El volar es para los pájaros

Bud Cort plays Brewster McCloud. He's a very strange young man who lives in the Houston Astrodome and is building a huge set of wings so he can fly. The movie is about him and his VERY odd assortment of friends and family. And how about the killer running around Houston strangling people and leaving bird droppings on them?

As you can see this is a very strange film. It's unlike anything director Robert Altman has ever done. The film isn't perfect--it's too long, the weirdness wears you down at times, some of the humor is real sick and there are characters that are just disgusting (Stacy Keach) or too flat out weird, even for this movie (Jennifer Salt)! And what's with the circus ending (entertaining as it is)? Still I love this film.

The story rambles all over the place but I was able to keep track of it. Altman packs the movie with plenty of bird imagery and references. He also pays homage to other films also--most notably "The Wizard of Oz" (right up to having Margaret Hamilton in the cast and check out how Salt is dressed at times). This really doesn't pull together in any way but it IS fascinating to watch. Also the cast is great--with one exception--Michael Murphy. He's miscast and looks miserable. But everybody else is perfect. Particular standouts are Cort (very good in a difficult role), Shelley Duvall (who usually annoys me to no end) and Sally Kirkland (looking absolutely stunning). Also there's a very cute injoke--there's a quick shot of the poster for "MASH" in Duvall's apartment!

This film was overshadowed by Altman's "MASH" in 1970. Also, the studio hated it and threw it away. Now, however, it is rightfully considered one of the best films of its decade. I highly recommend this--but not for everybody. If you like a linear plot and easily defined characters, stay away.

Bud Cort is the title character, an eccentric oddball secretly living in the Houston Astrodome who believes he has figured out how to fly like a bird. He is protected by a guardian angel (Sally Kellerman) with clipped wings. He then becomes a suspect in a series of murders of people who are found strangled and covered in bird droppings.

An aggressively quirky counterculture time capsule, many modern viewers will be turned off by the bizarre story and outre characters. I happen to like it, and rank it among Altman's best. I enjoy the cast of weirdos, from Shelley Duvall (in her debut) as a stock-car driving tour guide who falls for McCloud, to Michael Murphy playing a San Francisco "supercop" named Shaft who sports turtlenecks and piercing blue eyes, to Margaret Hamilton as one of the murder victims who is found wearing ruby slippers. Stacy Keach is unrecognizable under heavy old age make-up, playing a miserly parody of Howard Hughes.

This film, televised in Denmark in the mid-seventies, made a great impact on me. The story of Brewster and his dream of flying was wildly funny and poignant. And why it has become so obscure makes me wonder. I have been hoping for an opportunity to see it again. It is truly a great film as is the instructor Robert Altman!

It's hard to talk about a film as unparalleled as Brewster McCloud. It creates its own world out of element from the world we know so well. It plays with everything, including its self-consciousness about being a movie. It weaves together many threads into a lovely, heart-breaking snapshot of a moment in America.

The situation: The world has gone mad. The wicked witch is wearing the Ruby slippers, and has become a beloved social icon. Who wouldn't want to fly away?

Enter Brewster McCloud, a young man who plans to do just that. He is hiding out in the basement of the Astrodome in Houston, working on building his wings. The kind you wear. Like Icarus did. His plan is all feeling, very focused, but doesn't take him past the immediate "How?" He is under the tutelage and protection of a sort of Bird-Goddess/Angel (played by Sally Kellerman) who walks around wearing absolutely nothing but a red plastic raincoat. When she takes it off, you can see the long, curving scars where her wings were removed. She also drives around in a small red car whose license-plate reads "BRDSHT".

Lest you think I've given away too much, let me assure you this barely scratches the surface. Who is responsible for the wave of mysterious murders? What of the presidential candidate who's all over town, is he an assassination target? What is the connection with the horny young girl (Shelly Duvall, in her first movie role - I believe she was discovered by Altman when he attended a party at her house during the location shoot in Houston) who comes to visit Brewster but can't ever really get his attention?

A wonderful, under-rated film worth seeing.

I saw this film long ago, when it first came out in the theaters. One of the things you have to remember is that Altman's style (now copied so much it has become a cliché.. of the odd camera angles, the everyone-talking-at-once dialogue and such) was, at the time, quite new and much different than anything else out there. Thirty years later, this film is still amazing to watch. Brewter McCloud is more like a cartoon, something to be viewed for pure entertainment value, even the dark parts (and there are many of those). Bud Cort (Harold and Maude) is delightful, and the supporting cast (many of whom are Altman regulars) is great......I think that people with little or no sense of humor will not like this movie, but those raised in the post-South Park era will enjoy its wonderful portrayal of neurotic characters...as only Altman can deliver 'em.