Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?

Anthony Newly stars in this musical comedy about the life of Hieronymus Merkin, a sex obsessed writer/singer/director/actor/ and a truly perverse character. It seems like a drug induced dream filled with bizarre sequences, crazy songs, erie cinematography and racy exploitations which seem shocking considering it was made it 1969. The whole picture is shot on an island as it cuts between the actual film and Hieronymus screening the film while in production along with the crew, producers, and the critics. The basic plot is that Hieronymus a fatherless boy meets up with a manager (Milton Berie) who turns him into a superstar. Thousands of women line up in front of his bed waiting to make love to him. He marries a former lover of his and she gives birth to a child defected with a huge hole in its back. The baby soon after dies in hospital and Mrs. Merkin leaves Hieronymus. Hieronymus despite the objections of the writers, critics and everyone else insists on telling about the raciest most shocking part of his life. His immoral affair with the child beauty Mercy Humppe. He remarries to Polly (Joan Crawford) and switches off between Polly and Mercy and finally leaves Mercy.

The film is an absurd X rated romp though a land of sexual excess and unconventional perversion that portray women as only a 1960's film can. Although this film is not for all tastes, exceedingly fine performances, unpredictable twists, and uproarious humor make this film a true cult classic that reminds one of A Clockwork Orange at times. An R rated version also exists.

The title alone was enough to kill it dead in the water but if you got past that and made it into the few cinemas that showed it then the first ten minutes might have finished you off but this hugely self-indulgent picture is actually worth sticking around for. Okay, the gags are terrible and Newley, who directed it, co-wrote it, composed the music and plays the lead is no Orson Welles but there is a surfeit of imagination at work here and presuming it is mostly autobiographical, (his wife, Joan Collins, and children play his wife and children), few artists, and Newley surely is that, have ever been so self-critical in public; it's as if he wants us to hate him.

Fellini, of course, is the most obvious object of his affections, (he even gets a name-check), which probably riled the critics the most. How dare he think he could remake "8 1/2" and as a musical comedy, they probably screamed, and needless to say the film was not just a gigantic flop, both critically and commercially, but often figures in lists of the worst films ever made. It's certainly not always an easy watch; like a traffic accident it's very hard to look at what's happened yet impossible to look away. It's also impossible to ignore.

This is an extraordinary film. But it's not for everyone, and it must be viewed in it's context.

There was a time when Anthony Newley was one of the biggest stars in the world. With two hit Broadway musicals and a slew of movies under his belt, and songs STILL being covered by today's artists ("Feeling Good" is currently enjoying a popular resurgence courtesy of Michael Buble'"), Universal Studios gave him carte blanche to make any movie he wanted. Newley had already established a proved track record of using his own life as source material. Making this kind of film was a logical next step for him.

In many respects, this film is a masterpiece. It is utterly unique; visually beautiful, it looks like a lucid dream. Newley was a master of symbolism, and the way he illustrates different levels of reality and different states of consciousness is nothing short of brilliant. Highly "Jungian", this film is meant be viewed and interpreted like a dream. Many reviewers have lambasted "Heironumus" for it's use of symbolism, but on the contrary, that is the beauty and magic of the film. Anyone familiar with the Western Hermetic Tradition will delight in the eloquence with which this movie speaks. It cannot be an accident that "Heironymus" was filmed in Malta, the home of the Knights Templar. It makes one question how deeply into the occult Newley must have been.

PLOT SUMMARY: Heironymus Merkin, a major star, is making a film about his own life, told as a fairy tale/epic myth. He is screening it for his mother and two toddler children. It is his intent that his children know the truth about who their father is, warts and all. The film-within-the-film is still in production, and Heironymus battles with the studio, writers, and critics for the integrity of his personal truth.

The film is:

about mid-life crisis

an exposition of internalized toxic shame

an examination of the repetition compulsion

A confession

a cry for help

a treatise on the unreality of life

a rare look at celebrity-hood from a celebrity's point of view

a self-portrait of a sex-addict

a dissertation on erotic mania

AND it's a musical-comedy.

The movie is many things, confusing, because Newley was himself confused. Then again, aren't we all to some degree? The greatest thing about "Heironymus" is all the questions it brings up. It inspires deep process, and that is what makes it Art, and a true gift to the world.

I am committed to helping this film finding it's audience.

With a long title and confusing plot, "Can Hieronymus Merkin Ever Forget Mercy Humppe and Find True Happiness?" left me befuddled. Portraying an entertainer (Anthony Newley) recounting his life story as a series of short films, the whole movie feels like something drifting aimlessly in water. It seems like a giant ego project. I'm still trying to figure out what the movie's overall point was.

Since I found this on what appeared to be a pirated video, I suspect that no one saw fit to formally release this movie on video (or DVD). Like one of Newley's later, equally confusing movies ("It Seemed Like a Good Idea at the Time", notable for an early appearance of John Candy), it's not terrible but seems to have no point whatsoever. You probably don't want to make it your first choice. I have to admit that I'd never heard of Anthony Newley until he died.

Also starring Joan Collins, Milton Berle, Connie Kreski and Stubby Kaye (Marvin Acme in "Who Framed Roger Rabbit").

People complain that studios don't take chances anymore. Well, although sometimes when they did take a chance they made a masterpiece, they also came up with movies like this! This movie is a mess, so...weird. For much of the running time, it's fascinating to watch its insanity, though eventually it becomes tiring. The only really funny bit is the hilariously tasteless "The Princess and the Donkey" number.