La corta noche de la muñeca de cristal

Aldo Lado's directorial debut known by its English title Short Night Of Glass Dolls is a unique, cerebral experience. For those in the United States that have been searching, in 2002 was first released on DVD by Anchor Bay -- I got mine as part of a four-disc "Giallo Collection" that also contains Lado's second feature Who Saw Her Die? Currently in 2018 it's on Blu-ray from Twilight Time and 88 Films.

Short Night Of Glass Dolls was originally titled Short Night Of The Butterfly (also a song in the film), but right before its release another film came out with with the word butterfly in its title, thus the retitling of this one. Malastrana is a title Lado was originally going to call this film but at the insistence of others involved, it was then on to Short Night Of The Butterfly. Too bad Short Night Of Glass Dolls was the main choice, as the Butterfly title would have made much more sense to the story.

Jean Sorel stars as an American reporter found allegedly dead, and yet we hear his thoughts as he is examined in a morgue. His memories take us back to the beginning where he tries to find out the reason for his girlfriend's disappearance (played by a very young Barbara Bach). What follows is not your typical giallo, but a very thought provoking mystical mystery. It evokes the tone of films like Suspiria and The Tenant, and was made years before those. It really does transcend the typical Italian giallo -- most are just murder mysteries with a cast of characters that all have skeletons in the closet and you have to sort through their hangups to see if they have relevance as to "who done it." Here, there is much more going on amidst political unrest and metaphors for "power being fed by the blood of the young." I usually yawn at heavy political stuff the likes of Lina Wertmuller, but Aldo Lado's take is a nicely blended comment as well as visually stunning storytelling.

I really enjoy films from that period of time, as the actors are not so "GQ" looking, nor are they too young for the parts they're playing. The moustached Jean Sorel is nicely cast and easy to sympathize with, you'll find yourself really hoping he solves the mystery and gets out alive. The locations are used well and extremely scenic (another reason I love giallos from the early 1970s). Add to that a really well-written story along with a wonderful Ennio Morricone score and it just couldn't get any better than that! Even the famous "group" scene is handled so well that it does not come across as gratuitous nor cheap.

Short Night Of Glass Dolls is very accomplished filmmaking, and now that it has been restored and looking better than ever on DVD, those with a hunger for something very unique will be quite satisfied.

Aldo Lado's first movie, "Short Night of Glass Dolls" is an effective and atmospheric giallo from the early '70s. Jean Sorel plays the cop who, it appears, "wakes up" dead. Paralysed in his body and unable to communicate with the outside world, we see the events leading up to this situation unfold in his memory as, in the present, an autopsy is started to be prepared for him.

The film contains a memorable cast. The delightfully beautiful Barbara Bach plays Sorel's missing love interest, Mira. The late Ingrid ("Salon Kitty") Thulin appears as work colleague and ex-lover, Jessica. Mario Adorf is excellent as the friend and fellow cop, Jacques.

The film is fast paced and the premise is gripping but I found the film less satisfying overall than many other giallo movies. Worthy of a viewing, without a doubt, but not in the same league as Argento's finest efforts.

With a score by Ennio Morricone and impressive cinematography by Giuseppe Ruzzolini, "Short Night" is a hauntingly beautiful and memorable film.

A strong 7 out of 10.

A street sweeper finds a man, apparently dead, lying in a park. An ambulance is called. The camera shows the route followed by the ambulance: A grey city is revealed with old buildings and statues. A feeling of gloom and sadness permeates the screen, underlined still more by the hauntingly beautiful soundtrack of Ennio Morricone. Welcome to Prague, the city of Kafka.

At the hospital, the doctors, after examining the body, declare him to be dead. But he's not really dead! Even if he doesn't show signs of life, he's conscious and screams silently (he can't move or talk) for them to save his life. In fact, as his body doesn't show the rigor mortis or putrefaction signs usual in the dead, they think that maybe he's not really dead and decide to try to reanimate him.

On searching his effects, the hospital attendants discover that he is Gregory Moore (Jean Sorel), an American reporter. The film is divided in two parts - the remembrances of Gregory Moore and the attempts of the hospital staff to revive him.

After Gregory's girlfriend Mira (gorgeous Barbara Bach) mysteriously disappears, he decides to investigate on his own to discover what lies behind it. As his investigation progresses, the local police become gradually more hostile. Something horrible is happening. But the people that could shed some light on this story either refuse to speak or are "removed". Gregory is now on what could be his final journey. What happened to him? The atmosphere of mystery, fear and perplexity surrounding Gregory is excellently portrayed in "La Corta Notte delle Bambole di Vetro". If you want to know more, see the film. It's a very good giallo.

"La Corta Notte delle Bambole di Vetro"'s cast (Jean Sorel, Ingrid Thulin, Barbara Bach, Mario Adorf) adds still more charm to the film. It's interesting to say that Ingrid Thulin appeared in Bergman's "The Silence" (1963) that takes its place in a strange and mysterious city of eastern European appearance!

Highly recommended!

I had really high hopes for this new remaster from Blue Underground. In the last few months, I have become a big giallo fan. I've gained a real appreciation for the genre after viewing several.

"Short Night of the Glass Dolls" is without a doubt one of the most well-produced giallos I have seen to date. I think the budget was probably pretty large, compared to contemporaries. The cinematography is masterful and the soundtrack is amazing.

Where this film fell short for me was the plot and continuity. I found myself getting bored throughout. There is no gore. The murders are minimal. The sex is tired. I just din't think it was all that interesting. I get the point of it: old people take advantage of the young in order to better themselves and their world. It will always be their world, they feed off the blood of the young...etc. The problem is, this isn't even alluded to until the very end of the film. It's also vague and the plot takes too many twists. I lost interest because so many things were never explained.

Perhaps it would have been better viewed in Italian with subtitles. Maybe it was lost in the dubbing. (Which is good, compared to other Italian films.) Or maybe it was just the overly artsy feel, but somehow, it just failed to grab me. The last scene is pretty decent though. Does it make up for the slow pace? I guess it's up to the viewer to decide. If you can make it without falling asleep.

6 out of 10, kids.

In Prague, a man is found dead and sent to the morgue. The coroner finds his passport and identifies the American journalist Gregory Moore (Jean Sorel).He finds strange his body temperature and the absence of rigor mortis. However, Gregory is alive and totally paralyzed and recalls all the previous events. Gregory works in Prague with the journalists Jessica (Ingrid Thulin), with whom he had a love affair, and Jacques Versain (Mario Adorf). He will be transferred to London and meets his girlfriend Mira Svoboda (Barbara Bach) to invite her to travel with him. They go to a party and then he returns to his apartment with Mira. During the night, Jacques calls him to investigate the death of a minister. However the information is fake and when he returns to the apartment, he finds that Mira has gone missing. The inefficient Inspector Kierkoff (Piero Vida) is in charge of the investigation and Gregory finds that several young women have disappeared in Prague. He carries out his own investigation culminating to find a mysterious cult. Meanwhile his friend and doctor finds weird the condition of his corpse and tries to revive Gregory. Will he succeed?

"La corta notte delle bambole di vetro", a.k.a. "Short Night of Glass Dolls", is a totally different giallo. The story has no gore and slightly recalls the idea of "Sunset Boulevard", where a dead man tells the previous series of events until his death, and "Rosemary's Baby" since there are many people involved in a satanic cult. The conclusion is excellent with no redemption. My vote is seven.

Title (Brazil): "A Breve Noite das Bonecas de Vidro" ("The Short Night of the Glass Dolls")

Note: On 11 June 2020 I saw this film again.