Doctor Casanova

While drinking and playing cards with his friends, the medical student Paul Simay (Jean-Paul Belmondo) bets an amount who among them will conquest more ugly women in one year. When he travels to Tunisia on vacation, he meets the unattractive and weird Christine Dupont (Mia Farrow), who has one crippled leg, and seduces her. They go to bed; Christine loses her virginity with Paul, and he wins the bet. Some time later, Paul meets Christine in Bordeaux, and she introduces her father to Paul. He was a medical student of Professor Dupont (Daniel Lecourtois), who owns a clinic, and he offers a partnership to Paul if he marries Christine. At the wedding, he meets the sexy Martine Dupont (Laura Antonelli), who came from London, and soon Paul gives sleeping pills to Christine to have a love affair with her. Meanwhile, all her suitors die, and she get pregnant with Paul. When the girl Claudine is born, Paul is happy with his dysfunctional family. Until the day he has a mysterious car crash and becomes crippled and emasculated, despite the treatment of the old Dr. Berthier (Daniel Ivernel).

"Docteur Popaul", a.k.a "High Heels" (1972), is a movie of dark comedy directed by Claude Chabrol with a story of revenge. The proverbial phrase "revenge is a dish best served cold" was never more adequate than the plot of Christine and Dr. Berthier against the misogynist Paul. The conclusion is corny and commercial, maybe to satisfy conservative audiences, with Dr. Berthier pumping out Paul and saving his life. My vote is six.

Title (Brazil): "Armadilha para Um Lobo" ("Trap for a Wolf")

I've watched this film about thirty years ago and it stuck in my mind until now. When I came across it on DVD, I didn't hesitate too long, even more, because I have a predilection for early Belmondo flicks. But what a bad surprise! Some movies should be allowed to resign from public exposure, to preserve a certain memory, and not to shock audiences.

Widely hailed as one of Chabrol's rare cynic works, the only lasting impression I got from re- watching it is... boredom. Some movies really do not age in style. But what about movies which didn't have any sense of style at all?

The flaws in the script, uninspired acting - presumably due to the lack of direction -, a sort of production design, which doesn't deserve its name, less than mediocre photography and, last but not least, the worst editing job I've seen in ages, make this one truly hard to stand.

My impression was, that there was a bunch of people with too much money and equipment but obviously, no idea or any skills at all. It really comes as a surprise, that this one didn't abruptly end Chabrol's career. Don't blame it on the overall bad taste of the 70s, this one is crap in its own right and a worthy contender for the most useless waste of celluloid ever.

I generally can't understand what people see in Chabrol. His films are boring and predictable. Take The Butcher. One suspect, he did it and the clue is in the title. The film is very cynical, it's not even dark humour. For me it wasn't homour at all. The overall concept is deeply mysoginist. I can't really laugh about women being degraded. And all that bourgeoisie bashing in the late 60s / early seventies is hardly original. Most of all the film is very boring because there are no characters the viewer can relate to and the narrative doesn't really get going. Apart from some sexy scenes with Laura Antonelli this is a total waste of time.

Jean-Paul Belmondo is a very good acteur: he can play roles of thief,policeman, adventurer, swindler, but also roles of seducer.In this dark comedy about seduction,marriage and family life he speaks of the moral beauty of the ugly women: the seduction play in his meeting with Christine is quite fine.But the things will change when in his marriage in the church he sees his sister -in-law.Then we have some comic black events (how to eliminate the lovers of Martine). I am not an uncondicional fan of Claude Chabrol: Docteur Popaul,who had a good commercial success, doesn't convince me very much: there are better films of Claude Chabrol such as "La ligne de démarquation","Le Boucher","La femme infidèle" or "Avant que la bête meure".

At the time ,Chabrol was at the height of his powers ;the 1967-71 is now generally considered his heyday ; but there was a critical backlash circa 1971: what's the point of depicting the bourgeois life in "la femme infidèle" or "juste avant la nuit" , what's the point of making his characters fight this privileged class in such works as "que la bête meure" or "la rupture" ?.....when you are a bourgeois yourself; the director never denied it anyway. And who ,with the staggering exception of Bunuel , gave a better picture of the French bourgeois milieu in those years?

There was another "rupture" (breach) in 1971: Chabrol had always wanted to adapt Ellery Queen's murder mystery "ten day s wonder" ; bourgeois life was still here,but it took a back seat to the plot , a riddle based on the Bible no less; "la décade prodigieuse " ;one of Chabrol's own biggest disappointments ,it is better than its bad reputation,though.

"Docteur Popaul " aka " Doctor Casanova" continued in that vein, the murder mystery,but it took it to peaks of crudeness and bad taste;Hubert Monteilhet , whose novel was adapted, is closer to Rabelais than to Ellery Queen's finesse and dandiesque elegance .

With hindsight, "docteur Popaul " has not aged that much bad ; Chabrol wanted to dismantle the classic thriller plot , the set up , the final unexpected twist (which is so trendy today) is present ; black humor makes up for bad taste and Belmondo overplays with delight :he had just founded his own film company ,"Cerito". Dominique Zardi ,a Chabrol habitué , was cast as the bishop and wrote the awful ditties -he had already written the lilting "Capri Petite Ile" in "le boucher ",probably the director's masterpiece -.

Two thirds of the movie is a flashback (it was the first time the director had used this technique),the last third is some kind of "set up ,explanation and deus ex machina ",in the shape of a cleaning lady played by another habitué ,Henri Attal , Zardi's pal)

A wholesale slaughter ,in which Claude Chabrol destroys the world he created in the precedent years;lambasted by an unanimous press, it was nevertheless ,probably because of "Bebel" , the director's biggest commercial success in his whole career.