PUNTUACIÓN EN IMDb
7,7/10
13 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaDon, a wanted criminal, dies in a police chase. DSP D'Silva is the only one who knows about his death, and to get hold of the gang he trains Don-lookalike Vijay. But Vijay faces danger from ... Leer todoDon, a wanted criminal, dies in a police chase. DSP D'Silva is the only one who knows about his death, and to get hold of the gang he trains Don-lookalike Vijay. But Vijay faces danger from the police and from within the gang.Don, a wanted criminal, dies in a police chase. DSP D'Silva is the only one who knows about his death, and to get hold of the gang he trains Don-lookalike Vijay. But Vijay faces danger from the police and from within the gang.
- Dirección
- Guión
- Reparto principal
- Premios
- 3 premios y 2 nominaciones en total
Pran Sikand
- Jasjit (J.J.)
- (as Pran)
Iftekhar
- DSP D'Silva
- (as Iftikhar)
Satyendra Kapoor
- Inspector S. Verma
- (as Satyen Kapoo)
Paidi Jairaj
- Dayal (Judo Karate Instructor)
- (as P. Jairaj)
Arpana Choudhary
- Anita
- (as Arpana Choudhry)
M.B. Shetty
- Shakaal
- (as Shetty)
Azaad Irani
- Azad
- (as Azad)
Reseñas destacadas
"Don" is a film about a mobster called the Don (Amitabh Bachchan). He's a cold and dangerous man and specializes in blowing up his enemies. And, the guy is also very slippery and the police keep missing him. However, eventually, DSP D'Silva manages to kill the Don--but he has the guy buried in secret. Neither the police nor the criminals realize the Don is dead because D'Silva knows someone who looks exactly like the Don* and plans on substituting him. So, he creates a plausible story--that the Don was hurt so badly that his memory is temporarily impaired. However, Vijay doesn't realize that his impersonating the Don has two major problems--a woman in the mob is planning on killing the Don and what would happen if D'Silva was killed and they couldn't prove that Vijay WASN'T the Don! Tune in to see what's next.
The story is interesting and worth seeing up until the end. Unfortunately, the end is terrible--and almost slapstick. Seeing the disabled guy fighting so ably was silly as was the use of slide-whistles whenever folks did flips--and they did MORE flips than you'd see in the Summer Olympics! Badly choreographed and silly--it makes the film slip from a 9 to a 7.
The story is interesting and worth seeing up until the end. Unfortunately, the end is terrible--and almost slapstick. Seeing the disabled guy fighting so ably was silly as was the use of slide-whistles whenever folks did flips--and they did MORE flips than you'd see in the Summer Olympics! Badly choreographed and silly--it makes the film slip from a 9 to a 7.
This movie is one of the earliest blockbusters of the 1970s that firmly launched Amitabh Bachchan in the superstar orbit.
In an oft-repeated cop-robber plot, director Chandra Barot makes a film about a gangster don (no particular reference to any Mumbai underworld figure nor any sneaky take on a Hollywood film) who has eluded cops for a long time. "Don ko pakadna itna aasan nahin", says DCP D'Silva in an ominous tone that still resonates among the current duels between crime bosses and superstar cops like Daya Nayak.
The essence of Don's charisma goes beyond the methodical framing of its central characters in what is a rather straightforward plot. Cleverly written dialogs that inspired an entire generation of moviegoers, shots and scenes that (at the time) defied the boundaries of all conventional wisdom, fabulous acting by the main and supporting cast, and a musical score by Kalyanji Anandji that is evergreen to this day -- those are of course what made Don such a memorable movie in the minds of many.
Best thing is to go see it even if its your first or fifth time. Great movies such as this are way beyond Bollywood now, and it is doubtful if the current crap -- oops sorry, crop! of directors can ever concoct a compelling story such as this one.
In an oft-repeated cop-robber plot, director Chandra Barot makes a film about a gangster don (no particular reference to any Mumbai underworld figure nor any sneaky take on a Hollywood film) who has eluded cops for a long time. "Don ko pakadna itna aasan nahin", says DCP D'Silva in an ominous tone that still resonates among the current duels between crime bosses and superstar cops like Daya Nayak.
The essence of Don's charisma goes beyond the methodical framing of its central characters in what is a rather straightforward plot. Cleverly written dialogs that inspired an entire generation of moviegoers, shots and scenes that (at the time) defied the boundaries of all conventional wisdom, fabulous acting by the main and supporting cast, and a musical score by Kalyanji Anandji that is evergreen to this day -- those are of course what made Don such a memorable movie in the minds of many.
Best thing is to go see it even if its your first or fifth time. Great movies such as this are way beyond Bollywood now, and it is doubtful if the current crap -- oops sorry, crop! of directors can ever concoct a compelling story such as this one.
Don is a great film its different to other most indian films. Right from the start the first thing that thrills you about this film is the dynamic title music. Its so inspiring and puts you in a good mood for rest of the film. Amitabh's acting is good as allways and his acting from serious to comedy to serious is super. Zeenat Aman is a tough cat in this. I reccomend young people to watch AB movies they are entertaining just as they were when they was first released. Good supporting cast from Pran. Strong role of Iftikar and that sexy Helen doing best for what she's good at.The fight scene at the end is well performed and executed. The same music returns and blends well with the action. I give this film 7/10
There's not much to explain about the story of "Don", which probably EVERYONE knows about by now, right? It may not be a GREAT story...but none the less the movie is just totally entertaining ~ you watch Amitabh perform from a totally COOL-evil bad guy to a goofy paan-eating guy and trust me, it's impossible not to adore the man. He's just so COOL! His stunts rock too.
Though I usually can't stand Zeenat Aman, in this movie she got such awesome clothing, and an awesome hairstyle topped with a really COOL role. Pran is also the regular COOL guy, about just as COOL as Amitabh, which is why it rocks to see them together on screen as usual.
Pretty much everyone else in the movie played their roles well.
And I have to mention Kalyanji-Anandji who were behind all of the totally COOL music throughout the movie. The background music and songs are made to match the COOLNESS of the movie :-D. Lata, Kishore, and Asha at their ultimate COOL.
So watch this COOL movie so I can stop using the word COOL so much hehe. Khaike Paan Banaras Wala!
Though I usually can't stand Zeenat Aman, in this movie she got such awesome clothing, and an awesome hairstyle topped with a really COOL role. Pran is also the regular COOL guy, about just as COOL as Amitabh, which is why it rocks to see them together on screen as usual.
Pretty much everyone else in the movie played their roles well.
And I have to mention Kalyanji-Anandji who were behind all of the totally COOL music throughout the movie. The background music and songs are made to match the COOLNESS of the movie :-D. Lata, Kishore, and Asha at their ultimate COOL.
So watch this COOL movie so I can stop using the word COOL so much hehe. Khaike Paan Banaras Wala!
Don is the movie, that I am in love with after 'Sholay', so much so that I still remember most of the dialogs, characters, scenes and good performance by many contributors in this movie apart from legendary, one and only, Amitabh Bachhan.
Almost all of the main characters in this movie, though they are doing a typical "bollywood" act, are too good and have given a life to the role, like Pran, Jinat Aman, Om Shivpuri, Iftekhar, Kamal Kapoor, Helen and Shetty.
Every scene keeps you thinking what is next; the suspense, the thrill - it's very exciting, very well played. Add to it, few good songs like "Khaike-Pan-Banaras-Wala", "E-he-Bambai-Nagaraia", and "Mai-hoon-Don" are too good and evergreen. Even the background music is one thing that I love and remember, the one that is there when DON (duplicate) is running to save himself from the police. Dialogues were too good and are still popular all these years - "Don-ka-intezar-to-gyarah-mulkon-ki-police-kar-rahi-hai", "magar-Don-ko-pakadna-mushkil-hi-nahi-namumkin-hai".
No wonder the re-make version is under production this year (2006) where Shahrukh Khan is playing the DON, and it will be a hit, because the name of the movie itself is famous enough to blow up the box office.
Almost all of the main characters in this movie, though they are doing a typical "bollywood" act, are too good and have given a life to the role, like Pran, Jinat Aman, Om Shivpuri, Iftekhar, Kamal Kapoor, Helen and Shetty.
Every scene keeps you thinking what is next; the suspense, the thrill - it's very exciting, very well played. Add to it, few good songs like "Khaike-Pan-Banaras-Wala", "E-he-Bambai-Nagaraia", and "Mai-hoon-Don" are too good and evergreen. Even the background music is one thing that I love and remember, the one that is there when DON (duplicate) is running to save himself from the police. Dialogues were too good and are still popular all these years - "Don-ka-intezar-to-gyarah-mulkon-ki-police-kar-rahi-hai", "magar-Don-ko-pakadna-mushkil-hi-nahi-namumkin-hai".
No wonder the re-make version is under production this year (2006) where Shahrukh Khan is playing the DON, and it will be a hit, because the name of the movie itself is famous enough to blow up the box office.
¿Sabías que...?
- CuriosidadesThe producer Nariman Irani was a cameraman who was in deep debt of around Rs 12 lakhs ( a lot of money for that time) after his first film Zindagi Zindagi with Sunil Dutt that flopped miserably. So to get out of this financial mess he was advised by Amitabh Bachchan, Zeenat Aman, Chandra Barot and Manoj Kumar to make another film which subsequently turned out to be Don. Writers Salim-Javed were not able to sell the script for a long time until director Chandra Barot and producer Nariman Irani bought it. It was rejected by Dev Anand, Prakash Mehra and Jeetendra. The script did not even have a name. It was a script pertaining to a character called Don. When Nariman Irani approached Salim, he said, 'Humare paas ek breakfast script padi hai jo koi nahi le raha hai.' And Nariman said 'chalega'. So that is how Don was made.
- PifiasDuring the chase sequence at Silver Beach, Don arrives in a red Cadillac - yet leaves in a white Desoto in his escape.
- ConexionesFeatured in West Is West (1989)
- Banda sonoraMain Hoon Don
Sung by Kishore Kumar
Composed by Kalyanji Veerji Shah and Anandji Veerji Shah
Lyrics by Anjaan
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- How long is Don?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Главарь мафии
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 50.000.000 INR (estimación)
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