La fuerza del cariño

After looking forward to seeing this film for many years, I finally have watched it, and was left a little disappointed. Don't get me wrong, it's a good movie, but I expected so very much more. I found the plot to be rather thin for a movie this long, and after some thought, I'd have to say that the script was average at best. With a weaker cast, I suspect that I wouldn't have even liked it. Fortunately, this film is blessed with a spectacular cast, and this film deservedly received Oscar recognition in the acting categories. It just didn't deserve the best picture Oscar that it also won.

Wow was my first reaction to seeing the film back in February 2003. I had bought it on a whim and watched it one night when I was bored. The rest is history. Terms remains one of my favorite films and I really can't say why. Reputation has made this out to be "the ultimate chick flick" upon which every other tear-jerker is judged. But it's definitely more of a character study than a weepy mushy movie. In fact, it's anything but mushy. Where it could of been over-sentimental, it was poignant. Where it could of been boring, it was insightful. And where it could of been corny, it was tongue-in-cheek.

Shirley MacLaine and Debra Winger give career performances as mother and daughter. Both characters are polar opposites and in real life the actresses despised each other, but on screen their chemistry sizzles. Jack Nicholson is his usual suave self and John Lithgow is perfect as the wimpy banker. Danny Devito also has a quirky cameo.

James L. Brooks is definitely an "actor's director". To him, the performances are clearly more important than set pieces or flashy camera work. Each of the three main performances are brilliant (especially MacLaine's). It has been decades since a movie about illness has been made like this that is so achingly real. Two scenes to look for: Aurora walking across a seedy hotel (heat-breaking) and Emma telling her mother that she's pregnant (hilarious).

Terms of Endearment is a triumph!

It's often a strange experience to revisit a film that made a big splash decades earlier. I remember enjoying it enormously and enjoyed it enormously again last night but the reasons for the enjoyment have changed. The film as a film has remained solidly planted in 1983, specially the score but what will lead this film into the forever ever are the writing of course and the performances. Shirley MacLaine's truthfulness warts an all is a work of art. She is present one hundred per cent of the time and let's remember, Shirley MacLaine didn't start as an actress, she was a dancer who became a star thanks to a twist of fate and she has remained there as an example of honesty and courage ever since. Her Aurora in Terms Of Endearment is a monumental treat. Debra Winger's performance is a revolution of sorts. Every detail confirms and/or challenges our feelings for her but she's never less that one hundred per cent truthful. It's impossible not to love her even if she doesn't make it easy for you. Jack Nicholson is a terrific interference and every one of his moments have a pleasure of their own. So, a 35 year old movie with a teenager's heart.

Terms Of Endearment is a story of what happens when life does not go as planned and how you deal with it. In one way or another we are flawed humans, but most of us can rise to the occasion if the situation calls for it. It gained an Oscar at last for Shirley MacLaine and a second for Jack Nicholson though in the Supporting character category.

The story stretches out over a 30 year period and it starts with the death of MacLaine's husband early on and she's left to raise her daughter on her own. As the daughter who grows up to be Debby Winger the two fight constantly. She really doesn't approve of her choice of husband Jeff Daniels who is a struggling academic who in the course of the movie has several teaching positions and rises slowly in his profession. Not fast enough for MacLaine. She reminds me of Madge Wallace the mother-in-law of Harry S. Truman who never thought her son-in-law would amount to anything. She died in the White House just before the Trumans left for Independence permanently.

Winger has three children, but she's beset by doubts about Daniels's infidelity as he does have nubile coeds all about. Both of them misread signals about each other and MacLaine's hectoring doesn't help.

As for Shirley, her neighbor is a retired astronaut Jack Nicholson who is still looking for space groupies. He's an unlikely candidate to thaw MacLaine out, but they find out they have more in common than they think. And Nicholson has more character than we first suspect.

Terms Of Endearment is a film that places people who are very much like the people who pay to see this film in real universal situations we can all understand. Not hard to understand how this became such a critical and popular hit.

Terms Of Endearment won for Best Picture in 1983 and Best Director and Best Adapted Screenplay for James Brooks. It got a flock more nominations as well. It's an enduring classic and will remain so.

The finale with MacLaine is sublimely beautiful.

TERMS OF ENDEARMENT is an undeniably gripping and emotional film experience that will have you rolling on the floor during one scene and weeping uncontrollably during the next. This film follows the complicated relationship between an icy, Texan widow named Aurora Greenway (Shirley MacLaine)and her slightly-off-the-wall daughter, Emma (Debra Winger), who at the beginning of the film is marrying a man named Flap Horton (Jeff Daniels), whom her mother clearly hates, seemingly just to get away from her. The film follows Emma's marriage through three children, infidelity, and unexpected tragedy but it never lets go of the unspoken bond between Aurora and Emma...a bond so strong that it transcends telephone lines, geography, and even dialogue at times...there are moments in the story where you see Aurora and Emma communicate without saying a word to each other. Writer-director James L. Brooks won a pair of Oscars for writing and directing this funny and heartbreaking story that stretches over a long period of time but never fails to hold interest and trust me, the last 20-30 minutes of this film will have you weeping. Shirley MacLaine finally won her long-overdue Best Actress Oscar for her controlled performance as Aurora and Jack Nicholson won a Best Supporting Actor Oscar for his performance as a retired astronaut who moves in next door to Aurora after Emma moves out and begins a hilarious and touching relationship with Aurora. Debra Winger is explosive and unpredictable as Emma and Jeff Daniels is fully invested in the unsympathetic role of Flap. A truly unique motion picture experience that will leave you limp.