PUNTUACIÓN EN IMDb
4,2/10
2,1 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaSomeone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no ma... Leer todoSomeone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no matter how far fetched they are.Someone, or something, is on an indiscriminate killing and mutilation spree during night-time. Frustrated by the clueless police, the father of the first victim is looking for answers, no matter how far fetched they are.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
Warren J. Kemmerling
- Police Captain Speer
- (as Warren Kemmerling)
Bill Derringer
- Herman Burmeister
- (as William Derringer)
Reseñas destacadas
"It is also a certainty that not all alien encounters will be friendly." A killer is viciously murdering random people in LA, when his daughter becomes a victim a writer teams up with a female reporter (like they so often do) to solve the case adjacent to the (in his opinion) inept police. The killer is nicknamed "The Mangler" and turns out to be a hulking alien creature that looks part man/ part werewolf. This aspect of the plot is very poorly done, how did it get here and why would a lone alien be acting like a serial killer on the back streets of LA? It also has laser eyes which look incredibly cheap and dated. Apart from one decapitation the kills are disappointing, annoyingly a voice whispers words such as "The Dark" in the build up to each one. Between these kills the film often drags, the cast is pretty decent but overall The Dark was a wasted opportunity. The trailer looks quite good but sadly this science fiction/horror is a mess. One scene has a protest going on and it looks like the film makers just roped in the nearest people (non-actors) for it. Look out for a pre-"Miami Vice" Philip Michael Thomas in a small role as a hoodlum. One of my horror movie reference books calls this movie "absolute junk", personally I think that's a bit harsh but at the same time its current IMDb score of 4.2/10 is spot on.
The Dark (1979)
* 1/2 (out of 4)
A former convict turned reporter (William Devane) sees that his daughter has been brutally mutilated so he sets out to try and find the killer as does a detective (Richard Jaeckel) working the case. It turns out that a space alien has landing on Earth and is doing the brutal murders.
THE DARK has an interesting production history that is actually a lot more interesting than the film itself. Originally Tobe Hooper was to direct this film and he got several days into the production when he either quite or got fired. The somewhat notorious John 'Bud' Cardos took over the production and the end result is a rather tame sci-fi picture that's biggest problem is the fact that it lives up to the title.
I say that because this film was shot way too dark and often times you can't even tell what's going on. I mean, I'm all for movies keeping the monster in shadows and what not but the problem here is that whenever the alien goes on the attack it's so dark that you can't see anything. Or, at least, you can't see anything too clear. The other big problem with the picture is the fact that it drags so slowly that the 90-minute running time seems double that. There are non-stop scenes of people talking and fighting yet none of it is very entertaining.
It's really too bad that the film is so lame and doesn't feature that good of an alien or gore effects because the cast is actually pretty good. Devane is always worth watching and he turns in a nice performance here. Jaeckel is also very good in his role as is Jacquelyn Hyde and Keenan Wynn in their small roles. You can also look quick for Casey Kasem and Vivian Blaine. Who knows what might have happened with the film had Hooper stayed on but as it stands, THE DARK isn't a very good movie and it's not nearly the best "alien run amok" movies from this period.
* 1/2 (out of 4)
A former convict turned reporter (William Devane) sees that his daughter has been brutally mutilated so he sets out to try and find the killer as does a detective (Richard Jaeckel) working the case. It turns out that a space alien has landing on Earth and is doing the brutal murders.
THE DARK has an interesting production history that is actually a lot more interesting than the film itself. Originally Tobe Hooper was to direct this film and he got several days into the production when he either quite or got fired. The somewhat notorious John 'Bud' Cardos took over the production and the end result is a rather tame sci-fi picture that's biggest problem is the fact that it lives up to the title.
I say that because this film was shot way too dark and often times you can't even tell what's going on. I mean, I'm all for movies keeping the monster in shadows and what not but the problem here is that whenever the alien goes on the attack it's so dark that you can't see anything. Or, at least, you can't see anything too clear. The other big problem with the picture is the fact that it drags so slowly that the 90-minute running time seems double that. There are non-stop scenes of people talking and fighting yet none of it is very entertaining.
It's really too bad that the film is so lame and doesn't feature that good of an alien or gore effects because the cast is actually pretty good. Devane is always worth watching and he turns in a nice performance here. Jaeckel is also very good in his role as is Jacquelyn Hyde and Keenan Wynn in their small roles. You can also look quick for Casey Kasem and Vivian Blaine. Who knows what might have happened with the film had Hooper stayed on but as it stands, THE DARK isn't a very good movie and it's not nearly the best "alien run amok" movies from this period.
THE DARK (aka: THE MUTILATOR) is a wonderfully bizarre movie about a serial-killing alien (John Bloom) that can decapitate or obliterate its human prey with one blazing glance. Writer Roy Warner (William Devane) is on the creature's trail after it kills his daughter. He teams up with TV personality Zoe Owens (Cathy Lee Crosby) in this endeavor.
This movie is highly rewatchable, and is even better the second time around! Director John "Bud" Cardos piles on the cheeeze, yet manages to make it work. There are some truly effective, creepy sequences, especially the wham-bam finale, when the extraterrestrial terror faces off against the police force.
Devane and Crosby are a good pair, and Keenan Wynn is his usual crusty self as Owens' crusty boss. Watch for Richard Jaeckel as the top cop on the case. Casey Kasem is the pathologist! Special mention must be made of Jacquelyn Hyde as mystical medium De Renzy. Her encounter with the monster -in her living room!- is a must-see!
Don't blink, or you'll miss Phillip Michael Thomas in his microscopic role...
This movie is highly rewatchable, and is even better the second time around! Director John "Bud" Cardos piles on the cheeeze, yet manages to make it work. There are some truly effective, creepy sequences, especially the wham-bam finale, when the extraterrestrial terror faces off against the police force.
Devane and Crosby are a good pair, and Keenan Wynn is his usual crusty self as Owens' crusty boss. Watch for Richard Jaeckel as the top cop on the case. Casey Kasem is the pathologist! Special mention must be made of Jacquelyn Hyde as mystical medium De Renzy. Her encounter with the monster -in her living room!- is a must-see!
Don't blink, or you'll miss Phillip Michael Thomas in his microscopic role...
Years ago while watching this picture on TV for the first time, I figured about half way through 'Hey, this ain't a sci-fi alien-on-the-rampage flick! It's an occult zombie movie hastily re-edited in a fever of post-production panic to cash in on the popularity of the same year's Alien'. Phew. What a literal thinker I was. Looking at IMDB's 'trivia' section, I see I was right. Wasn't I clever way back then? No. It really IS that obvious.
Disjointed, silly B movie. Not without some pleasures though. Keenan Wynn's fearful walk through a darkened underground car park worked for me, and there are a few unintended laughs here and there eg. William Devane's rather strange reaction to the sight of his dead daughter lying on a mortuary slab: he burps, and somewhat skittishly too. I wonder what Lee Strasberg would have thought of that. Perhaps William was expressing his heartfelt feelings toward the movie he found himself in. Actors get up to these tricks, you know.
And then there's Casey Kasem's police pathologist who is asked by a cop what colour the murderer's (still assumed to be human) skin is. Shaggy Kasem's reply of 'It's grey' is pleasantly creepy and recalls similar moments from Kolchak: The Night Stalker. In fact, Carl Kolchak's shadow looms large over this picture, even down to the unexpectedly spectacular denouement featuring a growling monster throwing cops bodily in all directions. VERY Kolchak.
Actually, damn it, I recommend this movie. It's enjoyable trash if you're in the right mood. But be warned - thanks to/in spite of post-production re-cutting (complete with inept Ed Wood type voice-over to fill in the plot holes) IT MAKES NO SENSE WHATSOEVER. Might be part of it's idiotic charm.
Disjointed, silly B movie. Not without some pleasures though. Keenan Wynn's fearful walk through a darkened underground car park worked for me, and there are a few unintended laughs here and there eg. William Devane's rather strange reaction to the sight of his dead daughter lying on a mortuary slab: he burps, and somewhat skittishly too. I wonder what Lee Strasberg would have thought of that. Perhaps William was expressing his heartfelt feelings toward the movie he found himself in. Actors get up to these tricks, you know.
And then there's Casey Kasem's police pathologist who is asked by a cop what colour the murderer's (still assumed to be human) skin is. Shaggy Kasem's reply of 'It's grey' is pleasantly creepy and recalls similar moments from Kolchak: The Night Stalker. In fact, Carl Kolchak's shadow looms large over this picture, even down to the unexpectedly spectacular denouement featuring a growling monster throwing cops bodily in all directions. VERY Kolchak.
Actually, damn it, I recommend this movie. It's enjoyable trash if you're in the right mood. But be warned - thanks to/in spite of post-production re-cutting (complete with inept Ed Wood type voice-over to fill in the plot holes) IT MAKES NO SENSE WHATSOEVER. Might be part of it's idiotic charm.
I'd first watched this in a cinema in Istanbul in the early 1980s. The Turkish title was GERÇEK YARATIK (The Real Creature) and an English-language title as ALIEN TERROR was tagged on to the Turkish posters. - and ALIEN had been released a while ago in Turkey as YARATIK (The Creature). So the publicity for this movie was suggesting that it was related to the much-publicized ALIEN and that it was actually the real stuff! I was just 13 or 14 years old at the time... (and there was no internet back then!) Naturally, I was pretty much disappointed when I went ahead to see it and realized it was basically an ordinary urban murder thriller until the last scene. Nevertheless, I've recently bought its DVD to rekindle childhood memories and watched it last night. Now watching it with a more open mind, zero expectations, I find it not half bad as most reviewers have it. First of all, the cinematography in night scenes is simply perfect, beginning with the opening scene. I think the problem most of the other reviewers face ("too dark") simply stems from bad transfers of previous VHS and/or TV prints. The DVD's brand new digital transfer from original materials is really a beauty. Plus, the soundtrack is also very effective, as even the most negative reviews acknowledge. So, overall, the nighttime attack scenes are really brilliantly crafted. Top-notch horror filmmaking there. Having said these, the movie is sadly not competent in other departments and is a mess overall. Richard Jaeckel, who was great in MAKO JAWS OF DEATH, looks very wooden here as the main cop protagonist. William Devane shows some charisma and has got what is called as a screen presence, but is out of tune with his character as a father who had lost his daughter as a savage murder victim. All the secondary characters, esp. the boss of the female reporter, play it for laughs. A few of the lines are intelligently sarcastic, but the demonstration scene (what is it by the way? a student demonstration?) is very offensive: a bunch of youths protest that the city police is busy harassing them rather than tracking the murderer and they act like stupid monkeys (jumping around, etc!) during the demonstration! The director must be a feeble-minded cop-loving right-winger who strongly resents student activists deep in his heart and used this as an opportunity to make fun of them... Anyway, the incoherence of the plot, which, as is widely known, stems from a reworking of the script, is already well-covered in all reviews. I am not very much troubled by that precise aspect and actually find it interesting that you can trace two versions of one story in one movie! As everyone who has read anything about the movie knows, the original scripts did not entail an alien! The DVD has an informative video interview as well as a commentary track with the director Cardos. I've watched the interview and listened to part of the commentary. Cardos explains that the original version entailed a freak-child (and not a zombie, as has been claimed). He also says that none of the footage Tobe Hooper shot before being replaced has made into the final edit of the movie.
¿Sabías que...?
- CuriosidadesFrom the screenplay stage and all the way through to production, Oscuridad (1979)'s antagonist was an abused, autistic child who had been locked in an attic for his entire life. In the original script, his house burned down, allowing him to escape and take vengeance on the outside world. Toward the end of the shoot, the film's producers decided to capitalize on the success of Alien, el octavo pasajero (1979) and demanded extensive re-shoots to change the killer into an extra-terrestrial.
- PifiasThe murders occur in Santa Monica. Yet the police are driving black & white Los Angeles police cars, bearing L.A.'s "Protect and Serve" motto. They should be driving Santa Monica police cars, which at the time were blue & white.
- Citas
Sherman Moss: I'm not afraid of the dark; I'm afraid of what's in it.
- ConexionesEdited into The Dark (2018)
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- How long is The Dark?Con tecnología de Alexa
Detalles
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- Presupuesto
- 2.700.000 US$ (estimación)
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