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Fun With Dick And Jane has George Segal and Jane Fonda as this upper middle class suburban couple living the American dream with their son Sean Frye. It all comes to an end when aerospace engineer Segal gets fired by his unctuous and smarmy boss Ed McMahon. Owing a lot because they're keeping up appearances in their neighborhood it all comes crashing down. After trying other ways to get an income and failing, Segal and Fonda turn to a life of crime. Though they have many setbacks, they begin to like it.

Watching Fun With Dick And Jane put me in mind oddly enough of dealing with World Trade Center families at Crime Victims Board who were a lot like Segal and Fonda. Working in the Towers for various wealthy companies when the male breadwinner was taken away, these families in most serious way were in the same kind of trouble this family was. That lifestyle can be expensive. John Dehner who was Fonda's father may be a self righteous creep, but there is a grain of truth in what he preaches at them about spending on luxury items.

McMahon who America knew for decades as the announcer and boon companion of Johnny Carson on the Tonight Show turns in a really good performance. He's a guy you learn to hate more and more as the film progresses. There's a great cameo part from Dick Gautier as a crooked televangelist Fonda and Segal rob. That should almost be legal.

With all the humor Fun With Dick And Jane is an interesting social critique and commentary on American values. It even got a remake in this new century. I'll have to check it out to see if it is as good as this one.

I agree with the reviewer who said that George Segal and Jane Fonda are an unlikely couple to star in this movie. But, oh, does it work! This is one of my top ten all-time favorite movies. The humor is a bit more subtle than the Jim Carey remake and I happen to prefer that kind of humor.

The premise of the movie would be hard to beat at any rate. It really works as a comedy situation. Some of the scenes in this movie will absolutely make you roar with laughter.

If you want a good laugh on a Friday night...rent this one. :) Or better yet, buy yourself a copy so you can watch it again and again. It really is that funny.

George Segal and Jane Fonda are not he kind of actors you would expect to find in this movie with low brow humour that is a delightfully guilty addiction. Dirty jokes, a rancid social commentary and the glib life of bad mid to late 1970's economics drive 'Fun With Dick and Jane' to a level of crime that makes you root for them. Three scenes stand out. Watch for them! One has Segal practicing his stick up routine in the mirror dressed totally in black with a nylon wrapped over his head. Another one has Fonda visiting her conservative parents to ask for financial help and her father turning her down with an evangelical sermon and Dick and Jane's first stick up at a cheap motel. This movie has some slapstick that is hard to resist.

Fun with Dick and Jane serves as an entertaining satire on the upper middle class standards of living, produced in the presumably stifling corporate environment of the mid-1970's. A drunken Ed McMahon lays off overpaid executive George Segal. Lovely wife Jane Fonda, who handles matters fairly well when their landscapers tear up all their unpaid work, finds herself forced to find some source of income to maintain their expensive lifestyles – it would seem Segal's unemployment only takes them so far. Fonda secures a job as a model while Segal manages to lose his benefits when a gay unemployment officer spots him working as a bit character in the opera. When Fonda loses her apparently not very secure job, the now poor couple head out to get a loan. There they stumble upon a holdup, get taken hostage, and somehow wind up with all the loot. Enjoying their first taste of crime, the pair bungles their way through a series of hold-ups and eventually become near pros. They manage to restore their house to its previous splendor, cockily inviting McMahon to a chic pool party so he can have a gander at their newfound success. Of course, a sip only gets you thirsty, so the greedy couple find themselves faced with the quest for the Big Gulp. The story is funny for the most part, with memorable moments akin to Segal discussing music with a record store clerk during a robbery. There's healthy dose of anarchy for good measure, with destruction happily joining hands with the nouveau pauvre and the will to get back what has been lost. By having its characters steal primarily from the allegedly greedy or malevolent – the phone company, loan sharks, the Climax Court Motel – the film does maintains some shaky moral standards. In addition, Fun contains a few instances of dated racism, with jabs at homosexuals, Hispanics and African-Americans (who hold a pajama dance party in McMahon's office as Segal and Fonda crack his safe, their loud drill protected by the celebrants' louder music). A startlingly racist part goes to Hank Garcia, as an unemployed cleaner who works a bad influence on Segal. Nevertheless, the film on the whole manages to function well as a thoroughly entertaining comedy, with an ample dose of anarchism for good measure.

Consistently funny spoof of America's caste system from bottom to top. The Harpers (Fonda &Segal) are yuppies trying to hang on to middle-class status after Dick is fired from well-paying aerospace job. Increasingly desperate as creditors close in, they eventually turn to robbery, a clumsy Bonny and Clyde with country club credentials. Their early lame stickup efforts are particularly humorous.

There's no mistaking the subtext that takes a shot at about every rung on our economic ladder, from minority welfare cheaters to middle-class status seekers to upper-class hypocrisy. And throw in a shot at televangelist hucksters guarding their own loot. A couple points are easily overlooked. Note how Jane's wealthy dad refuses to help, lecturing them on the virtues of rugged individualism. Tellingly, this is the one scene without a humorous overlay. Note also that Dick's thanks for helping get a man on the moon is to get fired. Thus, it's declining profits, the logic of capitalist efficiency, that prevails over all else. Essentially, what storybook Dick and Jane find out is what it's like to survive on the margins, and since their tastes are elevated, it's an inflated margin.

Don't get me wrong. Thanks to both an excellent script and ace performances,the movie manages its many serious points in consistently humorous fashion. After all, we never expect Dick to actually use his stickup gun. He's too humorously inept, though he does get more skilled as time goes on. And catch how the now destitute Dick and Jane live in a rambling home with a bombed-out lawn and a pit for a pool. Now what will the neighbors say.

Big kudos to Segal who handles his difficult role in expert fashion, and also to Fonda who makes a perfect bickering soul mate and for being maybe the first woman to take a discreet leak on screen. McMahon too shines as the slick company president who smiles even while stabbing a guy's back. As an actor, he certainly proves he's more than Johnny's affable TV sidekick.

Anyway, in my little book, the 90-minutes succeeds on a number of levels, making it both really watchable and still relevant.