Corazón de cristal

This is a beautifully made film and is indeed beautiful to look at. The landscapes, manipulated and natural are awe inspiring and the interiors almost painterly. However, it is undeniably slow. It is also unworldly. We have a peasant making rather odd prophesies and a cast, acting under hypnosis, responding or not as the mood takes them. Certainly a very different cinema experience but a little wayward and unfocused for my liking. I have to say, though, thanks to the wonder of DVDs, this does come with an accompanying conversation with the director. Watching the commentary track is for me a far more engaging and satisfying experience. Enjoyable too! Herzog is simply marvellous in giving full explanations in instances such as the circumstances of the hypnosis and totally uncooperative when the questioning gets a bit close to seeking 'the answer'. I always hate it when an artist is asked to interpret his work (as if there would be any point in it if it can be fully explained another way) and here Herzog slaps down his interviewer on several occasions. Quite right. Well worth watching/listening for an alternative view on the art of film.

Unlike Herzog's other movies, with their super-realistic substrate on which he paints our miserable human condition, Heart of Glass is an allegory, a fable told to peasants as a cautionary tale: the human heart is precious... and the peasants are us, and we violate that warning everyday, in a thousand little ways, with our stupidity and our pettiness...

Is the movie slow? perhaps... Do I still remember scenes vividly from the movie as if I saw it yesterday, though it's been more than 20 years? oh yes... this movie haunts me, unlike any other movie I've ever seen

This is an offbeat and provoking film regarding the notorious craftsman of a small village carrying out glassworks and dying suddenly without revealing the secret to the known "Ruby Glass". This small village is renowned for its "Ruby Glass" glass blowing works but things go wrong when the main foreman dies without transmit his craft wisdom . The little town slides into a deep crisis , and the owner of the glassworks becomes obsessed with the lost secret asking for help a wise man . At the village a mysterious young (Josef Bierbichler) appears telling weird prophecies about a sad future of the people .

Herzog's film is based upon the true and mysterious story of the creators of a brilliant crystal , it stars a rare prophet , a very strange and fantastic character well played by Josef Bierbichler . Concerning the deep distresses happen when the foreman of glassworks dies suddenly without revealing the secret of the Ruby Glass creating a real depression and sadness at the village , then showing up a bizarre chracter named "Hias" -legendary Nostradamus lookalike- who is actually based on a Bavarian prophet called Mühlhias. A movie that shares with ¨Aguirre Wrath of God¨ and ¨Kaspar Hauser¨ a fascination with rare and outlandish roles . Not the same dizzy folly as Aguirre , but Herzog´s similarly long perspective conjures as a brooding and thought-provoking film of man's aimless tracks throughout a society in crisis . Josef Bierbichler provides a decent as well as agreeable acting as the mysterious young with unknown past . Accompanied by ordinary actors from Herzog factory as Clemens Scheitz and Volker Prechtel. However , most actors were really hypnotized by Werner Herzog himself and play under hypnosis on big screen.

It contains hypnotic , colorful and luxurious cinematography by Jörg Schmidt-Reitwein , Herzog's regular , being shot on various location in Monument Valley, Utah, Yellowstone National Park, Wyoming, Niagara Falls, New York, Alaska, USA , Skellig Michael, County Kerry, Skellig Rocks, County Kerry, Ireland , Frauenaus bei Zwiesel, Bavarian Forest, Bavaria, Germany , Pischelsdorf bei Arnstorf, Bavaria,Walchsing Castle, Bavaria, and Switzerland . Accompanying a fascinating and riveting musical score by Popol Vuh . The motion picture was competently directed by Werner Herzog . Including some landmarks , as containing long, extended landscape shots . This great German director Herzog has made thoughtful and interesting films , such as : "Fata Morgana" , "Aguirre Wrath of God" , "The Enigma of Kaspar Hauser", "Heart of Glass" , "Stroszek", "Woyzeck" , "Nosferatu the Vampire", "Where the Green Ants Dream" , "Cobra Verde" ,"Lessons in Darkness", "My Dearest Enemy", "Invincible" , "The White Diamond", "Grizzly Man", "Rescue Dawn" , among others . Rating : 6.5/10 , acceptable and passable but extremely slow-moving and a little bit boring . The flick will appeal to Werner Herzog followers.

This is a truly mesmerizing movie experience. It manages to balance that fine line between stylization and total realism, not unlike Kubrick, though he never ventured this far. The cinematography is almost like in a documentary, but the performances and narrative is totally abstract and stylized. In my opinion, it succesfully transports the viewer into another reality. It is a film that invites you to meditate and free-associate at your own will. The narrative, linear but disjointed, suggests a breakdown of time itself, a consequence of the lost secret of the glass. The long sections with hypnotizing music and magical landscapes balances well with the rest of the story, and there are scenes were dialogue, visuals and music, creates an incredibly dense atmosphere. There is also a welcome sense of humor which prevents it from becoming overly pretentious. I found it to be a very inspiring and unique movie, and I recommend it to anyone tired of the ordinary.

The foreman of a small village glassworks dies without revealing the secret to the famous "Ruby Glass".

This is very much a Werner Herzog film. Although the plot itself is interesting, and allows us to see a small village collapse in on itself because f its failure to diversify its economy, it really is not about the plot at all. It is a collection of unusual characters -- and sometimes just strange faces -- that make up Herzog's world. Not having been to Germany, I can't say, but I suspect his view and the real world are very much in opposition! What lessons are we to draw from this film? I have no idea. I mean, you know, besides the idea that it's important to write things down in case of our untimely demise!