Añade un argumento en tu idiomaLalita lives with her widowed mother in a small village in India. One day while traveling by road, she is stranded, and a young man named Raja Babu comes to her assistance. Both fall in love... Leer todoLalita lives with her widowed mother in a small village in India. One day while traveling by road, she is stranded, and a young man named Raja Babu comes to her assistance. Both fall in love with each other. When she informs her mother about her love for Raja, she is met with str... Leer todoLalita lives with her widowed mother in a small village in India. One day while traveling by road, she is stranded, and a young man named Raja Babu comes to her assistance. Both fall in love with each other. When she informs her mother about her love for Raja, she is met with strong opposition, as her mother knows that Raja Babu is already married and has a son. She a... Leer todo
- Dirección
- Guión
- Reparto principal
- Pran Bahadur
- (as Pran)
- Rajan's nephew
- (as Rajendra Nath)
- Dhondumal
- (as Asit Sen)
Reseñas destacadas
A double role formula with a suspenseful theory but too messy. Unlike Ram aur Shyam (1967), where twins swap places unknowingly and keep the secret open, Maryada is very restricted and suspenseful about the same twins formula. What's more is that every single character in the film behaves on an extreme level, and the reactions are also very extreme, causing all the conflicts to look weak. I'll try to explain all those characters in brief. Pran's character is greedy; he is all about money, and so easily he can spread a rumor about someone's death. Laxmi's character disappears suddenly, and we have no clue. She reappeared in the climax from nowhere. That was too dramatic just to make a happy ending right. Lalita decides to earn the money and becomes a dancer and a rich girl with no struggle. Abhi Bhattacharya is a murderer and yet manages to complete his marriage. Wasn't that too mad? Raja Babu spends 4 years in mourning but does not leave the place and decides to go out to find his wife and kid. Why bro? Ranjan is too blind to see what's coming his way just to hide a normal secret of his friend's identity and even breaks things up with his girlfriend for his friend. How? As a whole, the characters are a mess. The songs also don't hit the high bar, and I believe Kalyanji-Anandji could have done much better than this. Rajesh Khanna enters the picture at halfway, Raaj Kumar is decent, and Mala Singha steals the show here. This was a very peculiar double role for her, and she has done a fantastic job even though the characters don't make much sense. Arabind Sen fails to clear many things in the first half, and that's why the film looks confusing. It took me a whole lot of time to understand that it was a double role because the events were too quick and roughly done. Overall, a decent watch that can be enjoyed with compromises.
RATING - 5/10*
By - #samthebestest.
He makes his appearance only after about 20 mins into the film. His pairing with Mala Sinha is disappointing, he looks like her younger brother. Also, in the climax, it is Raaj Kumar who saves him from the villain Pran which will not go down well with kaka fans.
Songs are superb, but the storyline is pretty ordinary.
The film became a hit mainly because of the rajesh mania at that time.
The wording of this song and the perfect voice quality of Mukesh, the terrifically thrilling night windstorm, melodramatic music and morose acting by Rajesh Khanna is something special to watch. The anguished and perplexed vibes frozen on the face of Rajesh during this particular song are an excellent display of his magnetic screen presence during the early 70s. Another music number "Chupke se dil dye de" also carries some romantic appeal which is a duet filmed on Rajesh and Mala Sinha.
On cold lonely days, when there is no other task ahead, watching this flick, especially the aforesaid sad song, with a hot cup of tea should be worthwhile.
¿Sabías que...?
- CuriosidadesThe film was planned in 1966 but was finally launched in 1967. A day before the mahurat, Jeetendra backed out. Jeetendra could not handle Raaj Kumar's behavior during the making of Mere Huzoor. Aravind Sen had seen Rajesh Khanna in Raaz and felt he was very talented. He decided to sign him and give him a chance. When Rajesh Khanna became a super star in 1969, Khanna got busy with other films and delayed giving dates to Maryada.
- ConexionesReferenced in Taarak Mehta Ka Ooltah Chashmah: Anand Ka Safar (2012)
- Banda sonoraZuban Pe Dard Bhari
Lyrics by Anand Bakshi
Music by Kalyanji Veerji Shah & Anandji Veerji Shah
Performed by Mukesh
Selecciones populares
Detalles
- Duración2 horas 34 minutos
- Mezcla de sonido