Si quieres ser millonario no malgastes el tiempo trabajando

The pinnacle of British silliness at the movies for an entire decade: The mythical 60's. Mike Meyers could only dream of capturing this time and place with as much fun and style. British entertainment royalty by the truck load including half the Beatles, a decent chunck of Monty Python, Christopher Lee in a cape, and the late great Peter Sellers! Who could ask for more? Well there is always Roman Polanski as an innocent being picked up in a bar by a transvestite (who's identity revelation is the my favorite bit). And of course, who can forget Raquel Welch in her prime, and in a leather mini nothing with a whip. All of this in the context of the movie's namesake--The Love Boat cruise from hell. You will never again think of farm manure without recalling this movie's finale! Check it out.

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Peter Sellers stars as Sir Guy Grand, a fabulously wealthy eccentric who gets to do anything and everything he wants to by liberally greasing the palms of those less fortunate (and wealthy) than himself. Lacking an heir, he adopts a homeless derelict (Ringo Starr) who becomes Youngman Grand and joins him in a series of wild and wacky misadventures. In his apparently never ending quest to prove that everyone has their price, Sir Guy and his newly adopted heir are joined by a host of other notables in cameo roles including Richard Attenborough, John Cleese, Laurence Harvey, Christopher Lee, Roman Polanski, Yul Brynner and Raquel Welch. The movie is based on a book by Terry Southern (who wrote the screenplay for another Peter Sellers classic - "Dr. Strangelove") with Monty Python alumni Graham Chapman and John Cleese lending a hand in the screenplay. This is a movie that has everything: great writers, great actors, well-known comtemporary celebrities and a rapid-fire barrage of parodies and spoofs of almost everything we hold dear, including greed, gluttony, racism and incompetency. If this movie does not make you laugh out loud (frequently) you should consider getting treatment for a severe case of humor deficiency.

This comedy passed me by when it was released in 1969. I had seen CASINO ROYALE and WHAT'S NEW PUSSYCAT? and automatically in my subconscious somehow roped this movie in with those two turkeys. I had always avoided it on purpose whenever the movie turned up on TV. The only reason I gave it a go this time was the fact that comedian Paul Merton gave it such a wonderful review on his recent "Paul Merton's Perfect Night In" show on BBC2. I am pleased I finally gave it a go, I actually laughed out loud on a number of occasions and didn't want it to end. I absolutely recommend this movie to anyone who enjoys the 1960's sub-culture. Peter Sellers plays an eccentric millionaire who adopts Ringo Starr, whom he fell in love with, but only in a 'paternal way'. Together they embark on a series of bizarre and degrading tests around London to illustrate the depths to which mankind will sink in pursuit of money: any man has his price and will do literally anything if the price is right. The movie makes less than subtle attacks on the establishment, including the annual Oxford-Cambridge boat race, that very British symbol of earnest endeavour and sportsmanship which is turned into a sea battle when referee Richard Attenborough accepts a bribe. The richest prize in sport, the World Heavyweight Boxing Championship, incites a riot when both protagonists actually kiss instead of punching the hell out of each other. The World Champ is played by that great character Nosher Powell, a former heavyweight boxer of the 50's. His challenger is none other than former European Champion Dick Richardson, a real tough guy who fought Ezzard Charles and Ingemar Johansson. This must have been an 'in-joke' by the film's director, having these two real-life hard cases acting as 'puffs'. "The Magic Christian" was a great surprise to me and I strongly recommend it.

One day the fabulously wealthy Sir Guy Grand who is Peter Sellers with a much larger nose finds a young orphan kid in a park. On the spur of the moment he adopts young Ringo Starr, probably because Ringo has a well known honker in real life and Sellers sees something of himself in Ringo.

The idea is that Sellers has to have someone not just to leave his money to, but someone to impart his accumulated wisdom of the years which is boiled up into one single thought; that EVERYBODY has his price.

The rest of the film is a Monty Pythonesque group of skits in which Sellers tries to prove just that to Starr. They range from Laurence Harvey doing a striptease while doing Hamlet's soliloquy to a beat cop eating a parking ticket for 500 pounds. The title The Magic Christian refers to a Titanic like cruise ship that only caters to the upper crust. Sellers and Starr integrate that ship's maiden voyage in a most interesting fashion.

That the film is like Monty Python is no accident with Graham Chapman and John Cleese doing the writing. Ringo's former Beatle companero, Paul McCartney wrote The Magic Christian theme, Come and Get It which sums up the philosophy of the film.

After almost 40 years, The Magic Christian is acidly funny, but a still unsettling.

Peter Sellers - a Grand performance! Him playing the harp, and with the hot dog-vendor... just to mention 2 scenes. One of the nuttiest and anti - establishment films I ever saw. (I know there should be an adjective instead of "establishment" but the guidelines do not accept it.) Observe the audience in the auditorium of the "Hamlet" theater. Ringo also makes fun of himself - the nose. It amazed me that Paul McCartney provided a song for it. Also I enjoyed the commentary by John Cleese. It must have been a fizzer when first launched in Britain. Does anybody know how the film was accepted by a German audience (see the arrest-scene of the businessman in the train)? I can recommend this movie to everybody!