La hora del lobo

Johan can't escape from traumas past, he's tormented, harrowed, provoked and harassed, his mind is playing tricks, it tortures, taunts, afflicts, leaves him confused, muddled, perplexed and aghast.

A surreal overflowing meltdown, full of symbolism, abstraction and confusion, as the artist Johan Borg struggles to cope with the visions and apparitions that haunt his disturbed being. Max von Sydow and Liv Ullman once again present us with characters from the imagination of Ingmar Bergman that exist in an alien world, or at least one most of us are quite unfamiliar with (thank goodness), in a piece of cinema, like so many others from the director, that need revisiting whenever you get the chance, if for no other reason than to see what you missed previously.

The painter Johan Borg (Max von Sydow) and his wife Alma Borg (Liv Ullmann) have been married for seven years and are living in an island. Johan is haunted by nightmares of his past. Through his notes in his diary, his wife realizes his madness process. In the end, after living with him for such a long period, she questions her sanity and what is real.

This impressive and disturbing movie about the lost of sanity by a tormented artist is another magnificent work of Ingmar Bergman, again with his favorite actor (Max von Sydow) and actress (Liv Ullmann). A very Gothic and dark horror movie, it is a frightening view of the mind of a mad person. My vote is eight.

Title (Brazil): 'A Hora do Lobo' ('The Hour of the Wolf')

It's not that scary or disturbing. From some of the comments here on IMDb I was expecting quite a tough film to sit through. It isn't exactly cheery, but I did crack the occasional smile at Bergman's homage to various Horror films. It is as beautifully lit and framed as Persona, and if you like Liv Ullman, and/or Max Von Sydow, you'll want to see this for their very good performances. It is sometimes "Lynch" like, sometimes "Fellini" like, but not nearly as disturbing as say Mulholland Drive. See it if you're a Bergman fan, or if you like movies with a surreal sense. I bought the DVD on Bergman's reputation (I've seen about 25 of his pictures, and loved, around 20 of them). I was not disappointed in the least.

Much like F.W. Murnau, or even David Lynch for that matter, Ingmar Bergman can create horror in a film, such as his rarity in the genre of Hour of the Wolf (no, no werewolves boys and girls, the title refers to something else entirely regarding the middle of the night), by imposing images that are so unbelievable as to either frighten or annoy. Bergman is no stranger to the surreal (Persona his most notorious feat, but surrealism lurks in many Bergman works), and Hour of the Wolf displays his skills at it with a precision that is un-canny. We're given a couple of characters thrust (not entirely by accident) into a strange atmosphere of people, locations, shadows, the night. And with this film, the audience is given images and scenes that are very new, even for a modern audience, but most of the film brings one back to the most chilling of the silent-film horror classics. But that's not to say this is a relatively accessible Bergman film, unless you are very much into the genre.

Max Von Sydow and Liv Ullman give strong performances as a couple (one an artist the other his pregnant wife) who arrive on an island to have some peace, where he can get some work done. But this is not the case as Von Sydow's character goes through a kind of deconstruction in the night- he can't sleep, he's shaken to intense uncomfort by neighbors, and a particular memory haunts him all the time (and once Bergman shows what it is, it becomes one of the most horrifying scenes I may have ever seen). If there is a climax to the film it's difficult to discern- the only flaw I had with the film, that sometimes it's almost TOO bizarre- however what leads up to it is a skillful work at experimental theatricality. Everything seems real enough to draw the audience in, and everything seems un-real enough for the audience to be disconnected enough to understand the surreal nature. To put it another way, it's a good film to scare the hell out of you as a midnight movie.

a man moves to a remote island with his wife. he cannot sleep at night and is tormented by inner demons. the film tracks this madness of his. excellent performances by max snydow and liv ullman. the cinematography is beautiful and precise. as is usual with bergman's films, it is not clear on first viewing what the movie is all about. why the man is tormented, is a mystery, at least to me.