PUNTUACIÓN EN IMDb
7,2/10
695
TU PUNTUACIÓN
El análisis cinemático de Guy Debord de la sociedad de consumo, basado en su influyente libro "La sociedad del espectáculo" (1967).El análisis cinemático de Guy Debord de la sociedad de consumo, basado en su influyente libro "La sociedad del espectáculo" (1967).El análisis cinemático de Guy Debord de la sociedad de consumo, basado en su influyente libro "La sociedad del espectáculo" (1967).
- Dirección
- Guión
- Reparto principal
Guy Debord
- Narrator
- (voz)
Alice Becker-Ho
- Self
- (metraje de archivo)
Lee Harvey Oswald
- Self
- (metraje de archivo)
Valéry Giscard d'Estaing
- Self
- (metraje de archivo)
Jean-Jacques Servan-Schreiber
- Self
- (metraje de archivo)
Georges Séguy
- Self
- (metraje de archivo)
Fidel Castro
- Self
- (metraje de archivo)
Georges Marchais
- Self
- (metraje de archivo)
François Mitterrand
- Self
- (metraje de archivo)
Georges Pompidou
- Self
- (metraje de archivo)
Zedong Mao
- Self
- (metraje de archivo)
- (as Mao Zedong)
Richard Nixon
- Self
- (metraje de archivo)
Henry Kissinger
- Self
- (metraje de archivo)
Queen Elizabeth II
- Self
- (metraje de archivo)
Leonid Brezhnev
- Self
- (metraje de archivo)
Nino Ferrer
- Self
- (metraje de archivo)
Brian Epstein
- Self
- (metraje de archivo)
John Lennon
- Self
- (metraje de archivo)
Reseñas destacadas
This film by Guy E. Debord is based on his 1967 book of the same title both of which convey ideas about the consumer capitalism's mode of production and the effects on everyday life. Though both sources use a different means of communication they both powerfully convey the ideas of the situationists. I wont rant on about the ideas contain within this film which are quite profound and have influenced heavily on the Anti-Capitalist movement and post-structuralism through thinkers like Jean Baudrillard. The structure of the film itself is a series of shots from Hollywood films to soviet 'collective hero' film experiments to soft-core porn(nothing past topless) to archival footage of historical events(e.g. May 68 revolt in France) and representations of everyday life. The way in which the scenes are manipulated work well with the voice over commentary reinforcing the ideas while hitting emotional notes. The Music also contributes well to the emotional sentiment which the director wants to be associated with different ideas and issues. The technique used reminds me of Wagner, how he used the structure of music to convey hopelessness and the philosophy of Schopenhauer in "The Ring" covering over the once socialists allegory for the contradiction of modernity. Debord and the situationists used their music to convey of the feeling of hope and the spirit negation (the negation of capitalism and the creation of a new 'totality' of 'situations'). Debord during this film highlights the influences of the 'situationits' in the agitation for May 68 (the largest general strike in history). Henri Lefebvre criticized Debord on this point expressing the view that the situationists greatly exaggerate their influence on events. Other then the self-pampering which is small fraction of the film it is a well done piece of radical documentary both in form and content (style and ideas, though this dichotomy is to come degree false) which is quite interesting just for those uninterested or hostile towards Revolutionary Anti-Capitalism.
This film can be hard to find being played at university film theater's and art festivals. But because the creators of this work are 'anti-commodity' you can find the film online from different locations with English subtitles.
This film can be hard to find being played at university film theater's and art festivals. But because the creators of this work are 'anti-commodity' you can find the film online from different locations with English subtitles.
The movie is a critique itself. Depends of the political view of 'the spectator', it is masterpiece or rubbish. And another group will find this movie too hard to understand and confusing, a kind of mumbling gibberish or an intellectual fart. First two political perspective, I welcome respect and salute. The last group go back to your place in this world. You are travelling a wrong direction.
This documentary style of montage of images with reading a narrative and adding some scenes from other movies creates a boring style. The images very powerful but the ideas surpass images and take the focus from images and creates a thinking frenzy. Some very provocative, some subtle.
My critique to this movie, Could we use better images? More accurate timing, stronger images. Could we focus less idea? Instead try to answer and reach every aspects and create very concentrated movie, little diluted more visually pleasing and easily understandable movie/documentary.
Very interesting piece. It is very hard to watch without prejudice. Definitely recommend, even as a mental challenge. 8/10.
This documentary style of montage of images with reading a narrative and adding some scenes from other movies creates a boring style. The images very powerful but the ideas surpass images and take the focus from images and creates a thinking frenzy. Some very provocative, some subtle.
My critique to this movie, Could we use better images? More accurate timing, stronger images. Could we focus less idea? Instead try to answer and reach every aspects and create very concentrated movie, little diluted more visually pleasing and easily understandable movie/documentary.
Very interesting piece. It is very hard to watch without prejudice. Definitely recommend, even as a mental challenge. 8/10.
Here to inform all those silly little children who criticize anarchists based on Debord's society of spectacle that Debor(e)d was NOT an anarchist and that he had made 6 films.
Just because you read him doesn't mean you understood him.
Your iq doesn't allow you to.
Also because I'm feeling myself at the moment I would like to inform you that when I was an anarchist, you were still sucking milk.
Oh you didn't find this review helpful? I bet 3-4 of your friends will feel the same way and you will think that you look like a lot of people.
Who are you convincing?
No one, but you strengthen the ties between your little sect.
In your eco chamber.
Just because you read him doesn't mean you understood him.
Your iq doesn't allow you to.
Also because I'm feeling myself at the moment I would like to inform you that when I was an anarchist, you were still sucking milk.
Oh you didn't find this review helpful? I bet 3-4 of your friends will feel the same way and you will think that you look like a lot of people.
Who are you convincing?
No one, but you strengthen the ties between your little sect.
In your eco chamber.
¿Sabías que...?
- CuriosidadesThe film uses found footage and détournement in a radical Marxist critique of mass marketing and its role in the alienation of modern society.
- ConexionesFeatures El acorazado Potemkin (1925)
- Banda sonoraLes Delices de la Solitude, Op. 20 No. 6 - Sonata in D Major : I. Allegro Moderato
, Written by Michel Corrette
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- The Society of the Spectacle
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 31 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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Principal laguna de datos
By what name was La sociedad del espectáculo (1974) officially released in Canada in English?
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