail, while another seeks a fabled lost city.

The action is formulaic and rather dull, with only a couple of fun moments to break the tedium: Tarzan riding a giraffe, and Cheeta the chimp raiding a bee hive for honey, with inevitable results. What this film sorely needed was a man-eating plant, some quicksand, a giant spider, and a tribe of cannibals. Eve Brent adds a little welcome glamour as Jane, but Rickie Sorensen is a little too 'Leave It To Beaver' as Boy.

Gordon Scott has a truly magnificent physique ("lucky Jane!" is all I can say), and is an excellent brawler, but his acrobatic ability is questionable at best: nearly all of his vine-swinging is filmed in long shots and appears to be stunt-doubled. Eve Brent is a stunning Jane, but she's barely in the film. The story itself is generic. ** out of 4.

Of the countless actors who have portrayed Tarzan since Elmo Lincoln first appeared in 1918's `Tarzan of the Apes,' Gordon Scott remains the best to ever don a loincloth. So it's no surprise that `Tarzan and the Trappers' is one of the better Tarzan films of the past 80 years. The 1958 film was actually intended to comprise the first three episodes of a television series, but instead was made into a better-than-average Sol Lesser production that runs 74 minutes. The film's story remains contemporary, with Tarzan forced to fight for his own life while stopping greedy traders from illegally trapping and removing wildlife from the jungle.

With the future of much of the world's wildlife in question, the story is as compelling now as it was 45 years ago...

This Tarzan film was originally put together from episodes of an unsold T.V. series. This explains the films bifurcated structure. I have been told producer Sol Lesser then edited the episodes together and released it overseas as a feature in some markets. I also understand Americans did not get to see this film until 1966 when it was sold as part of a Tarzan film package to television. As a theatrical release, it looks like a third rate Tarzan film designed to fill out the second half of a double bill. But viewed as what it was intended as; a saturday morning kiddie show from the fifties, it looks better than other shows from the same era such as SHEENA, QUEEN OF THE JUNGLE and RAMER. I'm surprised this potential Tarzan T.V show did not sell.By the way, Eve Brent makes a sexy blonde Jane.