Un paranoico, experto en vigilancia secreta, tiene una crisis de conciencia cuando sospecha que la pareja a la que está espiando podría ser asesinada.Un paranoico, experto en vigilancia secreta, tiene una crisis de conciencia cuando sospecha que la pareja a la que está espiando podría ser asesinada.Un paranoico, experto en vigilancia secreta, tiene una crisis de conciencia cuando sospecha que la pareja a la que está espiando podría ser asesinada.
- Nominado para 3 premios Óscar
- 14 premios y 17 nominaciones en total
Elizabeth MacRae
- Meredith
- (as Elizabeth Mac Rae)
Ramon Bieri
- Man at Party
- (sin acreditar)
Gian-Carlo Coppola
- Boy in Church
- (sin acreditar)
George Dusheck
- TV Anchor
- (sin acreditar)
Robert Duvall
- The Director
- (sin acreditar)
Richard Hackman
- Confessional Priest
- (sin acreditar)
- …
George Meyer
- Salesman
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesThe blue Mercedes limousine that Cindy Williams is sitting in near the end of the film was won by Francis Ford Coppola on a bet with Paramount Pictures. Coppola had complained about the station wagon he shared with five other passengers during the filming of El padrino (1972). Studio executives told him that if The Godfather had grossed a certain amount, they would spring for a new car. After The Godfather became the highest grossing film of all time, Coppola and George Lucas went to a dealer and picked out the Mercedes, telling the salesman to bill Paramount Pictures.
- PifiasWhen Caul is in Stett's office alone, he walks over to the desk and picks up one of Stett's wife's cookies. He smells it and puts it back in the dish and then looks through the telescope. When Stett returns, he hands Caul the money and takes the tapes. When the film cuts to a shot of Caul thinking about the arrangement, the cookie reappears. Caul puts this cookie back in the dish, too.
- ConexionesEdited into The Green Fog (2017)
Reseña destacada
Anyone could market or even direct "The Conversation" as a mystery, but Francis Ford Coppola manages to reveal some of our human tendencies in his film just as well as he holds us in suspense. Voyeurism, like it or not, is a human characteristic. Modern day reality television proves both that point alone and simultaneously that "The Conversation" is an excellent film because it has only ripened over the years.
Coppola's character Harry Caul, portrayed by Gene Hackman in one of his finest performances, is the embodiment of this guilty pleasure of spying on others whether covertly or casually. He's a professional wire-tapper, one of the best in the business, seemingly able to capture the most pristine recordings for all his clients even though he is rarely enlightened as to the purpose of his jobs. It's not too long before we learn that Harry is a devout Catholic who harbors a bit of guilt because his career founds itself on the don't ask, don't tell principle.
The film open with what its title promises: a conversation. Harry has been hired to record a conversation of a man and a woman on their work break. The conversation seems inconspicuous, but the more Harry deals with his mysterious client and goes back to listen to the tapes, the more he begins to hear and infer from the conversation. He eventually comes to the conclusion he might have recorded a death warrant and begins to grow paranoid.
Harry's complexity is the finest element of Coppola's script. The story develops slowly but Harry becomes a more peculiar figure in the viewer's mind as time wears on. At first it seems like he isolates himself for protection purposes, but his loneliness becomes more and more apparent. He constantly feels threatened and there feels like a layer of ice between him and his relationships in the film, especially two memorable scenes where he interacts with women.
Coppola's elegant framing and precision pacing do the rest of the work drawing us further in as the story progresses, highlighting our own preoccupation with the truth behind this couple's conversation. We're made aware of our own tendency to twist words and misinterpret what someone is saying, not to mention how easy and commonplace it really is to essentially spy on someone and invade his or her privacy entirely.
"The Conversation" properly mixes drama with mystery while offering a complete character portrait and subtle social commentary. Most films don't have that many tools working for them but Coppola's masterful script does. No single element is consummate or overrides the rest, but together they make for a fine film.
~Steven C
Visit my site at http://moviemusereviews.com
Coppola's character Harry Caul, portrayed by Gene Hackman in one of his finest performances, is the embodiment of this guilty pleasure of spying on others whether covertly or casually. He's a professional wire-tapper, one of the best in the business, seemingly able to capture the most pristine recordings for all his clients even though he is rarely enlightened as to the purpose of his jobs. It's not too long before we learn that Harry is a devout Catholic who harbors a bit of guilt because his career founds itself on the don't ask, don't tell principle.
The film open with what its title promises: a conversation. Harry has been hired to record a conversation of a man and a woman on their work break. The conversation seems inconspicuous, but the more Harry deals with his mysterious client and goes back to listen to the tapes, the more he begins to hear and infer from the conversation. He eventually comes to the conclusion he might have recorded a death warrant and begins to grow paranoid.
Harry's complexity is the finest element of Coppola's script. The story develops slowly but Harry becomes a more peculiar figure in the viewer's mind as time wears on. At first it seems like he isolates himself for protection purposes, but his loneliness becomes more and more apparent. He constantly feels threatened and there feels like a layer of ice between him and his relationships in the film, especially two memorable scenes where he interacts with women.
Coppola's elegant framing and precision pacing do the rest of the work drawing us further in as the story progresses, highlighting our own preoccupation with the truth behind this couple's conversation. We're made aware of our own tendency to twist words and misinterpret what someone is saying, not to mention how easy and commonplace it really is to essentially spy on someone and invade his or her privacy entirely.
"The Conversation" properly mixes drama with mystery while offering a complete character portrait and subtle social commentary. Most films don't have that many tools working for them but Coppola's masterful script does. No single element is consummate or overrides the rest, but together they make for a fine film.
~Steven C
Visit my site at http://moviemusereviews.com
- Movie_Muse_Reviews
- 18 abr 2010
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- La conversa
- Localizaciones del rodaje
- American Roofing Co. Building - 1616 16th Street, Potrero Hill, San Francisco, California, Estados Unidos(Interior and exterior of Harry's workshop)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 1.600.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 4.830.780 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 5494 US$
- 16 ene 2022
- Recaudación en todo el mundo
- 4.864.950 US$
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What is the streaming release date of La conversación (1974) in the United Kingdom?
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