Oliver

Charles Dickens famous novel of an orphan boy, Oliver Twist, who escapes from his poor life to seek his fame and fortune in London, is adapted as a glossy musical.

Who would have thought that a story from the brilliant Dickens could be so sweet and endearing? So it be with Carol Reed's (Best Director Winner) unforgettable 1968 Best Picture Winner. Yes it's some way away from the essence of the source, those in need of that should be seeking out David Lean's fabulous 1948 version, but with an array of wonderful tunes and choreography, this Oliver is a treat for all the family. The cast are uniformly strong, notably Ron Moody (Fagin), Oliver Reed (who as Bill Sykes is probably playing himself!), Mark Lester (Oliver) and the fabulous Jack Wild (The Artful Dodger). While Lionel Bart's songs are as timeless as they are engaging.

The 60s was a tough decade for cinematic musicals, with many of them turning out to be bloated exercises in tedium. But Oliver! is one of the shining lights in the genre, a true uplifter guaranteed to have the feet a tapping and the smile firmly implanted on ones face. So if you have yet to see and be charmed by it? Come on in, join our number and consider yourself one of us. 8/10

Its strange that the film that won the best picture Oscar at the 1968 Academy Awards was a film made in England, but if ever a movie deserved that honor, I think it is Oliver. This movie is a true classic that should be on every best picture list and given a place of honor at The American Film Institute. Movie musicals died out a long time ago and it is a shame because this is the best movie musical I have ever seen. Usually movie musicals are slipshod with some great numbers mixed in with some poor ones. Oliver does the impossible, because every number and every dance in this film hits the bullseye! From "Food Glorious Food" to "Consider Yourself" to "Who Will Buy This Wonderful Morning". Ron Moody, Shani Wallace (as Nancy) and Mark Lester as Oliver all give outstanding performances. Mark Lester was at one time the most famous child actor in the entire world. He was the Ricky Schroder of his day or the MacAuley Culkin of his day (I'll bet he wishes he could have made the kind of money they did!). Mark Lester is now a doctor in England and I wrote him a couple e-mails and he talked about Oliver and what a fine experience it was making the film. Shani Wallace was a fine English actress who never got the credit she deserved. She was so good as the sweet, loving Nancy who took a shine to little Oliver and gave her life saving him (her murder scene still makes me shiver, even Charles Dickens said that bothered him when he wrote it!). Doctor Lester wrote me that Shani Wallace was like a big sister to him and it shows on the screen. Ron Moody is delightfully hammy as Fagin. He sort of reminds me of Charles Laughton the way he carries the part to its ludicrous extreme but you savor it along with him. Charles Dickens was so good at portraying the poverty and horrible living conditions of his time and this film shows that especially in the workhouse. Children really lived under those conditions and it is horrifying. The scene that got me is where they are being served horrible gruel and are walking by the dining room where Mister Bumble and his henchmen are dining like kings! That really made me angry. Anyhow, Oliver is a wonderful film that would stand up to any film today and is a good viewing experience for the whole family. It will leave you with a happy heart and a lump in your throat and what more could you ask for?

... and perhaps that is because it is not set in the 60s. Many sixties films have aged badly, worse than some films made decades before. And this Best Picture winner along with the ones before and after just show the transition going on in film and culture. The year before it was a film about racism with "In The Heat of the Night", then this musical adaptation of a Dickens novel, then in 1969 it was "Midnight Cowboy", a story of a friendship between a male prostitute and a conman.

Getting back to Oliver!, it would have been nice if they had hired a male lead who was masculine or likable or able to carry a tune in any way whatsoever, but this film has so many other pluses and the kid takes a backseat for so much of the film that i look beyond that.

I wonder what happened to the girl who played Nancy in this? She is absolutely wonderful and I don't think she had much of a film career afterwards. She would have made a much better supporting actress nominee than at least one person I can think of who did make the cut that year.

In the end though, I actually have to say that my favorite thing about it is Oliver Reed. It's funny because I read that he was the nephew of the director, and as such the director was incredibly resistant to cast him and was accused of nepotism. Surely all of this kvetching and whispering was shut down the minute everyone saw the film. Everytime I see him in something, I'm blown away by what a very fine actor he was and what amazing physicality he had.

Oliver! the musical is a favorite of mine. The music, the characters, the story. It all just seems perfect. In this rendition of the timeless classic novel turned stage musical, director Carol Reed brings the Broadway hit to life on the movie screen.

The transition from musical to movie musical is not an easy one. You have to have the right voices, the right set, the right script, and the right play. All signs point to yes for this play. It almost appears that it was written for the screen!

Our story takes place in jolly old England where a boy named Oliver manages to work his way out of the orphanage. He winds his way through the country to London where he meets up with a group of juvenile delinquents, headed by Dodger, the smart talking, quick handed pick-pocket. The leader of this gang is named Fagin, an older fellow who sells all the stolen goods.

But all is not well in London town when Bill Sykes played by Oliver Reed and his loving girlfriend Nancy get tangled up with Oliver, Fagin and his young troops, and the law. What ensues is a marvelous tale of love, affection, and great musical numbers.

Whether or not you like musicals or not, one listen to these tunes and you will be humming them all day long. Oliver! is a triumph on and off the stage and is a timeless work of art.

"Oliver!" brings to the screen a worthy adaption of Lionel Bart's Broadway musical of the sixties. The combination of a superb cast, wonderful music and breathtaking choreography mean that the film loses nothing in its translation from the stage. To this day it remains one of the stand-out musical adaptions in a dwindling field.

Although the conservative Dickens fanatics may thumb their noses at various liberties taken on the original plot of "Oliver Twist", they should observe that "Oliver!" has recreated most of the spirit intended by Dickens. While primarily a musical comedy, "Oliver!" certainly has a dark undercurrent, thanks to the skillful direction of Carol Reed and the sinister acting of Oliver Reed (playing Bill Sikes). Dickens was essentially a talented satirist, who constructed his characters to convey a moralistic view on Victorian society. "Oliver!" conveys much of the sadness and desperation of the original novel.

For anyone not acquainted with the famous storyline, the film treats of a young orphan, Oliver Twist, and follows his journey from a paupers' workhouse to the rough-and-tumble city life of London. He is spotted and introduced into a gang of thieves, led by the crafty and cunning Fagin. What follows for Oliver is an introduction to the art of picking pockets; the methods of justice dispened by Mr Fang the magistrate; the cruelty of Bill Sikes the notorious thief, and the compassion of Nancy, Bill's mate; the kindness of Mr and Mrs Brownlow. Such an adventure for such a small boy!

It is difficult to pinpoint the exact reason why this Oscar-winning film is such a success. On one hand there is the incredible performances of a gifted cast - Ron Moody being nominated for an Academy Award for his portrayal of Fagin, and young Jack Wild's mature performance as the Artful Dodger. Mark Lester plays Oliver, and depicts all the elements of innocence and vulnerability as could be imagined in the young boy. Harry Secombe backs up the cast as the beadle, Mr Bumble.

Perhaps the best aspect of the film though is the music itself. Lionel Bart has done a masterful job in writing the original score, and you may expect to find yourself singing the songs for weeks after watching "Oliver!". Here are the evergreens, "Reviewing the Situation", "You've Got to Pick a Pocket Or Two", "Who Will Buy", and the beautiful and touching "Where is Love?". The list of classic tunes goes on and on, and if nothing else, young people today should watch the film purely for its educational value - to be introduced to the sweet music of yesteryear, and to see that a film's qualities extend beyond the realms of special effects.

"Oliver!" will rightfully go down as a classic film of its time, and with any luck will keep its place as a family favourite, for years to come. Its warmth and familiar music make it a must-see.