Tu mano en la mía

This is the sentimental biography of the life of Ernest Loring (Red) Nichols, a trumpeter/band leader during the 1930's. Danny Kaye does a great job playing Red and Barbara Belgeddes plays his wife, Bobbie. Tuesday Weld plays his daughter, Dorothy. The movie follows Red through his career as a great jazz trumpeter who gives up music for family. A must see for Danny Kaye and Big Band fans. Some of the members of Red's "Five Pennies", as his band was known, were Glenn Miller and Jimmy Dorsey. Louis Armstrong puts on a stellar musical performance as himself. Red Nichols does the trumpet solos. Great music, good family viewing.

Sentimental biography of a famous jazzman , Red Nichols, stars Danny Kaye paying tribute to this great musician by providing a terrific acting and whose traumatic private life was a little shocking for Hollywood standards . Along the way , there appears Louis "Satchmo" Armstrong who plays his horn and croons in that famed gargling-granite voice. Other famous horn players and Big Band icons as Bob Crosby, Ray Anthony and Shelly Manne join the fun.

The plot is plain and simple , an engaging biographic chronicle , featuring perormances from legendary musicians as Bob Crosby, , Bobby Troup , Ray Anthony , Luis Armstrong and Red Nichols magnificently played by Danny Kaye who cuts loose with his trademark musical clowning . The film is a Danny Kaye recital , he plays his horn , sings ,and puts some faces and grimaces . Sylvia Fine , Kaye's wife , is the lyricist , composer , besides associate producer and dialogs writer , and responsible for many of the best known musical routines and songs for her husband . This is a mirth as well as melancholic rhapsody in which the duo starring : Danny Kaye as the extraordinary jazzman and Barbara Bel Geddes as the woman who he loved , both of whom giving awesome performance . An engaging and charming film , though tends to be overlong and slow-moving at times , concerning a dramatic portrayal of a horn player who fights to fill his need for music , while becomes trapped in some dramatic misfortunes . Accompanying them a lot of wonderful of secondary actors and musicians , such as : Harry Guardino , Bob Crosby, Bobby Troup , Susan Gordon , Ray Anthony, Shelly Manne and a teen Tuesday Weld. What the script lacks in originality is amply made up for the extraordinary music and outstanding cast . Highlights the moving musical score by composer Leith Stevens and colorful cinematography by Daniel L. Fapp , while enjoyable apperance by Louis Armstrong make it a must-see for Jazz enthusiasts .

This musical drama was competently made by one of the best Golden Hollywood directors , Melville Shavelson. His movies have a special penchant for recapturing a particular atmosphere , many of this movies are about real people but they remain muted in impact . A notorious screenwriter , Bob Hope and Danny Kaye features Shavelson's movies when he became filmmaker and his films with them are the most successful such as : ¨The seven tittle Foys¨ , Beau James¨, ¨On the Double¨ and ¨Five pennies¨ . Shavelson's later pictures were made for TV and mostly biographies as ¨The great Houdini¨ , ¨Ike¨, ¨Ike : the war years¨, and ¨The legend of Valentino¨ which remains the best work on the subject to date . Two of the best films resulted to be ¨¨Cast a giant shadow¨ , an epic movie with all-star-cast dealing with the birth of Israel and one of his biggest hits was ¨Yours , mine and ours¨. The Five Pennies (1959) rating : 7/10 . Better than average. The flick will appeal to Jazz lovers and Danny Kaye, Louis Armstrong fans.

This little gem can be appreciated on two levels. Non-jazz fans who have never heard of Red Nichols will find a fine little "family movie," which despite its 192O's-speakeasy milieu offers up nothing seamier than the observation by Red's wife, Bobbi (Barbara Bel Geddes in a performance of remarkable warmth) that their daughter has come to believe that "breakfast is a cup of coffee and an aspirin." The story of the daughter's attack of polio and her fight to walk again is unflinching and the first-time viewer should pack sufficient Kleenex. Fans of Danny Kaye will find plenty of examples of his trademark clowning, but they'll also find moments of wonderful dramatic and introspective acting.

The most remarkable scene in the movie: a guilty Nichols/Kaye, feeling that his daughter's polio is the direct result of his neglect of her in favor of jazz, promises God that if she survives, he will give up music and devote himself to her care. Sound hokey? Could have been. But the scene where Kaye throws his cornet into the river is absolutely spine-chilling. He stops, tenderly caressing the cornet keys, allowing the happy memories to pass wistfully over his features...then coldly, abruptly, tosses the instrument into the waters below. When Kaye straightens up, he seems to have aged twenty years and gained fifty pounds...a remarkable scene.

The second level on which the film can be appreciated: an introduction to a wonderful musician. Like "The Glenn Miller Story" and "The Benny Goodman Story," "The Five Pennies" makes little attempt to give an accurate portrayal of its subject. Ernest Loring Nichols, from all accounts, was a cool, calculating businessman, nothing like the madcap, freewheeling character played by Danny Kaye. As a cornetist he stood willingly in the shadow of his idol Bix Beiderbecke, whose playing style he strove (with some success) to duplicate. Despite the fact that Bix was the major personal and professional influence on Red, he is mentioned only once, toward the end of the film: "(in those early days) there was Louis (Armstrong), Bix and me--and that was it!"

Biographical inaccuracies aside, the pure tone of the real Nichols' cornet shines through brilliantly, and reaches out to grab the ear of the traditional jazz fan--at least it did mine. When I first saw the film in '81, I was a Glenn Miller and Benny Goodman fan, and knew Nichols only as a bandleader they had played with early on. The movie was a springboard, leading me to search out the albums, and the real biographical details, of the very real Red Nichols.

Incidentally, the film benefited the by-then largely forgotten Nichols greatly: just as the late-5O's dixieland-revival was gathering steam, he landed a Columbia contract, and recorded some wonderful stereo albums of his past hits--and of the music specially written for the film by Silvia Fine (Mrs. Danny Kaye). Though he died in '65 (while in Vegas to play a gig), his music lives on through these wonderful albums --and through the soundtrack on Decca, featuring not only Nichols but Louis Armstrong. Their duets, through placed in fictionalized scenes, stand as a legitimate audio document of two of the earliest and most influential cornetist/trumpeters in history playing together--in glorious, analog stereo. I'll join the others who've commented on this film in wishing that this wonderful soundtrack would be released on CD. (Not outside the realm of possibility: the soundtrack of "Pete Kelly's Blues, from the same time period, has just appeared on CD...so who knows?)

For both traditional jazz fans, and those who appreciate wholesomely uplifting (but NOT goody-goody) film, this movie is a treasure.

Danny Kaye is known for his comic roles; for his laughter, his singing, his dancing, his light-hearted humor. But this movie presents a different Danny Kaye - serious, brooding, consumed with guilt, confronted by really serious problems - and here Danny Kaye shines. This movie is proof that if he had to, Danny Kaye could have been one of the greatest dramatic actors in the history of motion pictures. There is no question about that. In this movie, Kaye puts aside the clowning to play a subdued, moody and introspective character who nevertheless is still likable and worthy of attention. And it works! In the movie he wins over the audience, he wins over his family, he wins over his friends. And who can ever forget the scene with Louis Armstrong? Kaye's character overcomes all obstacles to triumph and to be loved. Only a highly skilled and sensitive actor could have done the job, and in this movie Danny Kaye proved that he had the requisite qualities to transform what could have been little more than a sudsy soap opera into a powerful statement about a man who, along with his family, not only survives but sets an example for others. For this reason, this movie is a powerful and compelling work of art.

This is an odd one.

I look back on 'The Five Pennies' in two parts. The first half of the film is uninteresting and slow, but once the story gets set and the second half comes to fruition it turns into something rather touching - which I didn't expect at all. By the end, I felt truly attached to the characters and their story - but that's weird, given how I didn't enjoy the early stages.

Danny Kaye is very good in the lead role of Red, especially towards the end. Susan Gordon (Dorothy, as a kid) impressed me a bunch, she has one fantastic poker scene with Kaye. Barbara Bel Geddes, meanwhile, plays the role of Willa well.

The film, a loose biopic on the real Red Nichols, is music-heavy. Early on I think that affects things from a film point of view, but you can at least tell the cast - particularly Kaye and Louis Armstrong (as himself) - are having a fun time.

Overall, I think it's lovely - but I can't recall a film that's split my feelings from start-to-finish as much as this did.