Route 66

Simply one of the finest shows from American t.v.This is an undeservedly "lost" show ,amazingly neglected when so many inferior 60's series are wildly overpraised.If you have never seen "Route 66" try to,it's a rare gem.The scripts are not just highly literate,but often close to poetic(no wonder Jim Aubrey,downmarketeer boss at CBS TV disliked it!).There's a great deal of acting talent in the guest roles-Boris Karloff,Lee Marvin,Robert Duvall,Warren Stevens,Lew Ayers,Michael Rennie,Martin Sheen,Dorothy Malone,Ed Asner,Walter Matthau,Edward Andrews,Leslie Nielson,Anne Francis,Jack Lord,William Shatner and Dan Duryea are just a few to look out for.The two part story "Fly away home" has a haunting tortured performance by Michael Rennie as a doomed pilot;"Welcome to Amity"featuring Susan Oliver is both uplifting and truly moving; in "A month of Sundays" the "Route 66" camera captures Anne Francis at the peak of her stunning beauty and series regular Martin Milner gives the performance of his life as a drug crazed Tod Stiles in "A thin white line".These are just some of the highlights in "Route 66".The location filming (unusual then and now),provides a marvellous time capsule of a now vanished America.

Just look to your left and click on guest appearances. If you do you're in for one heck of a surprise! This show had some great writing in the early years. Reruns were on the Nick-At-Night TV network in the eighties, I was so disappointed I haven't watched the network since. Every episode was a full and complete story, the writing had to be excellent to be able to pull in the caliber of talent that you see on this list. Many current and back then, future stars ought to make this show more visible than it is but sadly that's not the case. It had a great music score from Nelson Riddle and great stories written by Sterling Silliphant. Last but not least, a great car! PLEASE, SOMEBODY BRING THIS SHOW INTO OUR HOMES AGAIN.

I have been living in Asia for the past 32 years so I don't know if

reruns of "Route 66" have ever been running on television in the States

over the past 3 decades. But 20 years ago when I read Alvin Toffler's

prediction in The Third Wave that the future would see professionals

not loyal to any one company but working with an honest fervor at a

given task and then moving on to the next worthy challenge, my

impression was, "this guy is describing the world of Buz and Tod on

'Route 66'." In an era when America was composed of white collar

office workers and blue collar union members, all working towards a

pension, 'Route 66' was a breath of fresh air, an escape, and a

challenge to try something different as well as a reminder that one

should move on not with a sense of despair but with a feeling of

jubilation and wonder at what is over the next hill. Against the

current economic climate in both Japan and the U.S.A., such a reminder

is especially needed today. Let's move on with a sense of jubilation

and wonder. And to help us do it, bring back the "Route 66" series.

I got hooked on this through my obsession with Adam-12 and some tapes I bought off ebay. I've only seen 14 episodes, but they are 14 of the greatest TV episodes of any drama ever to make it into our homes. So few shows now make you think, but this does and that's good. Makes you think about human nature, the world, and your role in it. It's more than just a show about two cute guys in the world's coolest car (though there's nothing wrong with that), it's about people. I cry when I remember that no one has jumped at the opportunity to put this show on their network. What are they thinking??? This is the drama that all the dramas since have wanted to be but never succeeded at becoming.

The romance of the road is alive and well as Tod (Martin Milner) and Buz (George Maharis) cruise the country in their snazzy corvette convertible and get involved in the lives of the people they meet. The series opens by explaining that the boys are lost and a "long way from Route 66," when they find themselves in a backwater Mississippi town that harbors a grim secret. From there, they're on to Louisiana where they get involved with a lady shrimp boat captain and find trouble at the New Orleans waterfront before befriending a Nazi-hunter on an off-shore oil rig.

This was the first drama to be filmed entirely on location (in 40 states and Canada) and the locations were really the key to the unique excitement of each show. The boys were mainly observers, albeit defenders of the underdog and good with their fists if need be. Each show featured many famous stars and well-known character actors; the quality of the acting and the scripts (most by Stirling Silliphant) were first-rate.

Clean-cut and twenty-something Tod and Buz bear no resemblance to the leering sex, drug, and rock and roll-crazed young men we often see on the screen today. Dressed in their button-down shirts and freshly-creased slacks, they were upstanding good guys who solved a town's problems in strictly G Rated style. It's fun to remember the old days through this wonderful series. And who could ever forget that cool theme music?