El enterrador y sus colegas

Oh, some people will think it stinks, but for my money, this is moviemaking! Short running time, graphic violence, bad puns and swinging sixties music all combined to make one of the most enjoyable features I've ever seen. No joke!! The DVD is the best it's ever looked except for probably it's initial release. I highly recommend it, especially for younger teenage horror lovers. Loads of fun.

What a weird little treat this one is. The cinematography is interesting at times. It starts off on a visually interesting note and held my interest the whole time. The acting is fine. There are some jokes and the thing moves along very fast, too fast to get bored.

Sure it's not Hitchcock, but for low-budget fun, this one makes the grade. The special effects are sometimes a little weak, but all in all they made a very consistent effort in this picture. Give me this over Con Air any day.

I did not at all regret seeing this, and that is pretty high praise as far as I'm concerned. It's a fun relic from 1967, if you like movies and have a sense of humor and the absurd, you'll probably see this as time well spent.

"The Undertaker and His Pals" is bizarre, but good for a giggle. It's a dark comedy -- I'm almost ashamed of myself for liking it, but do indeed like it despite myself because it's so off the wall. Yes, folks, cannibalism can be funny. "Mort" the Mortician goes to great lengths to preserve his business. The puns made me snicker despite myself.

My best friend and I stumbled across this while still in high school. It was at Blockbuster in the comedy section, and the title was so striking we felt obligated to rent it. After we got over the initial shock, we laughed out loud and ignored the gratuitous violence.

This very well may be the first slasher film ever made, and the really weird thing, it is also the first parody of a slasher film ever made.

Therein lies a real social-historical problem: how can the film effectively creating the genre at the same time parody the genre, which doesn't come into existence until the film is released? First, a qualification: What makes a slasher film is extremely graphic gratuitous violence against helpless women, using a long knife as preferred weapon.

Arguably, the real "first" of the genre may have been "Psycho"; but "Psycho" was an exceptional film, and stands out from most of the rest of the genre. And it's in black & white, while a true slasher film requires blood-glaring color (which "Undertaker" has, and remarkably well-kept for its age). I prefer to think of "Psycho" as a precursor.

But "Undertaker" is, first of all, nothing special as a film. (It's just low-budget drive-in fodder, intended to be ignored by the teen-agers necking in the back seat.) Secondly, it takes sadistic-voyeur pleasure in showing us the violence and the blood. Finally, it shows self-consciousness concerning the sadistic-voyeurism, meaning that it is intended to appeal to the very worst instincts in its target audience.

And that makes it pure genre film - well, almost.

As I said, it is also a parody of this genre - in the most outrageous way. The sales pitch the undertaker offers potential customers is genuinely amusing, and the killers repeatedly debunk themselves as silly mad-scientist types that only happen to run a failing diner. What's going on here? There can be only one answer, logically: the film-makers here are actually parodying another genre film.

Perhaps "Psycho" can help us out here, after all. It must be remembered that a major influence on Hitchcock's's film was the motel sequence in Orson Welles' "Touch of Evil". That episode was itself influenced by the '50s "JD" (juvenile delinquent) films that frequently had middle-class suburban families found suddenly in the grip of a punk or a gang of young punks (the most famous being Brando's "The Wild One"). And the JD film was itself a clear off-shoot from the standard B-movie crime-thriller of the early '50s, which is simply a sub-genre of the "police procedural" (e.g., "Dragnet").

So, what "Undertaker" is really spoofing here is the police procedural.

So the indirect progenitor of the slasher film is - Jack Webb's "Dragnet". That's a little unsettling, but true.

At any rate, I'm not a big fan of slasher films, and I only watched this film a second time because it is, so clearly, an historical oddity. And it's real weird that directors like Welles and Webb (who have nothing else in common but this) should, in trying to explore the social significance of socio-pathic crime, point the way for audiences to enjoy such violence voyeuristically in the slasher film. That's cause for reflection.

Which makes "Undertaker", if only for history's sake, a very, very weird little film.

Not recommended for enjoyment, but a must-see for film-history buffs.

"Did you ever think when a hearse drives by, that some day you are going to die?" This is the first sentence in the lyrics of the theme song for this film. Subtle, isn't it? Hell no, it's not, and subtlety is probably the very last thing you should expect to see in this grotesquely absurd and downright demented gore-comedy. He isn't mentioned anywhere in the credits, but the crazed sense of humor, the excessive display of (poor & cheesy) gore, the music and the overall amateurish low-budget production values make this feel like a genuine Herschell Gordon-Lewis movie! Undoubtedly he, The Godfather of Gore, influenced many young filmmakers at that time and "The Undertaker and his Pals" is a fine example to prove this statement. It's a tasteless and simultaneously delicious story about the pact between the undertaker and two restaurant owners residing in the same town. They ride out together at night to barbarically slaughter young girls, and while the undertaker makes big money arranging the funeral service, the victims (or at least parts of them) end up on the special menus board of his pals the restaurant owners. The film is as simplistic as it is ingenious, and it's the ideal excuse for an hour of brainless and blood-soaked entertainment. The character of the greedy undertaker is the funniest of them all and, as usual, the investigating cop is too ignorant to figure out the situation. The gags themselves aren't hilarious, but the poor execution is. If H.G. Lewis didn't make this film himself, I'm sure he will have enjoyed watching it. And so did I.