Batalla por el planeta de los simios

A point raised by Caesar's enemy, Kolp (Darden in a mustache-twirling snidely elegant turn at maddened villainy), in this 5th and final Apes film. But a king usually has more than one enemy, as Caesar finds, to his grief. A predictable and mostly logical follow-up to the previous "Conquest of the Planet of the Apes," this one, like "Beneath the Planet of the Apes," stresses sci-fi action rather than any deep themes related to slavery or culture shock. Several years after a nuclear war, we find a surprisingly peaceful yet primitive village occupied by both apes and humans, governed by chimp Caesar (McDowall), who began a revolution in the previous film, as a young radical. Now much older - either about 10 or 30 years older, depending on various sources - he projects a benign fatherly personality. It's not quite paradise: though not the slaves as apes were previously, humans have shifted to 2nd-class citizens, despite an image of equality, and tension escalates due to local bully gorilla Aldo (Akins - 'call me by my proper rank, General, huh!'). Then Caesar himself opens the door to other possible problems by visiting a nearby nuked city (obviously the same one from the previous film). There, the human governor from "Conquest..." has been replaced by his security chief, Kolp, who was bad enough as 2nd in command - now he's bored just sifting through the rubble with his few mutated followers - time to work off the doldrums and teach a clever ape how to show respect.

This entry is generally regarded as the worst of the 5 films, if most fans had to pick one, but it's not a complete waste by comparison. There really is a battle at the end, a mini-war between the invading mutants and the village - but then the final confrontation between Caesar & Aldo is slow going. This film is almost like a precursor to all of those post holocaust sci-fi pieces in the eighties ("Steel Dawn," etc.). The biggest weakness is that nothing really new is added to the saga. The new character, Virgil (Williams), for example, is a genius orangutan, but he's a retread of the genius chimp from "Escape..." What this film does, really, is bring things full circle for the 5-film saga, though not in a very creative way. As with the previous film, "Conquest...", events that should occur over the course of decades or centuries are depicted in the span of days. The filmmakers got all the old costumes from the first 3 films out of mothballs and outfitted the apes here the same way, against logic. The mutated humans from the bombed out city are the ancestors of the mutants we've seen in "Beneath..." - they even show the alpha-omega bomb which, though almost detonated here, remains as is until it supposedly destroys everything in two millennium. However, a prologue and epilogue set about 600 years from now with the orangutan Lawgiver (Huston) shows that the future is not set, so now we're left guessing. This movie was followed by the short lived TV series, which took place about a thousand years in the future.

One decade after a worldwide series of ape revolutions and a brutal nuclear war among humans, Caesar must protect survivors of both species from an insidious human cult and a militant ape faction alike.

Screenwriters John William Corrington and Joyce Hooper Corrington were brought in after the success of their film "The Omega Man", although prior to that neither one of them had written any science fiction films and, indeed, Joyce Carrington later admitted they had never seen any of the Apes films prior to being hired to write the script for "Battle".

Roger Ebert gave the film a negative review, stating, "Battle looks like the last gasp of a dying series, a movie made simply to wring the dollars out of any remaining ape fans." As usual, Ebert is spot on. This feels nothing like an "Apes" movie at all, and the continuity starts to get a little strange. Even ignoring the paradox of the time loop, there is no explanation of how the apes became able to speak and so forth. If Caesar had a mate and this was 500 years in the future it might make sense, but apes simply do not have the ability to speak!

In my opinion this film is underrated it is not a great film by any means but is better than Beneath The Planet Of The Apes and Conquest Of The Planet Of The Apes. This is the fifth and final chapter in the ape saga and in my opinion it didn't disappoint the planet is a desolated place, Ceasar wants apes and humans to live together however ape has the edge over man as leaders and the humans fight back... This film stars Roddy McDowell, Claude Akins & Natalie Trundy this film was directed by J.Lee Thompson i recommend this film even though it has a low rating on IMDb it is an enjoyable film so watch and enjoy THE FINAL CONFRONTATION

***/*****

The last of the original series takes place a decade or so after its predecessor. There's an Ape City, run by Caesar, the benevolent ruler played by Roddy McDowall, and its human denizens are servants to their simian cousins. Caesar's aide tells him of a place in the Forbidden City, now decimated by nuclear strikes, where video footage of Caesar's parents exists. Caesar has no memories of his parents, who were killed when he was a baby, so he, his aide, and the wise Virgil (Paul Williams) travel to the city and encounter a band of now-mutated humans who live in some squalor and are led by Kolp (Severn Darden). Kolp, learning of the apes' arrival, decides to launch a preemptive strike on Ape City to exterminate them all. Meanwhile, there's dissension among the apes - particularly, the combative General Aldo (Claude Akins), who wants to take over because he likes making war and being the Man. Anyway, the movie isn't as good as those earlier in the series, but it's passable. McDowall is very good, and in fact the ape costumes are still top notch. This is a fitting coda to the series.

This final installment in the series may be a bit corny, but it sure as hell does provide us with some action. Humans and apes are again at war, and as a result a lot of stuff explodes, that's pretty much the summary. The usual philosophic remarks are thrown in, but they just work up to the battle the title promised. The action scenes are pretty chaotic but still look good, especially the scene early in the movie where they enter the forbidden zone/undergrond parking lot works out well. By this time the actors knew what they were making and seemed to be loving it, Claude Akins hams it up like crazy. His portrayal of man-hating general Aldo has one dimension, and that dimension is really built to last. We meet Aldo and he's angry, we see him again later and he's angry, and then finally he's well what do you know, angry. His best scene comes near the ending though, you'll know it when you see it. You can say a lot of negative things about this movie, but boring it ain't.