PUNTUACIÓN EN IMDb
7,6/10
40 mil
TU PUNTUACIÓN
Gustavo y sus nuevos amigos recorren América para encontrar el éxito en Hollywood, pero un comerciante de ancas de rana va detrás de él.Gustavo y sus nuevos amigos recorren América para encontrar el éxito en Hollywood, pero un comerciante de ancas de rana va detrás de él.Gustavo y sus nuevos amigos recorren América para encontrar el éxito en Hollywood, pero un comerciante de ancas de rana va detrás de él.
- Nominado para 2 premios Óscar
- 4 premios y 11 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesJim Henson was determined to use the larger budget of a feature film to push the technological limits and capabilities of puppetry. One of the most difficult feats (and one that appears deceptively easy on-screen) was making Kermit ride a bicycle.
- PifiasWhen Fozzie gets Kermit's "Dragonfly Ripple" cone from the ice cream man, it's a shade of bright lime green. When he gives it to Kermit, it's gray. After the group spots Gonzo floating with the balloons the cone is green again, but a different shade.
- Créditos adicionalesAfter the last credit, Animal is shouting,"GO HOME! GO HOME!", then he gets sleepy, "Bye-bye..." then falls asleep.
- Versiones alternativasThe longer 97 minute version, as originally released in theaters (in the UK at least) and released on video in the UK in the 80s, contains the following extended scenes:
- More of Fozzie being heckled in the bar. He honks a horn which falls apart, then says, "This is not my night."
- Extra shots as Doc Hopper and Max watch Fozzie and Kermit dance at the El Sleezo. A little bit more dancing and more of the crowd manhandling Kermit and Fozzie.
- An extended commercial for Doc Hopper's Frog Legs. More of Doc Hopper asking Kermit to be his spokesman.
- Even more Doc Hopper trying to convince Kermit.
- In the church, an extended recap of the entire movie by Dr. Teeth - we see shots from previous scenes. It's not clear if this was actually in the version which screened in theaters, or if it was added for the video version, as the laserdisc version seems to have been edited on video.
- Doc Hopper and Max chase Kermit and Fozzie. Max asks what his cut of a million is. A whole extra car chase scene of Max trying to catch up to Fozzie and Kermit, and failing.
- An alternate musical arrangement of "Never Before, Never Again".
- Greatly extended version of Rowlf and Kermit singing in a duet on "I Hope That Something Better Comes Along," with a bridge and a third verse.
- Extra shot of Giant Animal laughing at the bad guys with his arms and hand sticking out of the roof
- A lot more explosion and set destruction footage when Crazy Harry blows up the set at the end, before "Life's Like a Movie."
- Alternate ending in the movie theater - Sweetums says "I just knew I'd catch up with you guys." All Muppets talk and say funny things over ending credits. Robin says Kermit is a great actor. Fozzie repeatedly asks if he was funny in the movie, but no one will tell him that except Kermit. Muppets are in character for the entire credits. An instrumental version of "The Magic Store" plays after the instrumental versions of "Can You Picture That?" and "Movin' Right Along".
- ConexionesEdited into The Muppets Go to the Movies (1981)
Reseña destacada
We all lost something important when Jim Henson died. But his magic alone wasn't sufficient to do more than clever skits, both before and after this gem. Some fated match of director, writers, songwriters and puppeteers came together to create an underappreciated masterpiece.
Forget the kids -- this is a great work, period. Among the best story-films ever. And nowhere is the enfolding of reality and fantasy more rich than here. Naturally, you have the mix of humans (accented by celebrity cameos) and puppets. And some puppets are of humans, some of human-like animals, and some of animal-like animals. But that's just the tokens.
The real novelty comes in the story. It is a film about the making of itself, with a wonderful sequence at the end where the film is represented in cartoonish props contrasted with a `real' rainbow. Throughout, one weaves between being in the story and observing the story. Kermit (Henson's alterego) says `I hope you appreciate I'm doing my own stunts.' Think about it.
The songs, themselves self-referential, are important frosting: `why are there so many songs about rainbows?'
`Life is a movie, write your own ending, keep believing, keep pretending...' You don't get that in common fare. If you have kids, this is the most educational exposure you can give them among the kiddie offerings. There's nothing more powerful than the ability to perform abstract reasoning and the foundation of that is the play between what things are and what things represent them. Thanks and God bless you, Jim.
Forget the kids -- this is a great work, period. Among the best story-films ever. And nowhere is the enfolding of reality and fantasy more rich than here. Naturally, you have the mix of humans (accented by celebrity cameos) and puppets. And some puppets are of humans, some of human-like animals, and some of animal-like animals. But that's just the tokens.
The real novelty comes in the story. It is a film about the making of itself, with a wonderful sequence at the end where the film is represented in cartoonish props contrasted with a `real' rainbow. Throughout, one weaves between being in the story and observing the story. Kermit (Henson's alterego) says `I hope you appreciate I'm doing my own stunts.' Think about it.
The songs, themselves self-referential, are important frosting: `why are there so many songs about rainbows?'
`Life is a movie, write your own ending, keep believing, keep pretending...' You don't get that in common fare. If you have kids, this is the most educational exposure you can give them among the kiddie offerings. There's nothing more powerful than the ability to perform abstract reasoning and the foundation of that is the play between what things are and what things represent them. Thanks and God bless you, Jim.
- tedg
- 30 may 2000
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Los Teleñecos van a Hollywood, la película
- Localizaciones del rodaje
- Albuquerque, Nuevo México, Estados Unidos(desert scenes)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 65.810.475 US$
- Recaudación en todo el mundo
- 65.811.736 US$
- Duración1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principal laguna de datos
By what name was La película de los Teleñecos (1979) officially released in India in Hindi?
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