Ayer enemigos

This Hammer WWII b-movie was originally a stage-play, and with the contained setting and tons of dialog it's apparent..

But Stanley Baker turns in his greatest performance... a one-man show despite being surrounded by character-actors like faithful sergeant Gordon Jackson countered by idealistic reporter Leo McKern and priest Guy Rolfe, driving the central moral-quandary plot-line...

Beginning with their troop of disheveled British soldiers, lost and trudging through the Burmese jungle, happening upon a two-hut village where Baker's no-nonsense captain figures he MUST scare an informer by killing two elderly locals...

The best scenes occur during this first half when Baker's lethal, cold-blooded methods start becoming more clear and, because of the vital information gained, somewhat logical, and he never wavers to the ethical humanity in a village foreshadowing future Vietnam films (and their tropes) about murderous white soldiers...

These include Brian De Palma's CASUALTIES OF WAR and Oliver Stone's Oscar-winning PLATOON, still paling to this low budget, obscure gem mostly thanks to Stanley Baker...

Keeping up the same stubborn, determined intensity when the Japanese, led by an English-speaking, philosophizing Philip Ahn, turns the tables, and the adaptation becomes even more stagey and yet with tight, edgy suspense by Val Guest, one of Hammer's best directors, YESTERDAY'S ENEMY keeps the audience as locked-in as its unflappable leading man.

Obviously, TCM's recent showing of this film was an eye-opening experience for many people, as it was for me. The other reviews (with the exception of the one with the historical ax to grind, completely unsubstantiated by the film) express all my own reasons for appreciating the film. The excitement I want to share is this: After 63 years of movie-watching, chancing on a film entirely unknown to me... one that I have never even seen included in anyone's list of "Great War Movies"... that is so well-produced, -acted and -directed... just so damn GOOD. And to have that incredible feeling of DISCOVERY... another prize addition to my "collection" of film-going experiences.

And it was gratifying to see Phillip Ahn, so familiar from the 40's, play a key role so effectively.

"When You Go home, Tell Them Of Us And Say, For Your Tomorrow, We Gave Our Today"

There's a school of thought in film world that all war films are anti-war films, some, however, are the definition of such and are cream of the crop. Yesterday's Enemy is one such picture.

Out of Hammer Films, it's directed by Val Guest and written by Peter R. Newman. It stars Stanley Baker, Gordon Jackson, Guy Rolfe, Leo McKern and Philip Ahn. Story has the surviving members of a British Army Brigade holing up in a Burmese jungle village, where Captain Langford (Baker) happens upon a map that could prove critical to operations involving the Japanese forces in the area. Unable to get clarity from a potential traitor, Langford must make decisions that will outrage those in his quarters, but could well be for the greater good of the war effort. All while the Japanese are advancing on the village.

There is no music here, this is purely a sweaty black and white piece that booms with literary class. These men caught in a claustrophobic crossfire of moral quandaries, faiths and life altering judgements. Complex issues are brilliantly handled by Guest and his superb cast, with ace cinematographer Arthur Grant (shooting in MegaScope) completely making a mockery of the stage bound production to make real a Burmese jungle village. Come the sobering finale the realisation dawns that this was a bold movie for its time, pushing the boundaries of 1950s war movies. It's a must see film for anyone interested in the real side of that famous saying, war is indeed hell. 9/10

This movie is a terrific war piece of work, among the best ever, which Sam Fuller or Bob Aldrich could have done themselves. A pure men's tale, with no good vs evil silly scheme, as we usual see in war movies. Here British soldiers can behave like Japanese. I have always confounded this movie and Leslie Norman's THE LONG THE SHORT AND THE TALL. Another jungle patrol British film, very close to this one.

Well, I was astonished by how good this film is. Made by Hammer Films in 1959 and despite being shot entirely on set in England it has a deep sense of the grime, heat and fear of the Borneo jungle during WWII.

What really holds it together and creates the powerful generator for this film is a gritty, un-theatrical,un-sentimental performance by Sir Stanley Baker. He creates a 3 dimensional character and (Amazingly for a top ranked star) never tries to get the audience to "like him".

Other fine performances from Guy Rolfe and Leo McKern make this absorbing film seem way too short. The director Val Guest struggled to have the film released without any soundtrack music and this really helps the atmosphere and leaves it up the the actors to create tension without music bailing them out. There are quite a few unexpected twists and surprises too.

The subject matter in 1959 was rather brave and controversial so well done Hammer! It doesn't seem to be available on DVD or Blu-Ray so that goodness for Stagevu otherwise I might never have seen this little gem.