Las pistolas del infierno

An ex-gunfighter searching for his kidnapped wife and children is joined by his peaceful neighbour. Accompanied by an eccentric scout and a trader, the men run into Apaches and bandits - encounters that eventually turn the neighbour into a cold-blooded killer.

Though a traditional western, Day of the evil gun has touches of the spaghetti western with its grittiness and violence. A reworking of the Searchers, it's a bleak film that starts slow and without much energy, but it gradually hooks you, especially with the two performances from Glenn Ford and Arthur Kennedy, who make an uneasy alliance, which adds some tension. I mean, they have enough to contend with- Apaches, Army deserters.

Day of the evil gun isn't a great western, but it's watchable and gets better as it goes on. The location adds to the grim mission our heroes are on.

It is not credited as such but this is essentially a retread of The Searchers ,and the two movies share a common plot -the hunt for relatives stolen by Indians Glenn Ford plays a noted gunman trying to turn his back on his former violent profession and who joins his neighbour ,Arthur Kennedy ,in the hunt for Kennedy's wife and two children who have been taken by Apaches.Complicating the matter is the fact that both men are in love with the woman in question. They are helped in their quest by a demented Indian trader -played by Dean Jagger in a way that seems to be a conscious tip of the hat to Hank Worden's performance in a similar role in The Searchers .The mission proves a fraught one -they are tortured by bandits ,encounter renegades and endure Indian raids en route to finding the people they seek

The men undergo personality changes as the trek unfolds ,with the previously peaceable Kennedy displaying a new found relish for the killing fields and events build to a personal confrontation between the two men Performances are superlative ,the script by Charles Marquis Warren and Eric Bercovi is pointed and candid .Jerry Thorpe directs capably if somewhat anonymously

This was designed for TV but wisely was given a cinema release .I urge all western lovers to see it

I like Glen FORD and consider this western a minor classic. Pretty unknown and still waiting to be recognized even by movie buffs this little gem has definitely not yet the reputation it deserves.

"Directed with lazy assurance" as the TIME OUT FILM GUIDE correctly writes, by veteran director Jerry Thorpe, and played with laid back gusto by all involved, this western offers a very grim and dark view on the "old west", more influenced by the Italo-western (which was in full bloom in the later 60ies) than the classic US-flick. Gunfighter FORD, aged, bored, tired and with "have-seen-it-all" eyes, comes back home just to find his wife and 2 small daughter carried away by Apaches. Arthur KENNEDY claims his wife was about to marry him and after an incredibly tough fist-fight they team up (unwillingly) to rescue them.

What follows is an odyssey through some very bizarre situations, staged with the aforementioned lazy assurance, situations, which one does not happen to see in many other US-western: everything is dark, depressing, cynical and void of any sympathy. Whereas THE SEARCHERS had some hope underneath, this is more than 10 years later and the characters, scripted by veteran scriptwriter Charles Marquis Warren, are driven by the urge to do what has to be done, but equipped with little hope. FORD plays the "lost character" in an old west with dark cynical humor, one of his best later performances. Kennedy is fine, too, and also very worth mentioning is the character played by Nico Minardos, whom you would more expect to find in any Quentin Tarantino movie than in a B-western from the later 60ies. Great rough music by Jeff Alexander! All in all a very watchable outing, made by experts, each of whom must have had a dozen or more western to his credit at the time, when they teamed up to put DAY OF THE EVIL GUN on celluloid.

Watch out for this and don't miss it, it's very well worth a viewing !

An offbeat ,almost dusky western ,with two veterans of the genre ,Arthur Kennedy and Glenn Ford ,both at their best and giving their characters substance :who is really the"hero"?Even when the movie is over ,you will not know..

The subject is well known and was often treated in the past notably by John Ford : rescuing women captured by the Indians ,but the script is bizarre,including scenes which you would not expect ,which makes the two men's adventures an odyssey in miniature :the prisoners ,tied under the blistering sun ,and the birds of prey which gather à la Hitchcock's "the birds";the town where cholera is rampant;the pacifist man who does not understand why one can murder his fellow man.

Not very plausible (particularly the final stampede ) ,most likely a fable with an ambiguous "moral".

Presumed dead, aging Gunslinger Warfield (Glenn Ford) returns to Adamsville to find that wife Angie and two young daughters have been kidnapped by the Apaches. Owen Forbes (Arthur Kennedy) is the man giving out the news and also claiming Angie was to marry him after giving up on Warfield ever returning. An uneasy alliance forms as the two men set off to find the missing girls.

Directed by Jerry Thorpe and scripted by Charles Marquis Warren, Day Of The Evil Gun is a low budget mixture of more notable genre pieces. Tho the production value is low, it is however boosted by two enjoyable lead performances and the story is never less than interesting as our duo run into a number of feverish like encounters. In fact the film very much feels like a spaghetti Western at times, such is the odd ambiance that accompanies the men on their perilous odyssey. Fine support comes from Dean Jagger & John Anderson, while Harry Dean Stanton also weighs in with an appearance.

No great film by any stretch of the imagination, but certainly one that has a little more to it to keep it above average. 6/10