The Murder of Fred Hampton

A powerful last third makes up for the technical rawness (including some sections where it's hard to hear what's being said).

Hampton can be initially be tough to sympathize with, especially for an audience 40+ years later, as he preaches what sounds like a hopelessly naïve call for violent revolution. But the slowly growing evidence that the so-called 'shoot-out' in which he died was nothing less than the intentional murder murder of a charismatic black leader set up by the police is deeply chilling, and makes Hampton's call to take up arms in self-defense seem a little less unreasonable in retrospect.

An important reminder of a now all-but-forgotten time in our not so distant history.

Fred Hampton, founder of the Illinois chapter of the Black Panther Party for Self-Defense, was assassinated by a special unit of the Chicago Police Department on December 4th, 1969 as he lay face down in bed. He was 21 years old when he was murdered. The police fired 99 unanswered shots into his apartment, wounding Fred as he slept. Apparently drugged by an informant, Hampton was unable to awaken. After the raid the police put two more shots into Hampton's head and said "Now he's good and dead."

This film follows the last year or so of Fred's life and the investigation immediately following his murder.

The first part of the film shows Fred speaking and organizing and provides a brief glimpse into the Panther community programs such as free breakfasts for school children, as well as a fairly good portrayal of Hampton's dynamic speaking abilities, vast depth of knowledge for someone so young, and his passion for the revolutionary struggle of all oppressed people worldwide regardless of race.

The remainder of the film focuses on Fred's murder including footage of the crime scene. The attacking police unit was so secret that the local precinct was not notified to clean things up after the bodies were removed. As a result the Panthers and their attorneys filmed and collected a vast amount of evidence which proved the police and states' attorneys were lying. The police and government arguments are given, interspersed with contradictory proof by the Panthers and their attorneys proving that this was not a raid gone sour, but rather a carefully planned assassination. The photo of the police smiling joyously as they carry Hampton's body out of the apartment is ominous.

This film was made right after Fred Hampton was murdered, and before the Panthers were aware that one of their own - William O'Neal - was actually an FBI informant who provided the police with the map of Fred Hampton's apartment. It was also filmed years before the information about the FBI's COINTELPRO campaign was made public. It is a great piece of history which gives a rare fair treatment to the Black Panther Party.

If you lived through the 60s, or if you are a student of political movements and truth, you will find this fascinating.

The facts are simple enough: The US had an overtly racist political system, working differently in big northern cities than backwards southern towns. Although the major sweep of protest was a noble, steady stand for simple justice, some hotheads took a violent stand. One of these was the Black Panthers, and a stronghold was Chicago.

Chicago was famously corrupt in the sense of an inbred political establishment, including the police. Loyalty to the establishment was the game and the truth was expendable, malleable, inventable. Well, that is an old story.

The interesting element is the Panthers. We have this film as consisting of footage from before and after the murder. The Panthers are possibly honest but probably not so. They surely are passionate, and committed to "the people." The striking thing is how utterly stupid the politics is: a combination of plain unrealistic Marxism, uneducated rhetoric and logic and earnest but goofy metaphors. These guys are basically well-meaning, frustrated nitwits with guns, who had a genuinely honest complaint and a lucked into an adversary that was incompetent at lying.

The second half of this film was produced by the Panthers (and their white lawyers) as detectivework to show the lies of the Chicago police. There is no controversy about what happened and it is instructive to compare it to today's obsession with terrorists.

There is a frustrated people who take up an armed struggle. They mix their aggressiveness with service programs for an underserved society on whom they depend for support. In this case, it was breakfast and "education" programs. This is the model for Al Qaeda, Hamas and Hezbollah. A large establishment opposes them, fears about safety abound. There is a threat of overthrow, destruction. Each side vilifies the other. But one side has governmental stability and organized forces. So they do what they believe is necessary, constitution be damned.

No one listening to the news actually believed the police story, neither white nor black. Whites fabulated a story to explain away the discrepancies from the truth. This differs from today where torture is openly supported rather than lied about. But otherwise this film does what the best of history can do: give us insight into ourselves.

Yes, the filmmakers, presenters and detectives are not admirable. Yes, you would not want to sign up for their childish politics. Unless you are grasping for a manufactured ethnic identity, the language and means of expression grate, embarrass. But they were fighting a great lie, a great lie in front of a great injustice.

And the footage is real. So this matters.

Ted's Evaluation -- 3 of 3: Worth watching.

This documentary can be split into two parts. The first half is a biography of Fred Hampton, a civil rights pioneer, community organizer, and Black Panther member. The second half is a stunning work of investigative journalism that provides clear evidence that Hampton was assassinated by the Chicago police.

Hampton was called a dangerous revolutionary, but his message was nothing more revolutionary than social justice and equality. While there is certainly a revolutionary aspect to that, it is not the angry and violent rhetoric with which the state wanted to tar him. So they simply assassinated him and concocted a story that portrayed him how they wanted him -- dangerously violent. The facts of the case just don't fit that narrative, however.

Hampton's story is not well known. That makes this film even more important. It is extremely dangerous to think that state-sanctioned political assassinations could not happen or do not happen in the United States. Hampton's death is tragic enough without us learning nothing from it. Fascism can rise anywhere, and it can be as petty as racist cops working for a corrupt city government or as insidious as a federal agency that engages in black ops against its own citizens.

Fantastic documentary- both a great piece of journalism and a beautiful example of verite-filmmaking. It shows the truly socialist character of the Black Panthers as they feed and educate oppressed people of many backgrounds.

The radical journalists who made this film make clear that the Chicago police felt the need to execute Hampton, an important Black Nationalist, potentially an important Marxist revolutionary leader, before he developed any more of a mass, multi-national following. The fact that Hampton was convicted of clearly trumped-up charges of robbery by an all-white jury shows that the general white populace feared Black people, yet the many white progressives and radicals in Hampton's circle shows that the racial divide was gradually declining in the near- revolutionary climate of the late-'60s, at least among young people. The film thus makes terrifyingly comprehensible the capitalist state's desire to quash Black Power before it could be equated with, in Hampton's words, "Brown Power for Brown people, Yellow Power for Yellow People..." and even "White power for White people."