Sin novedad en el frente

This version may not be as good as its great predecessor, but it's definitely a fine show on its own. Richard Thomas is very good, if about ten years too old, as the central character, Paul Baumer, who grows from glory seeking school boy to crusty veteran to, finally disillusioned, weary, almost hopeless pawn. Ernest Borgnine is terrific as Kat, the cagey survivor, who takes the youngsters under his wing, teaching them ways to make trench warfare almost tolerable. Ian Holm has a nice turn as Paul's town's postman turned training NCO, who later is transferred to the trenches. The great actress, Patricia Neal, shines in a cameo as Paul's mother. Donald Pleasance is excellent as Paul's patriotic teacher who exhorts Paul and his classmates to enlist. Gradually the grinding attrition of war eliminates Paul's classmates and the old sweats, until the famous final scene, when so little happened that day that the war entry was "All quiet on the Western Front." Most of the scenes in the original are presented here, a few additions and a couple deletions. The color cinematography is nicely done. Well worth a look as either a comparison or companion to the 1930 original.

This 1979 remake of Lewis Milestones 1930 classic anti war film tells the story of German youths who enlist in the Kaisers army to fight for the Fatherland in the great war. Based on the masterful novel by Erich Maria Remarque the youths who join at the encouragement of their schoolteacher with dreams of glory quickly learn the horror of war. Some parts of this version are better than the original and in others the 1930 version still stands out

Ian Holm's portrayal of Himmelstoss the sadistic drill instructor comes off somewhat better than in the original. In this version he is not the boys hometown postman so the viewer only sees him as the stern and cruel D.I.. His cowardice scene is also handled better. Veteran actor Ernest Borgnine as Kat the group leader is only a tad off as being as good as Louis Wolheims. Richard Thomas as Paul Baumer the central figure is about neck and neck with Lew Ayres original. Donald Pleasance is convincing as Kantorek the boys schoolteacher who tells them their plans for the future must be put on hold in favor of serving the Fatherland. Both this and the 1930 recently restored version should be watched back to back if possible.

Many films that are remade often times do not stand up to their original counterparts but this 1979 film does. Considering it was a made for TV film makes that quite an accomplishment. If you enjoyed Saving Private Ryan you'll enjoy this one as well.

The film is an excellent remake. Though in some ways it doesn't live up to the 1930 original, there are some other ways in which I think it is more effective. I particularly like the portrayals of Himmelstoss and Kat; Ernest Borgnine is outstanding in his role. Changes to the original are minor - Paul, for example, as an artist, drawing a bird in the final scene rather than reaching for a butterfly - and do not in any way detract from the power of Remarque's story.

Although the film, as released on video, is very good, it could still be made better...because...

I taped the program off of CBS when it ran on the "Hallmark Hall of Fame" in 1979 or 1980. The commercially available version leaves out some scenes which aired in the original broadcast. Himmelstoss, for example, DID appear as the postman in a street scene as the boys leave school. Unfortunately, this was apparently cut when the film was released on video. This film is actually somewhat better in its original, on-air form than on video...and if anyone associated with the current production rights read this, PLEASE restore it! After 22 years, the quality of my recording is declining markedly, but I don't want to lose the narrative quality of the film.

It is difficult to go wrong with such a magnificent story, one of the most affecting literary anatomisations of the tragedy of young men destroyed by war. And yet, this 1979 television remake of the Lewis Milestone original adds many elements to cherish of its own. Most notably, the casting of Richard Thomas, best known for being John-Boy Walton, in the role of Richard Baume. His characterisation is wonderfully profound, and poignant, and the scene in the trench with the French soldier is a virtual masterclass of compassionate acting. Thomas has never become a superstar; and for this reason he is one of an evergrowing army of neglected romantic leading men. The battle scenes are breathlessly exciting; and yet they do not dwell on carnage, and it is to their credit...and yet still they elicit pity and horror from the viewer. The music is magnificent, the structure craftmanlike, the acting (by Thomas, Borgnine, Holm) superlative, and the work itself suffused through with compassion.......

This is a very good anti-war movie. It shows how the young and naive are being brain-washed to think that somehow it is their duty to kill and die. Big words like Fatherland, Kaiser, God, Patriotism. But it is always the young generation that does the dying, whilst the old men discuss strategy over a beer. War has lost whatever legitimacy it ever may have had when the leaders left the front line to lead from the back, safe in their headquarters miles away from the killing. Sending young boys to their death whilst claiming it is eventually for the Good is the ultimate cowardice. Some get their come-uppance, such as Cpl Himmelstoss, but most live their lives in the comfortable cocoon of their self-righteousness – the school teacher, the father, the Kaiser himself.

But sometimes a young soldier sees through the scam, as when Paul kills a Frenchman by sheer instinct, only too late realising what he has been forced to do to someone who might have been his brother. But even then the cultural impregnation is too strong for him to follow his true human feelings and draw the only logical conclusion. And of course in the end he pays the price himself. Destroyed - for what?

That is the lesson that we all should take to heart, to this very day.

A very good film based on an exceptional book.