Una estadounidense recién llegada a una prestigiosa academia alemana de ballet se da cuenta de que la escuela es una fachada para algo siniestro en medio de una serie de horripilantes asesin... Leer todoUna estadounidense recién llegada a una prestigiosa academia alemana de ballet se da cuenta de que la escuela es una fachada para algo siniestro en medio de una serie de horripilantes asesinatos.Una estadounidense recién llegada a una prestigiosa academia alemana de ballet se da cuenta de que la escuela es una fachada para algo siniestro en medio de una serie de horripilantes asesinatos.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 4 nominaciones en total
Miguel Bosé
- Mark
- (as Miguel Bosè)
Eva Axén
- Pat Hingle
- (as Eva Axen)
Reseñas destacadas
All I ever heard was how brilliant this movie was. I was so excited when I finally got my copy in the mail and all I can say is, "What a disappointment". First the positives. Argento's use of bright colors and dark settings is a sort of eye candy that keeps you attentive. The murder scenes are rather gory though not too realistic looking by today's standards. The one excellent aspect of this film is the score. Absolutely creepy. Which Argento over uses to the point of ridicule. What the film lacked the most was substance. I know its an over used term but "All style and no substance", describes this film to a tee. The acting was less than mediocre to say the least. Like most cult films, a minority will rave on about how great the film is but an unbiased opinion will only tell the truth. The truth is, its really nothing special.
An American girl goes to Germany to a prestigious ballet boarding house, only to find out its controlled by a coven of witches. The movie has good style and atmosphere, but that's about it. There is no memorable story, and it feels disjointed and random. I don't care about any of these characters, since there is no development. The best thing about this film is the bright colors and the last 20 minutes were pretty tense and actually quite creepy. The kills are also pretty gory for the time. So yeah, Suspiria has good style and atmosphere, but lacks a story and characters. The only character I will remember from this is the blind piano player and the nasty dance instructor, everyone else is forgettable. It is worth a watch just to see the creepy dance academy and all the strange colors, but that's about it.
10ontheis
This is the movie, along with a few others, that I consider as my favorite. One of the greatest horror movies ever, so influential that many try (more or less successfully) to achieve this cinematographic greatness.
Plot is simple, yet effective. As a horror film, it creates the unease, tension and spooky atmosphere in colorful 1970s style. So when I think of this movie, the first thing that comes to my mind are the lights and saturated colors. Perfect for a rainy October night!
Along with great photography, many memorable scenes wouldn't be complete without the perfect soundtrack ("Suspiria, "Witch"...). Possibly the best music for a horror movie ever, the original theme is a horror movie's heaven... or hell.
Plot is simple, yet effective. As a horror film, it creates the unease, tension and spooky atmosphere in colorful 1970s style. So when I think of this movie, the first thing that comes to my mind are the lights and saturated colors. Perfect for a rainy October night!
Along with great photography, many memorable scenes wouldn't be complete without the perfect soundtrack ("Suspiria, "Witch"...). Possibly the best music for a horror movie ever, the original theme is a horror movie's heaven... or hell.
Rating: 7
The movie employs flamboyant use of color. I would call it an Italian Shining had it released after The Shining (1980).
The Good - Use of color! The movie has excessive use of dramatics. The soundtrack, colored lighting and the use of gore is prominent throughout. The cinematography, use of imbibition colors makes this movie *eye-catching*
The Bad - Color is the only praise worthy aspect of this movie. Although the movie lays emphasis on gore and is intriguing till the end, the plot is fairly laid out and the acting falls weak. I would simply call this film an art movie which experiments with Horror.
Still, Suspiria has a legacy which topples the movies of the current era. It is definitely in my list of must-watch movies!
The movie employs flamboyant use of color. I would call it an Italian Shining had it released after The Shining (1980).
The Good - Use of color! The movie has excessive use of dramatics. The soundtrack, colored lighting and the use of gore is prominent throughout. The cinematography, use of imbibition colors makes this movie *eye-catching*
The Bad - Color is the only praise worthy aspect of this movie. Although the movie lays emphasis on gore and is intriguing till the end, the plot is fairly laid out and the acting falls weak. I would simply call this film an art movie which experiments with Horror.
Still, Suspiria has a legacy which topples the movies of the current era. It is definitely in my list of must-watch movies!
What sets Dario Argento apart from many of his contemporaries is his success with visual imagery. In a style where sudden visual shocks are used to thrill the audience, Argento creates elaborate deaths which cannot be quickly forgotten. The highly involved double-murder towards the beginning of the film still remains one of the most memorable scenes in horror history, standing next to the Psycho "shower scene" in pure sensory input. And in a technique so powefully employed here and here alone, Argento sets scene after scene aglow with color, using it to express the mood in ways only the subconscious can fully appreciate. All around, this is an excellent addition to the genre of horror cinema, one of the most expressive films to ever plunge a knife into the psyche of its viewers.
¿Sabías que...?
- CuriosidadesThe woman playing Helena Markos was not credited. According to Jessica Harper, she was a 90-year-old former prostitute who director Dario Argento found on the streets of Rome, Italy.
- PifiasDario Argento's face can be seen reflected on the taxi's glass partition in the opening sequence. Assumed by many people to have been a mistake coming from a rushed shoot, Argento has gone on record to say it was intentional.
- Citas
Dr. Frank Mandel: Bad luck isn't brought by broken mirrors, but by broken minds.
- Créditos adicionalesYou have been watching "SUSPIRIA"
- Versiones alternativasThe remixed soundtrack on the Anchor Bay release omits a line of dialogue near the conclusion when Susy is creeping down the secret hallway. It cuts out Tanner's faintly-heard declaration "All right, we must come to a decision. The situation can no longer be tolerated."
- ConexionesFeatured in Ángeles con pistolas doradas (1981)
- Banda sonoraMarkos
Adapted from "Music in Similar Motion" by Philip Glass
Arranged by Claudio Simonetti, Fabio Pignatelli, Agostino Marangolo and Massimo Morante
Performed by Goblin
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- How long is Suspiria?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 4.000.000 US$ (estimación)
- Recaudación en todo el mundo
- 47.573 US$
- Duración
- 1h 39min(99 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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