Hombre sensitivo y apasionado

Regret can't really watch films about alcoholism, Angie Dickinson's presence notwithstanding. And poor David Janssen, long one of my favourite TV actors, looked old and tired by this time.

Angie Dickenson and David Jannsen, along with supporting actors, were at their best in "A Sensitive Passionate Man."

I have often wondered why the TV networks do not run more of Janssen's films.

I'm middle aged and I remember as a little boy my "first TV series" with the original "Fugitive" with Janssen.

Contrast TV network "programming" today with what it was in the 1960's and 1970s and I'll go back in time, even with "fewer channels" and even some black and white of the mid-1960's.

Today, I am going to turn off the satellite dish and save $700 a year ($14,000.00 over 20 years.) What isn't garbage has seven and eight commercials at a time. The very few TV shows worth watching break up several times with seven or eight commercials and I sit there and wonder what it was I was even watching.

I have recently purchased several DVD's---no commercials---and one was "A Sensitive Passionate Man."

When I turn off the satellite TV at the end of this month, that will give me $70 a month to buy such DVD's with and I can watch what I want, when I want, without long, long commercial breaks.

I believe the TV, cable and satellite industries are making huge mistakes today. Viewership in down. Maybe many people are on the internet as I am now.

People who watched TV in the 60's and 70's remember LOCAL TV programming where there were actual local hosts on TV in local markets.

We had "Bob Hope" specials, Ed Sullivan who gave us a variety of talent, etc.

In my mind, TV, cable and satellite have been ruined by GREED. I began this article about "A Sensitive Passionate Man." This is what got me off on the topic of the waste of today's TV, generally speaking. There may be a few exceptions.

Give me the shows of the 60s and 70s---with far less "technical" improvements, and I will give you everything that is on cable and satellite TV today.

Bring back Angie Dickenson and David Janssen type acting and fare.

Bill Histed

David Janssen life was that of a very sad Hollywood star. Although very successful and incredibly talented, he also had a major problem with alcohol that most likely led to his death...at only 48, though he looked far, far older (I would have guessed he looked about 60 in this movie). Ironically, here just three years before his death, Janssen stars as a man struggling with alcoholism! Essentially, he's playing, at least in part, himself...which is tremendously sad.

The story is about the Delaney Family. Michael (David Janssen) works as an aerospace engineer--not a particularly good industry during the late 70s. After all, there were a lot of cutbacks in the space program following the end of the Apollo missions. Not surprisingly, he's laid off from his very high paying job but instead of telling his family he pretends to be going to work each day. Eventually his wife finds out and the secret is out. But instead of pushing him to finally looking for work he increasingly sits around drinking. And the more he drinks the more violent, nasty and unpredictable he becomes. The film follows his progression into alcoholism as well as it's devastating impact on the family. In particular, it focuses on the wife (Angie Dickinson) as she vacillates between enabling him and just wanting to get out and protect herself and the children. This was, incidentally, one of her best acting performances.

I appreciate how this film is an unflinching view of alcoholism. It doesn't paint a magical picture of redemption like you see in "The Lost Weekend" and many other films about addiction. Instead, it's just awful and stays awful--making it a very tough film to watch but also making it realistic and a public service. It also shows what life was like when treatment facilities were practically nonexistent and AA and counseling was about your only option...an option Michael refuses to take seriously. Well worth seeing despite its awfulness. Also a great film to show to someone who really needs to see what alcoholism really looks like. It certainly pulls no punches.

By the way, another similar sort of film I heartily recommend is "Days of Wine and Roses"--either the original television teleplay or the more famous 1960s movie with Jack Lemmon and Lee Remick. Very unpleasant as well...but very truthful and blunt in its depiction of addiction.

Perhaps this telefilm was so good because of David Janssen's own battles with alcohol that, within three years would play a role in taking his own life. Janssen was always an underrated actor, but this was the defining role of a highly successful television career.

In the picture, Janssen plays an unemployed aerospace engineer who has lost his zest for life and finds solace in the bottle. While the audience wants to scream at the character for giving up when he was so much to live for... a sexy wife (Angie Dickinson), a nice home and two great kids, the character simply cannot see what he has to live for. This, and Janssen's performance, are the primary reasons for the quality of this film.

Janssen, in particular, is dynamite in the tragic story. He looks older than the character is supposed to be and his boozy dialogue is delivered perfectly. One scene, in particular stands out. After a while on the wagon, Janssen convinces Dickinson that it's okay to have a little cooking wine. You know the rest.

A heartbreaking story of a man with everything to live for, but who is too blind to see it and simply cannot imagine his life without alcohol. Janssen is riveting.

A searing portrait of alcoholism. I haven't ever seen a movie quite like this. An unsparing, brutal look at middle-class alcoholism and it's effects on life, job, loved ones, health, etc.

David Janssen plays an Aerospace Engineer who loses his job. He, obviously, gains his self-worth from his job, and now, he is pretty much adrift. He treats his pain with old reliable, alcohol. This time, however, he has no career to prop him up. His slow sink into alcohol devastation is played out slowly and painfully. The effect on his wife (Angie Dickinson) and his kids is heartbreaking, and very difficult to watch.

This is a movie with no happy endings, but is a fascinating and honest (for its day) look at the ugly, underside of alcoholism.

Remarkable performances by Janssen and Dickinson. An overlooked gem.