PUNTUACIÓN EN IMDb
4,8/10
1,1 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaA motorcycle rebel saves a woman from his gang and fights an outlaw guru for supremacy.A motorcycle rebel saves a woman from his gang and fights an outlaw guru for supremacy.A motorcycle rebel saves a woman from his gang and fights an outlaw guru for supremacy.
Jacquie Rohr
- Zit-Zit
- (as Jackie Rohr)
Bill Baldwin
- Night Watchman
- (as William Baldwin)
Reseñas destacadas
I'm not an American, but I'm well aware of Joe Namath being a sporting legend. However, as an actor he stinks. He's very wooden and lacks charisma, and whoever decided to cast him as a biker was an idiot. Namath plays C.C. Ryder, a nice guy mechanic who runs with a biker gang "The Heads", led by Moon (biker movie legend William Smith). While he is accepted by most of the gang, he has an easy relationship with Moon, and once he becomes involved with a "straight" fashion reporter (Ann-Margaret) tensions mount, leading to a kidnapping. Namath as I said is lousy, and as 90% of the movie focuses on him, it makes it hard to stay interested. But Ann-Margaret is a babe, and even better William Smith is terrific. Smith plays a great bad ass, it's just a pity there wasn't more of him in the movie. As well as Smith watch 'C.C. and Company' to see Sid Haig and Bruce Glover as two of Smith's biker pals. These three talented character actors save the movie from being a complete turkey.
Luscious Ann Margaret,her husband Roger Smith, an almost schoolboy-like "Broadway Joe", assorted character actors known for playing these kinds of roles, and a script that motorcycle enthusiasts either laugh like loons, or groan, at...or both.
Features some of the most priceless dialog this side of an Elvis epic. Some examples: "Those are the kind of people who give motorcycling a BAD name!", "Are you boys gonna help out a damsel in distress, or just make like Marlon Brando?", and more! Chicks and dudes - you will dig this! This love story/musical/60s stoner drive-in delight highlights incredibly stupid acts of riding AND crime (PLEASE don't try these anywhere!). All this, and Wayne Cochran (aka "The King of Blue-eyed Soul"), too. Makes a great double bill with either "Roustabout", "Easy Rider", "On Any Sunday", or NFL highlights of the Jets when Joe was their star QB. Good thing he stuck to sports after this mostly-intentionally forgotten effort. At least the bikes are cool, and the locations are stunning in that vivid color they used back then. Oh, and A-M gets a song in there, too...I think.
Features some of the most priceless dialog this side of an Elvis epic. Some examples: "Those are the kind of people who give motorcycling a BAD name!", "Are you boys gonna help out a damsel in distress, or just make like Marlon Brando?", and more! Chicks and dudes - you will dig this! This love story/musical/60s stoner drive-in delight highlights incredibly stupid acts of riding AND crime (PLEASE don't try these anywhere!). All this, and Wayne Cochran (aka "The King of Blue-eyed Soul"), too. Makes a great double bill with either "Roustabout", "Easy Rider", "On Any Sunday", or NFL highlights of the Jets when Joe was their star QB. Good thing he stuck to sports after this mostly-intentionally forgotten effort. At least the bikes are cool, and the locations are stunning in that vivid color they used back then. Oh, and A-M gets a song in there, too...I think.
As far as low budget biker films go, "C.C. and Company" definitely makes enjoyable viewing for a number of reasons. Of course, the main reason is Joe Namath, who fumbles (bad pun), stumbles and basically sleep walks (I guess he simply cannot act) through this abomination of the "so bad it's good" variety. Watching Joe in this film now is rather funny, because you wonder what he was thinking in even signing to do this movie, hoping to have some sort of film career.
Of course there is also Ann-Margaret, who is very good looking, but she isn't much in the acting department either. Actually it's safe to say that the two big names in this flick are the film's worst actors, and you can almost fall asleep in the scenes where it's just Joe and Ann. Everyone else, dare I say, seems to be having a lot more fun making this movie, especially the leader of The Heads, Joe's biker gang. He's the most fun to watch, especially when he's mad at 'ol Joe for not giving all his money into the biker "pot."
There's some good bike action, especially the final showdown between Joe and the Heads' leader on a track. Tons of cheesy scenes abound, but it's all a lot of fun. It's funny how in almost all these old biker films, many of the bikers are of the "goofy" type, and do things like carry each other in their arms. Even the big chair the leader gets to sit in looks funny. Many of the biker girls are pretty, especially when they go out on the road to "earn" some cash for the gang's money pot.
It was especially good to see this film in it's original "R" rated uncut form, after a bunch of times watching as a kid on TV in the 70's.
I found "C.C. and Company" on a DVD with two other 1971 biker flicks, "Evel Knievel" and "Angels Hard As They Come" (Gary Busey's first flick) for less than ten dollars, talk about a great bargain! The DVD was called "Classic Biker Movies" and is a definitely great deal. Even the quality was pretty decent.
I wonder how 'ol Joe feels about this flick now. No doubt he'd probably be up for a sequel!
Of course there is also Ann-Margaret, who is very good looking, but she isn't much in the acting department either. Actually it's safe to say that the two big names in this flick are the film's worst actors, and you can almost fall asleep in the scenes where it's just Joe and Ann. Everyone else, dare I say, seems to be having a lot more fun making this movie, especially the leader of The Heads, Joe's biker gang. He's the most fun to watch, especially when he's mad at 'ol Joe for not giving all his money into the biker "pot."
There's some good bike action, especially the final showdown between Joe and the Heads' leader on a track. Tons of cheesy scenes abound, but it's all a lot of fun. It's funny how in almost all these old biker films, many of the bikers are of the "goofy" type, and do things like carry each other in their arms. Even the big chair the leader gets to sit in looks funny. Many of the biker girls are pretty, especially when they go out on the road to "earn" some cash for the gang's money pot.
It was especially good to see this film in it's original "R" rated uncut form, after a bunch of times watching as a kid on TV in the 70's.
I found "C.C. and Company" on a DVD with two other 1971 biker flicks, "Evel Knievel" and "Angels Hard As They Come" (Gary Busey's first flick) for less than ten dollars, talk about a great bargain! The DVD was called "Classic Biker Movies" and is a definitely great deal. Even the quality was pretty decent.
I wonder how 'ol Joe feels about this flick now. No doubt he'd probably be up for a sequel!
C.C. Ryder (Joe Namath), a motorcycle mechanic, is a somewhat reluctant member of an outlaw biker gang known as The Head. By accident, he meets a fashion photographer, Ann McCalley (Ann-Margret), and saves her from the other members of his gang. C.C. falls for Ann, but realizes he'll have to leave the gang if he is to win her over. C.C. enters and wins a dirt bike race, giving him the funds he needs to strike out on his own and pursue Ann. But gang leader Moon (William Smith) doesn't see it that way. He wants C.C.'s money for his own and goes after Ann to prove his point. C.C. will have to defeat Moon if he is to be free of The Head.
Given its relatively poor online reputation, I'm as shocked as anyone by how much I enjoyed C.C. and Company. The movie just clicked with me and worked quite nicely. Director Seymour Robbie may have been mainly a television director, but I felt he handled this transition to film very professionally. C.C. and Company is well-paced with plenty of sight gags and fight scenes that work as intended. For example, the scene where C.C. steals the dirt bike is really cleverly handled. The shot of him towing the dirt bike behind his chopper was a real kick. As for fight scenes, the fight between C.C. and Moon in the creek is really well choreographed and filmed. It's a solid action piece. Robbie also manages to throw in some menacing set-pieces, none more so than the kidnap of Ann. Again, nicely done.
The acting in C.C. and Company is also a highlight. I wasn't expecting much from Namath, but he gives a reasonably competent performance. In a lot of scenes he's not asked to do much more than sit on his bike and smile, but when challenged, he's more than capable. Ann-Margret is Ann-Margret and gives the performance you expect. The chemistry she had with Namath seemed natural and easy. The real star for me, however, is William Smith. He plays Moon as a hulking, menacing presence capable of snapping at a moment's notice. He's always struck me as a wonderful actor and, here, he really gets a chance to shine.
As I said near the start of this, I enjoyed C.C. and Company more than most. I was entertained throughout and that's all I ask of a film. A solid 7/10 from me.
Given its relatively poor online reputation, I'm as shocked as anyone by how much I enjoyed C.C. and Company. The movie just clicked with me and worked quite nicely. Director Seymour Robbie may have been mainly a television director, but I felt he handled this transition to film very professionally. C.C. and Company is well-paced with plenty of sight gags and fight scenes that work as intended. For example, the scene where C.C. steals the dirt bike is really cleverly handled. The shot of him towing the dirt bike behind his chopper was a real kick. As for fight scenes, the fight between C.C. and Moon in the creek is really well choreographed and filmed. It's a solid action piece. Robbie also manages to throw in some menacing set-pieces, none more so than the kidnap of Ann. Again, nicely done.
The acting in C.C. and Company is also a highlight. I wasn't expecting much from Namath, but he gives a reasonably competent performance. In a lot of scenes he's not asked to do much more than sit on his bike and smile, but when challenged, he's more than capable. Ann-Margret is Ann-Margret and gives the performance you expect. The chemistry she had with Namath seemed natural and easy. The real star for me, however, is William Smith. He plays Moon as a hulking, menacing presence capable of snapping at a moment's notice. He's always struck me as a wonderful actor and, here, he really gets a chance to shine.
As I said near the start of this, I enjoyed C.C. and Company more than most. I was entertained throughout and that's all I ask of a film. A solid 7/10 from me.
Although Ann-Margret is gorgeous as always, Joe Namath cannot carry a suitcase, let alone a movie. I loved him as a quarterback, ...BUT, except for his horrendous performance in NORWOOD with Glen Campbell, he just doesn't have it. Thank God, William Smith (fine actor) has plenty of scenes with Joe and Ann-Margret.
A 4 out of 10. Best performance = Mr. Smith. Exchanging furtive glances, Mr. Namath and Ann simply look foolish, although there are great location shots..I believe in the Southwest. Pure exploitation but just not enough fun, skin, plot, or talent. Ann has a great hairstyle though in 1970!
A 4 out of 10. Best performance = Mr. Smith. Exchanging furtive glances, Mr. Namath and Ann simply look foolish, although there are great location shots..I believe in the Southwest. Pure exploitation but just not enough fun, skin, plot, or talent. Ann has a great hairstyle though in 1970!
¿Sabías que...?
- CuriosidadesThe #12 given to Joe Namath ("CC") for the Moto X Race is the same number he wore on his jersey with the NY Jets.
- PifiasIn a scene where C.C. kicks starts his dirt bike you hear the engine rev-up but his hand never moves the throttle.
- Citas
Ann McCalley: How do you get along without working?
C.C. Ryder: Just fine.
Ann McCalley: [laughs] You steal from the rich to give to the poor?
C.C. Ryder: No, I steal from the rich 'cause the poor have no money.
- ConexionesFeatured in The Fabulous Allan Carr (2017)
- Banda sonoraToday
The Love Theme from La familia Manson (1970)
by Lenny Stack and Janelle Webb (as Janelle Cohen)
Sung by Ann-Margret
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