Alien, el octavo pasajero

'Alien' is one of those special films that have aged very, very well. Even now, after nearly 40 years, everything about it just feels fresh. The restrained, natural performances by the fantastic cast; the outstanding production design; the beautiful, ominous score by Jerry Goldsmith; the realistic, "lived-in" look of space-freighter Nostromo's interior: it actually feels less dated than many science fiction films that were made much later, which is quite an astonishing feat. Even the (what now must be considered) "retro" technology inside the ship doesn't necessarily have to be viewed as anachronistic in the face of our obvious recent advancements, because it's the most simple technological equipment that is usually robust enough to survive the longest under harsh conditions (like the extreme temperatures in space).

I feel it's especially hard for science fiction films to stand the test of time - which is kind of inherent to the genre I suppose - and 'Alien' simply remains an outstanding achievement in that regard. It's a testament to the talent of everyone involved, but especially to the vision of director Ridley Scott. The film was crafted with so much love for every little detail, and the designs by Moebius, Chris Foss - and in particular the Lovecraftian horrors unleashed by Swiss surrealist H.R. Giger - are among the best and most iconic in any science fiction film. This isn't just an outstanding, timeless piece of entertainment: it's a work of art. 10 Stars out of 10.

Favorite films: IMDb.com/list/mkjOKvqlSBs/

Lesser-Known Masterpieces: imdb.com/list/ls070242495/

First seen in 1979 , I was 15 Mum dropped me off. Seen once every five years since.

Seems to get better and better as time goes on, maybe because as I mature, I appreciate the fine acting details or is it that there are fewer and fewer films to compare Alien to. Alien is a masterpiece in so many areas (in no order); Editing, photography, acting, direction, art, music, sound, script. In fact Alien ought to be mandatory viewing for every film director whether budding or currently or even as a refresher for well seasoned film makers.

It's so clear Ridley was able to make the film he wanted to make without interference from non creative parties.

Alien remains one of the most original, terrifying movies of all time. Compare this with the lame sci fi horrors we get nowadays, 1979, and it still packs a huge punch.

Fantastically atmospheric, chilling and terrifying even now, the story holds up incredibly well. The special effects were incredible for the time, no wonder the franchise is still in demand, though sadly nowhere near the quality of this one or its amazing successor.

The music is fantastic, the direction is incredible, and as for the Alien itself, way ahead of its time. Weaver is phenomenal, but arguably she's upstaged by the creature.

You can't help but remember scenes days after watching it, it definitely has the chill factor.

A cinematic masterpiece. 10/10

The further we go in special effects, the more movies show us and ignore the unseen, the more people will return to dark horrors like this one.

It's hard to look at this film without considering the sequels and knowing the alien itself, however when made the alien was mostly unseen and a mystery. It's difficult to forget what you've seen, but it's important to approach this film first if possible rather than joining the series late.

It's amazing that this is over 20 years old - apart from the actors looking so young, the film doesn't feel dated at all. The sci-fi visions here are still bleak and futuristic as they were then - this is not the Star Trek vision of the future. The foreboding exists long before John Hurt spills his secret, Scott's direction is excellent throughout. Once the alien is "born" the tension is cranked up and the characters dispatched one by one (a formula we know oh-so well now!)

However here the characters are not merely alien-food but have some dimension to them. Weaver is excellent, while the support cast is full of great support actors (Stanton, Kotto, Hurt, Skerritt, Holm), but of course the real star is the one we see least of.

We barely see the alien in full detail, most of the time it is set in shadows, moving with deadly intent.The alien here is not simply a killing machine as seen in later films but is cruel with it. Witness the alien trap a female crew member and slowly rub up her leg, moving with slow seductive movements before moving with terrifying speed to kill another crew member sneaking up behind it. The slow movements betray the alien's pure cruelty.

The film is a study in terror. It may not be as action packed as the other films in the series but it brings the claustrophobia of being hunted to a new level.

A lot of people describe the suspense and terror that this movie demonstrates as its best characteristic, which is certainly valid. It is intense, and can be held up as one of the greatest horror movies of all time, easily. I would argue, beyond that, that it's one of the greatest movies of all time in general. It's basically perfect sci-fi; with absolutely gorgeous sci-fi design and brilliant execution, with beautiful sets and effects that hold up today. It has great dramatic moments and even some twists. None of the sequels, to me, hold a candle to this.

It feels a bit like Blade Runner, with its borderline avant-garde use of quiet moments. However, unlike Blade Runner (which is just as strong a film) this movie uses its nebulous setting and ominous set design, music, lighting, and sound design to instill a deep, troubling fear in the audience.