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La pasión de vivir

Título original: The Music Lovers
  • 1971
  • 18
  • 2h 3min
PUNTUACIÓN EN IMDb
7,2/10
3,4 mil
TU PUNTUACIÓN
Richard Chamberlain and Glenda Jackson in La pasión de vivir (1971)
Piano teacher Peter Ilych Tchaikovsky struggles against his homosexuality by marrying, but unfortunately he chooses a nymphomaniac whom he cannot satisfy.
Reproducir trailer1:18
1 vídeo
81 imágenes
BiografíaComediaDramaDrama de épocaMúsica

El profesor de piano Piotr Ilich Chaikovski lucha contra su homosexualidad casándose, pero, lamentablemente, elige a una ninfómana a la que no puede satisfacer.El profesor de piano Piotr Ilich Chaikovski lucha contra su homosexualidad casándose, pero, lamentablemente, elige a una ninfómana a la que no puede satisfacer.El profesor de piano Piotr Ilich Chaikovski lucha contra su homosexualidad casándose, pero, lamentablemente, elige a una ninfómana a la que no puede satisfacer.

  • Dirección
    • Ken Russell
  • Guión
    • Melvyn Bragg
    • Catherine Drinker Bowen
    • Barbara von Meck
  • Reparto principal
    • Richard Chamberlain
    • Glenda Jackson
    • Max Adrian
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,2/10
    3,4 mil
    TU PUNTUACIÓN
    • Dirección
      • Ken Russell
    • Guión
      • Melvyn Bragg
      • Catherine Drinker Bowen
      • Barbara von Meck
    • Reparto principal
      • Richard Chamberlain
      • Glenda Jackson
      • Max Adrian
    • 56Reseñas de usuarios
    • 35Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 nominación en total

    Vídeos1

    Trailer
    Trailer 1:18
    Trailer

    Imágenes81

    Ver cartel
    Ver cartel
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    + 76
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    Reparto principal34

    Editar
    Richard Chamberlain
    Richard Chamberlain
    • Tchaikovsky
    Glenda Jackson
    Glenda Jackson
    • Nina
    Max Adrian
    Max Adrian
    • Rubinstein
    Christopher Gable
    Christopher Gable
    • Anton Chiluvsky
    Kenneth Colley
    Kenneth Colley
    • Modeste
    Izabella Telezynska
    Izabella Telezynska
    • Madame Von Meck
    Maureen Pryor
    • Nina's Mother
    Sabina Maydelle
    • Sasha
    Andrew Faulds
    Andrew Faulds
    • Davidov
    Bruce Robinson
    Bruce Robinson
    • Alexei
    Ben Aris
    • Lieutenant
    Xavier Russell
    • Koyola
    Dennis Myers
    • Vladimir
    John Myers
    • Anatole
    Joanne Brown
    • Olga Bredska
    Alexei Jawdokimov
    • Dmitri Shubelov
    Alex Russell
    • Von Meck child
    • (as Alexander Russell)
    Clive Cazes
    Clive Cazes
    • Doctor
    • Dirección
      • Ken Russell
    • Guión
      • Melvyn Bragg
      • Catherine Drinker Bowen
      • Barbara von Meck
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios56

    7,23.3K
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    Reseñas destacadas

    7gridoon

    A few boring moments, many terrific ones.

    Although this film is difficult to follow at times (and, reportedly, historically inaccurate, too; I wouldn't know), there are still several reasons to see it:

    1) Glenda Jackson's outstanding performance (you won't believe that the actress we see at the final stages of the film is the same one who played Tchaikovsky's wife early on, but it is - her transformation is amazing).

    2) Some truly impressive sequences; be sure to watch this movie on tape, so you can rewind it and watch them again.

    3) Tchaikovsky's music, of course.

    4) Lush sets and costumes.

    Ken Russell is a very unpredictable director; just when you think the film is about to start boring you, he'll give you a wonderful moment out of nowhere.
    7ma-cortes

    Peculiar and oddball Pyotr Ilyich Tchaikovsky biography in Ken Russell style

    Weird , bizarre story of Tchaikovsky's life . Based partially on facts , as Tchaikovsky lived as a bachelor for most of his life . As piano teacher Peter Ilych Tchaikovsky (Richard Chamberlain) is an emotionally insecure man who struggles against his homosexuality . In 1868 he met Belgian soprano Désirée Artôt . They became infatuated with each other and were engaged to be married but due to Artôt's refusal to give up the stage or settle in Russia , the relationship ended . Tchaikovsky later claimed she was the only woman he ever loved . In 1877, at the age of 37 , he wed a former but depressed student , Antonina Miliukova (Glenda Jackson) . The marriage was a disaster . Mismatched psychologically and sexually , the couple lived together for only two and a half months before Tchaikovsky left , overwrought emotionally and suffering from an acute writer's block . Tchaikovsky's marital debacle may have forced him to face the full truth about his sexuality and he never blamed Antonina for the failure of their marriage . Tchaikovsky's family remained supportive of him during this crisis and throughout his life . He was also aided by Nadezhda Von Meck (Izabella Telezynska) , the widow of a railway magnate who had begun contact with him not long before the marriage . As The support of a wealthy widow as a patron gives him the artistic support he needs . As well as an important friend and emotional support , she also became his patroness for the next 13 years , which allowed him to focus exclusively on composition . Tchaikovsky remained abroad for a year after the disintegration of his marriage. During this time, he completed Eugene Onegin , orchestrated his Fourth Symphony and composed the Violin Concerto . The formal Western-oriented teaching he received there set him apart from composers of the contemporary nationalist movement embodied by the Russian composers of The Five (it refers to a circle of composers who met in Saint Petersburg, in the years 1856–1870 : Mily Balakirev , César Cui, Modest Mussorgsky, Nikolai Rimsky-Korsakov and Alexander Borodin), with whom his professional relationship was mixed . He was the first Russian composer whose music made a lasting impression internationally, bolstered by his appearances as a guest conductor in Europe and the United States . Tchaikovsky was honored in 1884 by Emperor Alexander III, and awarded a lifetime pension .

    This is an intense and thoughtful tale about a thunderous relationship proceeded in a Russel's style . As the film displays his trademarks , extreme angle cameras , excessive facial close-ups, utilization of numerous camera shots with primary colors and overblown visuals . Dealing with the tortuous struggles to have his music accepted as well as Pyotr attempts to suppress his homosexuality , experiencing serious psychological damage . In Ken Russell's own words: ¨It's the story of the marriage between a homosexual and a nymphomaniac that proved to be disastrous¨ . It's a convincing picture though relies heavily on the stormy relationship between Tchaikovsky/Richard Chamberlain and Nina/Glenda Jackson . Magnificent acting with exaggerated but convincing performances . Russell offered Alan Bates the lead role of Tchaikovsky during the filming of Women in love (1969) ; although Bates admired the script he turned the role down . Excellent main cast and secondary actors , such as Kenneth Colley , Bruce Robinson and Max Adrian as Nicholas Rubinstein , among others .

    Glamorous cinematography with exceptional attention to detail and captivating images by Douglas Slocombe . Spectacular musical score by Andre Previn conducting famous parts as Romeo and Juliet , overture 1812 , miniature march , dance of the clowns , Scherzo burlesque , Manfred Symphony , 6th Symphony , String Quartet No. 3 , Polovtsian Dances from "Prince Igor" by Borodin . The motion picture was well directed with flamboyance style by Ken Rusell . He's an expert director , whose greatest success was in the 70s with an offbeat musical biographies , such as 'Mahler , Lizstomania , Music lovers' , besides he directed another hits , as ¨Women in love¨ , ¨Valentino¨ and ¨The Devils¨. This outlandish biographic chronicle will appeal to Ken Russell fans.
    8matthewssilverhammer

    I need more Ken Russell in my life.

    His films are weird, unique, cool, regal, purposeful, wild, modern, obnoxious, empathetic, uncomfortable, hilarious...there's never a dull moment. The heart this film has for closeted gay people is so far ahead of it time, showing the danger of pretending to be who you think people want you to be. It furthers the argument many storytellers make about composers, that they could be nightmares to those closest to them. Just wish there was more music composing / performing.
    ceichler

    A Visceral Punch

    "Music Lovers" has long been labored over as another of Ken Russell extravagant excess baggages. Seeing it again has made me realize that the film is rather brilliant--not in cinema style but in conception. From the very start it seems to capture the schizoid world of Tsaichovsky and the social milleau he was forced to grip with. The point of view shots and the subsequent dream sequences in the early portion of the film capture this in brilliant colors and sharp editing. As the musician falls into his double life the scnes build to the scarring climax. Performances are excellent. The film may not be totally accurate, but who cares?
    9Autonome

    Tragic drama of ill-fated heroes.

    One of Richard Chamberlain's most memorable and fringe roles. Glenda Jackson is brilliant. The romance, passion, melodrama, and ultimate tragic fate of the main characters are all intensely portrayed with rich cinematography and the most lavish sets Russell ever used. The film carries that subtle yet omnipresent surreality which is a trademark of Russell's films, and which some find so annoying, and others so seductive and heightening of the experience. A truly wonderful but sad film.

    Más del estilo

    El Mesías salvaje
    6,9
    El Mesías salvaje
    Mujeres enamoradas
    7,1
    Mujeres enamoradas
    Una sombra en el pasado
    7,0
    Una sombra en el pasado
    Death's Sonata
    8,3
    Death's Sonata
    Bridegroom
    8,0
    Bridegroom
    Closure
    9,5
    Closure
    A Boy Named Death
    9,8
    A Boy Named Death
    Mission: Guerrero
    9,9
    Mission: Guerrero
    Little Luis
    9,8
    Little Luis
    El arco iris
    6,3
    El arco iris
    El fin de la inocencia
    7,4
    El fin de la inocencia
    Salomé, el precio de la pasión
    6,4
    Salomé, el precio de la pasión

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Some of the interior scenes of Madame Nadedja von Meck's estate would later be used in Stanley Kubrick's Barry Lyndon (1975).
    • Pifias
      Tchaikovsky's Symphony 5 op 64 can be heard in a scene that takes place in 1877, while the work was released in 1888.
    • Citas

      Antonina Milyukova: He's never loved another woman, has he, mother? No one else. But I, but I have so *many* lovers, so many lovers, so many, so many! See how many lovers, mother! See how many, how many, how many . . .

    • Conexiones
      Featured in Moviedrome: The Music Lovers (1991)
    • Banda sonora
      Polovtsian Dances
      (uncredited)

      from "Prince Igor"

      Composed by Aleksandr Borodin (as Alexander Borodin)

      Played as background to one of Nina's romantic encounters.

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    Preguntas frecuentes

    • How long is The Music Lovers?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 12 de febrero de 1971 (Francia)
    • País de origen
      • Reino Unido
    • Idiomas
      • Inglés
      • Francés
    • Títulos en diferentes países
      • La passió de viure
    • Localizaciones del rodaje
      • Pump Room, Roman Baths, Bath, Somerset, Inglaterra, Reino Unido(Moscow Conservatoire)
    • Empresa productora
      • Russ-Arts
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 1.600.000 GBP (estimación)
    • Recaudación en todo el mundo
      • 1596 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      2 horas 3 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 2.35 : 1

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