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IMDbPro

Manon 70

  • 1968
  • R
  • 1h 45min
PUNTUACIÓN EN IMDb
5,7/10
582
TU PUNTUACIÓN
Catherine Deneuve and Sami Frey in Manon 70 (1968)
Manon 70: First Class
Reproducir clip1:54
Ver Manon 70: First Class
1 vídeo
56 imágenes
Drama

Añade un argumento en tu idiomaThe immortal story of beautiful Manon, who - although she loves the tolerant De Grieux - takes many lovers to satisfy her thirst for luxury.The immortal story of beautiful Manon, who - although she loves the tolerant De Grieux - takes many lovers to satisfy her thirst for luxury.The immortal story of beautiful Manon, who - although she loves the tolerant De Grieux - takes many lovers to satisfy her thirst for luxury.

  • Dirección
    • Jean Aurel
  • Guión
    • Jean Aurel
    • Jacques Laurent
    • Abbé Prévost
  • Reparto principal
    • Catherine Deneuve
    • Elsa Martinelli
    • Sami Frey
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,7/10
    582
    TU PUNTUACIÓN
    • Dirección
      • Jean Aurel
    • Guión
      • Jean Aurel
      • Jacques Laurent
      • Abbé Prévost
    • Reparto principal
      • Catherine Deneuve
      • Elsa Martinelli
      • Sami Frey
    • 8Reseñas de usuarios
    • 6Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Vídeos1

    Manon 70: First Class
    Clip 1:54
    Manon 70: First Class

    Imágenes56

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    + 51
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    Reparto principal15

    Editar
    Catherine Deneuve
    Catherine Deneuve
    • Manon
    Elsa Martinelli
    Elsa Martinelli
    • Annie
    Sami Frey
    Sami Frey
    • Des Grieux
    Claude Génia
    • Wife
    • (as Claude Genia)
    Jean Gorini
    Kristina Ohlson
    Jean Martin
    Jean Martin
    • Hotelman
    Chris Avram
    Chris Avram
      Dante Posani
      Robert Webber
      Robert Webber
      • Ravaggi
      Paul Hubschmid
      Paul Hubschmid
      • Simon
      Jean-Claude Brialy
      Jean-Claude Brialy
      • Jean-Paul
      Jacques Paoli
      Jacques Paoli
      • Self
      • (sin acreditar)
      Albert Simon
      • Self
      • (sin acreditar)
      Manuela von Oppen
      • Margaret
      • (sin acreditar)
      • Dirección
        • Jean Aurel
      • Guión
        • Jean Aurel
        • Jacques Laurent
        • Abbé Prévost
      • Todo el reparto y equipo
      • Producción, taquilla y más en IMDbPro

      Reseñas de usuarios8

      5,7582
      1
      2
      3
      4
      5
      6
      7
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      9
      10

      Reseñas destacadas

      8mooning_out_the_window

      Very enjoyable

      This is a very enjoyable film, and as another poster has said, it has a perfectly cast Catherine Deneuve in the role of Manon. The music becomes a focus of the film, with the sound and lack thereof almost a motif. The film sees Sami Frey's character, Francois, chasing and trying to keep Deneuve's Manon to himself, however she and her brother have been 'trapping' rich men, rather than working for themselves. This film sees Manon have to battle between her love of money and her first 'true love'. Though it is never sentimental drivel. It treats the subject fairly and is interesting throughout. Deneuve would have been about 25 at the time of making this film, and looks fresh and lively in it. Frey, likewise, though it is a Deneuve film. This film has finally become available in the Deneuve box set. It is fun, enjoyable, and never sentimental, has interesting music, and I would recommend it.
      10RodrigAndrisan

      Very good!

      A film made by Jean Aurel, a Romanian like me, a reason for pride. And, a very, very good movie! Excellent acting performances: a very young and very beautiful Catherine Deneuve and a very young and talented Sami Frey. Alongside them, other superb actors: Jean-Claude Brialy and Robert Webber. Jean Martin in a small role. The beautiful Elsa Martinelli also in a small role. Another beauty unknown, Manuela von Oppen, small role too. Another reason why I wanted to see the film is Chris Avram, also a Romanian, also in a small role. Excellent music by Carlos Seixas, Antonio Vivaldi and Serge Gainsbourg.
      7rooprect

      When Harry Met Sally & Her Brother the Pimp

      In the classic 80s comedy "When Harry Met Sally", the premise is set up by the two lead characters discussing if men and women can truly be friends due to sex getting in the way. According to the male perspective, men are always after sex thereby ruining any friendship. The female perspective is the opposite: that women are not so obsessed with sex and therefore emotions reign.

      Here we have a sexy 60s film with a very similar structure, except that the point of discussion is whether infidelity happens at a physical level (sex) or an emotional one (love). The male perspective believes infidelity occurs when a person has sex outside the relationship. The female perspective insists that sex is meaningless, and infidelity occurs only if a person falls in love with someone outside the relationship.

      The film wastes no time in setting up the premise and showing us how each character reacts when confronted with the reality of the situations. Having a male perspective myself, I definitely side with the dude. However, I'm sure the point of the film is to give the audience a choice. Beware: if you see this film with your wife/girlfriend/husband/boyfriend, you might want to avoid discussing it, lest one of you end up sleeping on the couch.

      I have to admit that I didn't like this film at first, due to my personal opinion on the matter, but now that I've had a chance to think about it objectively (it's amazing what a night on the couch can do for a guy), I really want to watch it again.
      2planktonrules

      A waste of my time....and I rarely would say this about any film.

      This film made my brain hurt and I didn't like it very much at all. That was a surprise to me, as I usually enjoy Catherine Deneuve films. I just found that the characters behaved unpredictably and irrationally--and I kept thinking to myself "does anyone REALLY talk or act like this?!". Now has this been an Absurdist film (like "Buffet Froid"), I might have been able to get some handle on the film. Instead, I just felt very confused and disconnected.

      The film begins in Japan. Deneuve is with one man and another is like a stalker--he follows her back to Paris. Within seconds, they are suddenly lovers and announce to each other that if the other cheated, they would leave...or kill them. So naturally, just a few minutes later, each is with another person--she's with some married guy (whose wife is also there and seems fine with this) and he's in Stockholm having sex with some bimbo. Neither kills the other or leaves--and Deneuve actually catches him in the act and immediately takes him back. It's all very civil and completely irrational. After a while, I simply got tired of all this and turned the film off--something I rarely ever do. By then, I simply cared nothing for the characters and the story bored me--as did ALL the characters (not just Deneuve and her kooky boyfriend). All in all, a waste of my time.

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      Argumento

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      • Conexiones
        Version of Manon (1910)
      • Banda sonora
        Manon
        Music by Serge Gainsbourg and Michel Colombier

        Lyrics by Serge Gainsbourg

        Performed by Serge Gainsbourg

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      Preguntas frecuentes14

      • How long is Manon 70?Con tecnología de Alexa

      Detalles

      Editar
      • Fecha de lanzamiento
        • 21 de febrero de 1968 (Francia)
      • Países de origen
        • Francia
        • Italia
        • Alemania Occidental
      • Idiomas
        • Francés
        • Inglés
      • Títulos en diferentes países
        • French Mistress
      • Localizaciones del rodaje
        • Estocolmo, Suecia(location)
      • Empresas productoras
        • Les Films Corona
        • Panda Film
        • Roxy Film
      • Ver más compañías en los créditos en IMDbPro

      Especificaciones técnicas

      Editar
      • Duración
        1 hora 45 minutos
      • Mezcla de sonido
        • Mono
      • Relación de aspecto
        • 1.78 : 1

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