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IMDbPro

Slaves

  • 1969
  • Not Rated
  • 1h 50min
PUNTUACIÓN EN IMDb
4,9/10
226
TU PUNTUACIÓN
Stephen Boyd, Ossie Davis, and Dionne Warwick in Slaves (1969)
Drama

Añade un argumento en tu idiomaA Kentucky slave fights for his freedom from cruel overseer whose mistress eventually joins Davis and the other slaves in their revolt.A Kentucky slave fights for his freedom from cruel overseer whose mistress eventually joins Davis and the other slaves in their revolt.A Kentucky slave fights for his freedom from cruel overseer whose mistress eventually joins Davis and the other slaves in their revolt.

  • Dirección
    • Herbert J. Biberman
  • Guión
    • Herbert J. Biberman
    • John O. Killens
    • Alida Sherman
  • Reparto principal
    • Stephen Boyd
    • Dionne Warwick
    • Ossie Davis
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    4,9/10
    226
    TU PUNTUACIÓN
    • Dirección
      • Herbert J. Biberman
    • Guión
      • Herbert J. Biberman
      • John O. Killens
      • Alida Sherman
    • Reparto principal
      • Stephen Boyd
      • Dionne Warwick
      • Ossie Davis
    • 16Reseñas de usuarios
    • 4Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 nominación en total

    Imágenes10

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    + 5
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    Reparto principal23

    Editar
    Stephen Boyd
    Stephen Boyd
    • MacKay
    Dionne Warwick
    Dionne Warwick
    • Cassy
    Ossie Davis
    Ossie Davis
    • Luke
    Marilyn Clark
    Marilyn Clark
    • Mrs. Bennett
    Gale Sondergaard
    Gale Sondergaard
    • New Orleans lady
    Shepperd Strudwick
    Shepperd Strudwick
    • Mr. Stillwell
    Nancy Coleman
    Nancy Coleman
    • Mrs. Stillwell
    Julius Harris
    Julius Harris
    • Shadrach
    David Huddleston
    David Huddleston
    • Holland
    Eva Jessye
    • Julie
    Robert Kya-Hill
    Robert Kya-Hill
    • Jericho
    Barbara Ann Teer
    • Esther
    James Heath
    • Luther
    Aldine King
    • Emmeline
    Slim Landrum
    Gwendolyn Belle
    Buddy Flowers
    James Burford
    • Dirección
      • Herbert J. Biberman
    • Guión
      • Herbert J. Biberman
      • John O. Killens
      • Alida Sherman
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios16

    4,9226
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    10

    Reseñas destacadas

    jwpeel-1

    Listen to the music Forget the film.

    Nothing can be said about this being a great film. It isn't. The acting is amateurish and the story is pure melodrama that reeks of the staleness of another time in casting when broad caricature was passed off as great emoting. But the music is pure Bobby Scott, a jazz stylist with great command of a music form. Bobby was proud of his accomplishments as a songwriter and composer, and this one was no exception. He loved the fact that he got this one away from Burt Bacharach despite that it was done for that songwriter's golden goose, Dionne Warwick. So forget the hoky acting and plot. Listen to the sounds of the great Bobby Scott. (I should also mention that both the director/screenwriter Biberman and actress Gale Sondergard, were blacklisted talents so that at least makes this film noteworthy.) Okay so maybe it is historic in that it marks the acting debut of singer Dionne Warwick, but so what? She was no better than Gladys Knight as a thespian, and believe me, that is no compliment. Like I said. Watch the cinematography and listen to the music on the soundtrack and if you do anything else, don't say I didn't warn you.
    4moonspinner55

    "Life only got one meaning for me now...freedom!"

    Ossie Davis is a tower of strength as a Kentucky slave in 1850, promised his freedom by his well-meaning white master but, instead, sold off to an auctioneer. He is eventually 'purchased' by an extremely moody Mississippi cotton plantation owner who has relocated from the north--and who keeps a black "wench" in his bed. Director and co-screenwriter Herbert J. Biberman apparently had sincere intentions here, but his film--cheaply produced and cheaply presented--comes off as sensationalistic (the title "Slaves" may as well be followed with an exclamation point). Pop singer Dionne Warwick (in her acting debut) has dramatic eyes and a curious smudge of a mouth, but her role as Stephen Boyd's mistress doesn't make much sense, and her introductory scenes--drunk and painting up her face--are confusing and off-putting. One sequence, a grueling day for the slaves picking cotton in the sun, and later weighing their results in the rain, is atmospheric and hard-hitting; but only when Davis is on-screen does Biberman get anything heartfelt going. The rest of "Slaves" is crude, and processed for shock value. *1/2 from ****
    2kfaia

    Poor production values, great cast

    No film with this cast can be bad, and this one isn't. Terrifying in a Tarantino way, who admires it. Watch it and enjoy.
    4muchfan1

    Premise is great, Movie is bad.

    This movie is really disappointing because it has such a great premise behind it with the idea taken from the Harriett Beecher Stowe story "Uncle Tom's Cabin", at least loosely taken from it. I really like Ossie Davis as an actor (R.I.P.) but the acting in this movie isn't very good at all in fact over all the quality of the movie is just bad like it was just quickly slapped together in a weekend or something. I blame the director mostly for the bad acting and poor quality of the movie over all, the script obviously wasn't very good but not quite terrible either. It is still an interesting movie and the music in it is great, I think it is almost worth watching just for the great soundtrack alone, and to see a younger Ossie Davis of course.
    6KayDrama

    Gave it a 10 despite...

    Despite, or maybe because of the budget, I gave this movie a ten. I am really surprised by the maturity of the subject matter and the fact that it didn't gloss over certain relationships. I am always surprised by movies such as Tomango and a very few others that dealt with the horrors of slavery. While Roots was epic and had the backing of the changing attitudes of the era it was produced within' these earlier films, and the actors who starred in them - both black and white - are to be commended.

    By the way, despite some reviewers here saying it is loosely based on Uncle Tom's Cabin - it's not at all. I can only suppose they came up with that because, like all slaves were - the main character cites that to be a good Christian, you must do as the Bible says and be a good servant to your master. All slaves were endoctrinated and manipulated thusly.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      This was the final film directed by Herbert J. Biberman before his death on June 30, 1971 at the age of 71.
    • Citas

      MacKay: [in a room filled with African artifacts, he is addressing owners and attendant servants] We'd better all understand this darkie we own, gentlemen. He's the only self-reproducing machine in the world. Gotta know how to run it. I first met him in Africa, as a young man, when I ran a ship in the illegal slave-running trade, before I settled down here in the very legal, slave-driving, cotton trade.

      MacKay: [to the servants] Boys, attend to the gentlemen.

      MacKay: [he continues] I packed blacks into my ship until you couldn't walk the decks. Every morning we threw the dead and the rebellious overboard. They were not easy those voyages. But we could turn a profit if we got 40% of them here alive.

      MacKay: [he continues] My library is always at your disposal. Volumes on all the aspects of human slavery. But I can spell it for you in this one, magnificent sculpture or in one story which tells all one needs to know about the human being, in slavery or out. In the African trade, I met an old chief. I bought many of his people from him. Discussing handling slaves, he said "Captain, in the soul of a free man, a little slavery and a lot weigh the same. So they do in the soul of a slave. So when you chain him, just as well chain him firm." Brilliant man! He was as black as coal. He'd find your views, Mr. Bennett, romantic; dangerous.

      MacKay: [he continues] I know you all wonder why I keep these things in my house. They make you uncomfortable. Me too. That's why I keep them here. Ivory, stone, wood, bronze.

      MacKay: [to Luke] Don't gawk, boy. Get that tray filled. Boy! Did you hear me?

      Luke: Yes, Master.

      MacKay: Don't talk back to me. Replenish the tray.

      MacKay: [he continues] I just ordered a darkie out of this room. Do you know anything about him? From his facial characteristics, his people probably came from the Songhai tribe, the area around Timbuktu. Three hundred years ago, they had a university there where the most delicate operations were performed for cataracts of the eye. People came from all over the world to have their sight restored by these extraordinary, black surgeons. I believe origins can crop up even after ten generations - unless they get weeded out. What do we create? Surgeons? Sculptors? Or niggers?

    • Conexiones
      Featured in Afro Promo (1997)
    • Banda sonora
      Slaves
      Music by Bobby Scott

      Lyrics by Bob Kessler

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    Preguntas frecuentes16

    • How long is Slaves?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 25 de mayo de 1972 (Hungría)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Sklaven
    • Localizaciones del rodaje
      • Buena Vista Plantation, Shreveport, Luisiana, Estados Unidos
    • Empresas productoras
      • Slaves Company
      • Theatre Guild
      • Walter Reade Organization
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 50min(110 min)
    • Mezcla de sonido
      • Mono

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