Kaitei daisensô

While this movie has all the elements that make old sci-fi movies suck,it somehow doesn't suck. The creature from the black lagoon has been cloned and is now in Japan,so of course two reporters must investigate.They immediately go scuba diving because what is a movie without scuba diving?I swear I can't remember the last time I saw a movie without scuba diving.Of course one of the reporters is a woman and wouldn't you know it...she sees the monster first.Two times when the camera cuts to him it's extremely clear that he's not underwater.As the woman swims away they superimpose the monster over her.Not content with nearly being killed, they must investigate further.That's when they discover that a guy has figured out how to transform humans into any form he wants.He explains how but then they just put what looks like a few human organs sewn together into a guy and the transformation begins.It's long,tedious and boring and the woman gasps constantly at the extremely slow process.At one point the guy even gets tiger feet before becoming a CFTBL clone. Did I mention that this guy has made a whole army of these things? And that he calls them cyborgs even though they have nothing robotic about them?And that he controls the entire army with a big knob that has settings like "work" and "fight"?And when he needs them all to stop he has to make a pa announcement so the guy standing next to him can turn the knob. I'm sure I didn't mention that he looks like Kevin Spacey in sunglasses.How do I even know who that is?? You would think that one of the monsters having his armpit "skin" ripped open would be the funniest thing in the movie but you'd be wrong.The funniest, and therefore best part of the movie, is all the underwater fire.What?I didn't mention that most of the movie takes place under water?Or that this guy has built his own Epcot center in the ocean? Doesn't matter. All that matters is this movie has more underwater fire than you will see everywhere else for as long as you live.

I like the simplicity of it. You couldn't intentionally make a movie like this; it's just some kind of magic that falls into place, but the audience has to go along with this kind of accidental wackiness or it will fail to entertain.

This is no CREATURE FROM THE BLACK LAGOON, but I had extremely low expectations going in. The movie was a little better than I anticipated, but not by much.

The film concerns two journalists who realize there is something amiss going on in the waters off of Japan when they view an informational film done by the military and see something that they shouldn't. When they try to investigate, they unwillingly become part of a mad scientist's master plan to build and rule an underwater kingdom.

There are a variety of actors in TERROR BENEATH THE SEA, both Japanese and non-Japanese. Most of the film is dubbed which can always lend itself to overacting a bit - there is no exception here. I also found that the roles were somewhat one dimensional - the mad scientist was the stereotypical mad scientist (complete with dark sunglasses), the lead female was the stereotypical woman from the 60's (outside of having a job) who looked to her man to save her and whined and cried a lot, the military guys were as formal as you would expect, etc. The monsters were fairly well done for the time and not as bad as some others I've seen but their costumes were obviously cheaply made. Interestingly, throughout most of the film they are programmed to act in a certain way, but towards the end, they have a mind of their own.

The plot line is rather slow and the special effects were really saved for the end of the film. There are lots of underwater explosions that were actually pretty well done for the time although some other reviewers would disagree. The other effects were really chintzy though. The soundtrack was the typical "mod" type common in the 1960's.

This is really a movie for either kids or fans of old Japanese monster movies. I wouldn't be able to recommend it to a horror fan.

Sadly, before Sonny Chiba made the wonderful martial arts films that made him so famous throughout the world, he starred in a bazillion films--including some real turkeys like INVASION OF THE NEPTUNE MEN (in the bottom 100 films on IMDb). Despite a fairly respectable current score of 5.5 on IMDb, TERROR BENEATH THE SEA is also one of these early bad films. Now it isn't nearly as terrible as INVASION OF THE NEPTUNE MEN (but what is?!), it's still mighty bad and a film only for kids and the curious.

The film involves Chiba and a cast of Westerners and Japanese investigating some strange creatures in the ocean. They look like a poor man's version of the Creature from CREATURE OF THE BLACK LAGOON--rubber body suits painted silver with putty-like faces. It turns out that they are the creation of a mad megalomaniac (Dr. Moore) who has learned to change humans into practically anything he'd like. Using a mind control device, these cheesy monsters do his bidding. And where does this crazed genius live? Yep, 3000 feet under the ocean--and it's up to Chiba and the US Navy to stop this crazy and his freaky friends. They never really explain how the subs are able to go that deep and Chiba's stupid red-headed sidekick wants to swim from there to the surface (they'd be crushed like grapes by the pressure almost immediately). Maybe originally they mean 300 feet and it was mis-dubbed!

The film looks very Japanese when it comes to the underwater battles and sub. There are lots of fires and explosions(!) under water and much of it looks really, really cheap--like they were created by someone who built the cities for the Godzilla films. Oddly, despite these silly special effects, some of the underwater diving scenes were very well done and filmed well and the color throughout the film was lovely--very vivid and clean. The costumes also aren't bad (other than the silver-suited freaks).

The film is entertaining silliness that bad movie fans and kids will like, but I can't imagine anyone else sitting through this odd film. Well,...at least it IS different!

1966's "Terror Beneath the Sea" is a forgotten sci-fi from Japan, less surprising once you learn it's from neither Godzilla's Toho, or Gamera's Daiei. It's actually a Toei production, one of three that made it to American shores, with "Magic Serpent" and "The Green Slime" better remembered. Apart from future martial arts star Sonny Chiba, we have teenage blonde Peggy Neal, who went on to star in Shochiku's "The X from Outer Space," who promptly disappeared from the scene. The Gill Man costumes are initially intriguing, but become obvious through repetition, though the prospect of human beings being transformed into amphibian cyborgs manages to produce some effective moments. Director Hajime Sato really struck paydirt with his final film, 1968's "Goke Body Snatcher from Hell" (also from Shochiku), as nightmarish a combination of horror and sci-fi as any made in Japan. "Terror Beneath the Sea" aka "Water Cyborgs" was frequently seen on television through the late 70s (not much since), airing three times on Pittsburgh's Chiller Theater from 1974 to 1978.