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A young sixteen year old girl is found dead in a river sexually violated with a blunt instrument.Inspector Di Salvo investigate this vicious and senseless crime in St Theresa's boarding school for girls.Unknown black gloved killer called Nemesis begins preying on girls from the school.It seems that there is a vice ring where rich and influential men pay well for teenage favours.The final installment of Massimo Dallamano's schoolgirls-in-peril giallo trilogy offers some delicious sleaze and full-frontal nudity.The pace is brisk and the school shower scene is truly gratuitous.There are some stylish shots for example an underwater shot from the corpse's point-of-view.Riz Ortolani's score is as always fantastic.8 nubile schoolgirls out of 10.

Far from terrible, but also far from terribly exciting, this Giallo should have had much more bite as its predecessors in the "school girl trilogy", Massimo Dallamo's "Cosa Avente Solange" and "La Polizia chiede aiuto". Blame must go to Alberto Negrin's tame direction and Testi's slow-moving "investigation" that severely dulls the sparse suspense. The are fair scenes where Negrin displays some flair in the film, but it is not difficult to spot the Argento influence, particularly "Cat O' Nine Tails." Apparently Negrin mostly helmed television before "Rosso" which might explain his limited palette. Dallamo's painterly hand is severely missed, but a few intriguing ideas such as the slutty trio of girls "the Insperables" and a hilariously improbable killer make "Enigma Rosso" worth watching at least once if you can find it.

Marginally better than average giallo centres on an exclusive girl's school where the studies include mass orgies, gory retributions and murder. Detective (Testi) is called to investigate the brutal murder of a student and begins to suspect there's more going on at the school than just maths & science. A familiar trail is uncovered, highlighting several likely suspects (ubiquitous Euro horror ex-pat American, Jack Taylor primarily) who may or may not be the actual killer. There's also a neat little twist in the film's double-headed climax, although arguably, it could've been more effectively resolved.

Testi is a likable leading man, his portly sidekick Bruno Alessandro also effective as they use unconventional methods in an attempt to solve the politically sensitive case. Jack Taylor is typically sinister as a sleazy fashion guru (the roller-coaster scene memorable), and Ivan Desny prominent as the police chief. Unusually, the dubbing isn't bad and doesn't detract so much from the film like others of the ilk. There's a fair quota of skin on display here, and the occasional ghastly corpse will heighten the senses.

Director Negrin displays a solid appreciation for the sub-genre and while it's probably not strictly giallo for the puritanical fan, it serves the purpose well and maintains the mystery and suspense through to the dual climax.

Even though he only shares a writing credit with five other people, Red Rings of Fear is credited as being the third instalment of Massimo Dallamano's unofficial 'Schoolgirls in Peril' series; the masterpiece What Have They Done to Solange and the disappointing What They Done to Our Daughters being the other two. I went into this film with low expectations after seeing the second part of the 'trilogy', and unfortunately Red Rings of Fear only lived up to those expectations as while it has its moments, the film is certainly no masterpiece. For one reason or another, Dallamano himself hasn't directed this film, and the honour of the director's chair has fallen to the lesser known Alberto Negrin. The film retains the sleazy atmosphere that the first two delighted in, and once again focuses on schoolgirls. Red Rings of Fear starts with the discovery of a young girl's corpse. After being put on the case, Inspector Gianni Di Salvo soon learns that the girl was a part of a school clique known as 'The Inseparables', and a plot revolving around rich men paying them for sex soon unfolds.

The film stars Fabio Testi, who also took the lead role in the far better 'What Have they Done to Solange'. I've seen Testi in a handful of Italian films, and he always impresses me. His chiselled good looks benefit this film as it's easy to see him at the centre of a sleazy plot, and his performance bodes well with the rest of the film. He receives decent backup from a trio of teenage actresses, as well as child star Fauta Avelli, who has worked with the likes of Lucio Fulci and Dario Argento in the past. Any film focusing on teenage girls, murder and loss of innocence is bound to be sleazy; and director Alberto Negrin does well in capturing gritty locations and upping the sleaze quota. However, the plotting isn't very well done and often becomes hard to follow - and the film also focuses too much on police procedure and not enough on the style. There are a few decent murder scenes in the film, but none of them are particularly well executed and it often feels as though the director wants to get them over with as quickly as possible, which is a shame. The resolution to the murders is good, although the killer has become obvious by that point; and I really hated how the film ends entirely. On the whole; Red Rings of Fear is slightly better than What Have they Done to Our Daughters, but nowhere near as good as Solange. I'd like to rate this higher, but it has too many problems.

Co-written by Massimo Dallamano, this is the third film in the thematic 'schoolgirls in peril' trilogy. The first two films – What Have You Done to Solange and What Have They Done to Your Daughters – were directed by Dallamano himself and are among the upper bracket of the giallo sub-genre as a whole. Trauma, on the other hand, was only co-written by Dallamano, its director was the much less known Alberto Negrin. It would only be fair to say that it's clearly the least essential entry of the three. However, as is the way with most gialli, it's still pretty involving and entertaining.

The story follows a detective who is investigating the rape and murder of a young girl. On the back of this other murders start. This is one of those gialli that is quite heavy on the police procedural side of things, with less emphasis on the various shady characters on the periphery of the story. It more or less gets away with this as Fabio Testi - who plays the cop - is a good presence. The movie overall lacks the sense of style and tight plotting of the first two films but it ramps up the sleaze factor with extended shower scenes and a sex-party that incorporates the use of a somewhat prominent dildo. Of course, the very fact that the young ladies in this are members of a girl school merely adds to the overall shadiness! The murder-mystery is certainly good enough, although admittedly by-the-numbers for this sort of movie. Perhaps surprisingly, the violence has been played down somewhat. Murder scenes are often very important in gialli but in this instance they aren't memorable at all and certainly not graphic in any way. It's more focused on the mystery and this is eventually wrapped up in a slightly unpredictable way it has to be said and for that it does receive plus points. Additionally, Riz Ortolani's soundtrack is once again very good and adds a lot to accentuate the suspense.