Una maleta, dos maletas, tres maletas

Neurotic and depressed businessman : Louis De Funes receives a visit from his own company , an office clerk : Claude Rich asking him for marrrying his beautiful daughter . But Funes wants to find the right husband for his pregnant daughter.

The storyline is sharp , if formulaic but the movie suffers from being extremely stagy . This amusing farce results to be a stunning comedy in screwball style , with a number of messes , misunderstandings, disorder , confusion , breathless set-pieces , though with no sexual tension . A family film without vulgarity , but clean, plain and simple humor . The centre of this deliciously convoluted comedy plot involves mislaid suitcases and never-laid suitors . Here stands out the magnificent Louis De Funes, as always he's a total show , as he puts strange gestures, twisted faces , mimes, and lots of gesticulation . Funes got his greatest hits in the Sainz Tropez Gendarme series , including as follows : the first "Le Gendarme de Saint Tropez" 1964 , "Gendarme in New York" , "Gendarmes and the creatures of outer space" , "Gendarme in Balade" , "Gendarme and the Gendarmettes" . Being accompanied by Claude Gensac who collaborated in five movies as Funes' wife . Along with likeable secondaries as Mario David, Paul Preboist , Roger Van Hool , among others . It had an American remake in 1991 by John Landis with miscast Sylvester Stallone , Ornella Muti , Kirk Douglas , Peter Riegert , Vincent Spano , Marisa Tomei .

The motion picture was competently directed by Edouard Molinaro who orchestrates the action with military precision, injecting life into the proceedings . Molinaro was a good French filmmaker who directed all kinds of genres with penchant for Comedy , as he made "Beaumarchais the Scoundrel", "Just the Way You are" , "Dracula Father and Son" , "Ravishing Idiot ," Back to the Visit" and his big hit : "La Cage Aux Follies" that had an American remake as well . Rating : 7/10 . This is one of the best Louis De Funes vehicles , giving a real recital in his peculiar style . If you like Funes' overacting , you'll enjoy this one. Better than average . Well worth seeing .

The film that almost killed my friend R-G, from an overdose of laughs, "Oscar" has a special place in my cinema loving mind, not because it is original or something, but because it's so damn good!

The best big screen version of a theatrical play, (Sylvester Stallone didn't do too bad, but when you compare with Louis de Funès you are doomed to loose!) it practically takes place inside a house, during one day. The confusion that is created by a series of misunderstandings, carries you away and makes you feel compassion for the desperation of Louis de Funès, during the breaks you take from laughing, in order to breath.

Sorry for my enthusiasm, but I like this one a lot. I know that opinions vary, but in my opinion, "Oscar" is one of the best comedies ever made, mostly for the amount of funny situations it serves you throughout the entire film.

8)

For those who master french perfectly, it's the greatest comedy ever, full of typically french humour, wordplay, double messages and misunderstandings. For those who understand french sufficiently, it's still a riot. For the others, it will be the ultimate proof that french belongs amongst the most non-verbal languages on the face of this earth. MUST SEE! By the way: it was never released on video, but this is going to change rapidly as Gaumont - owner of the rights - has announced its release (VHS & DVD) before the end of 1999!!! So stay tuned and keep in touch with your local video shop...

This film originated as a play in Paris. The story focuses on the one-day adventures of Bertrand Barnier played with a genius of French cinema, Louis de Funes. In the same morning he learns that his daughter is pregnant, an employee stole a large amount of money from his company, his maid is about to resign in order to marry a wealthy neighbor and his body builder is interested in marrying his daughter. The seemingly complicated story-line is full of comedy or errors and some of the most hilarious mime scenes of the French cinema. There is never a dull moment in this film.

This movie can't be translated, because De Funès is acting perfectly. It's the type of comedy we don't see anymore in films, probably because it takes a very good actor to create almost continuous comic effects. This is achieved because it's a play-like movie, with just one act. It amazed me to realize that I had just watched a long, hilarious play, with few breaks without getting bored for a second.

The many clichés would have ruined it if everything wasn't gravitating around the main character. It is a sort of getting De Funès from 'The Restaurant' and putting him on continuous play. The sweat on his face makes you admire his devotion to his job. He should be thanked with a bow for being almost perfect.

A swarm of characters flying around you, making you laugh with tears.Without doubt a classic.