Preguntas frecuentes

The 2 classic Wonder Woman villainesses to appear are Nazi agents Fausta Grables and Baroness Van Gunther. We also have variations on The Toyman and The Pied Piper who appear in multiple DC franchises (Supergirl, Smallville, The Flash, Gotham, Lois and Clark etc).

The Inter-Agency Defense Command (IADC) is a CIA-like organization fighting criminals and the occasional alien invasion. Think of it as an early version of Homeland Security.

The answer is that she swapped the freezing bracelet with one of her own, knowing that she could only capture the head villain if he attended the gallery opening thinking she was out of the way. Why he doesn't realise that he can't detect any life signs from her bracelet is unclear. This sequence is extremely popular with ASFR fetishists (those who fantasise about transforming people into statues, robots, living waxworks etc) and skilfully re-edited video clips have been created on Youtube where Wonder Woman surrenders and is genuinely transformed into a waxwork and placed on display by the triumphant villains.

Putting aside her outfits on Paradise Island and the clothes and various disguises adopted by Diana Prince there are six different variatons on the Wonder Woman costume. Firstly the 1940s outfit we see in season 1. Then in 'The Bushwhackers' we see Wonder Woman's cowgirl outfit (reputedly because guest star Roy Rogers was uncomfortable to have Lynda Carter running around a bunch of child actors in just a 'bathing suit'). In season 2 we have the improved 1970s costume. It is a lot skimpier, lower cut in the cleavage in order to expose more of the breasts and higher cut in the bottoms, replacing the infamous 'Granny pants' look with a more bikini like garment. In 'The Bermuda Triangle Crisis' we have Wonder Woman's diving suit costume. Legend has it that it was originally a bikini in Wonder Woman's colours but Lynda Carter proved too voluptuous for it and kept falling out of the top. In 'The Murderous Missile' we have Wonder Woman's motorbiking outfit and in 'Skateboard Whiz' we have her in her skateboarding gear. In 'The Man who could move the World' we see a flashback of Wonder Woman wearing the season 2 outfit during World War 2 so presumably she modified it during that period. She occasionally also wears her cape in eps like 'The Pied Piper' and 'My teenage idol is missing', sometimes to cover up the safety harness worn for stunt work.

Unknown, it is last seen knocked out on the Toymaker's floor. However at the end of the story we see a smiling Wonder Woman writing 'Merry Christmas' on the window of the shop. It may be the real Wonder Woman returning to finish things once and for all but it may be the robot who has recovered and is still out there somewhere.

This is good question especially for stories like 'The Murderous Missile' where she is knocked out and at their mercy. Fan theory is that after her experiences in the 1940s she modified the belt and now only she can remove it.

Another reason is that the Nazis observed Wonder Woman's powers, managed to kidnap her, and using her lasso on her to get the information on the belt they needed. Only the Nazis seemed to spend the time needed to capture and investigate Wonder Woman.

This stems directly from the comic books. Wonder Woman's creator William Marston was a PhD in psychology and obsessed with beautful, powerful women and sexual fetishes such as bondagism/domination/submission/S&M. Whilst he created perhaps the ultimate fictional feminist icon he also delighted in tittilating his readership/TV audience by dressing her like a super-patriotic dominatrix and having her constantly overpowered and placed in positions of submissiveness, peril and humiliation. Comic book fans refer to this as 'Having your cheesecake and eating it', enjoying a strong female role model who we know will always win in the end but at the same time delighting in her shameless exploitation as sex object. Marston is also credited helping to invent the lie detector and this is where Wonder Woman's 'Lasso of Justice' stems from, forcing people to tell the truth whilst also including an element of bondage.