El juego del halcón

In the movie, "The Falcon and the Snowman", when they were showing Christopher Boyce around the complex, the satellite in the background was the actual Ryholite satellite that is now in space. TRW allowed interior shots. TRW also allowed both interior and exterior shots for one of the original Star Trek TV series. (The episode is the one where Spock goes blind when a string of satellite lights are activated to kill the aliens). Christopher escaped jail (Lompock) and was featured on America's Most Wanted. He was drinking in a bar when the show aired. He said, "Hey, that's me". Needless to say, he was captured and transfered to a maximum security jail.

Fascinating true-life tale stars Timothy Hutton as Christopher Boyce, a government employee in charge of guarding sensitive documents, who becomes disillusioned and decides to sell those documents to the Soviets. He enlists the help of his drug pusher/user friend Daulton Lee(Sean Penn) to be the go-between. Things go well at first, but of course they are eventually discovered, which leads to devastating consequences for them and their families.

Well directed by John Schlesinger, and solid acting from the two leads, film is a quite interesting and compelling look at the foolish choices these two men make(and why), which makes them traitors. Future "Poirot" star David Suchet is excellent as their Soviet contact.

For the 1980s, this is a very dark movie. At this point, filmmakers were beginning to operate under the assumption that all films require smarmy comic relief (which, of course, is taken to the extreme today), flashy action scenes (even more overdone today), or steamy sex scenes.

Hutton and Penn are stupendous in their roles as childhood friends turned Soviet spies. Penn in particular is brilliant as hapless drug dealer Daulton Lee.

What you have here is a true thriller/drama. There is no eye candy to speak of, but the story is so compelling and the acting so superb that (hopefully) most people wouldn't miss it. There are a couple amusing scenes, in particular the one where Penn tries to get his Soviet benefactors involved in a major drugrunning deal.

Well worth watching.

John Schelesinger's career as a film director was extraordinary. We had watched this film when it first came out, but wanted to see it again when it showed on cable recently. The film has a faded look, as one watches it today, but still, it is interesting because of the intense performances of the two principals.

If you haven't seen it, please don't read any further.

Chris and Daulton were two childhood friends that came from upper middle class backgrounds. Chris went to enter a seminary to be a priest, but gives up. Daulton became a small time drug user and trafficker. The two lives seem to run parallel as the pair become involved in an illegal activity that will prove their short sightedness. In fact, it shows how both young men miscalculate in their attempt to fool the CIA and the Soviet Union. These two, in a way, were so naive in thinking they could pull something that bigger, and better equipped people couldn't even imagine could be done.

Chris' motivation is legitimate, as he feels outraged in discovering the underhanded role of the agency for which he works in dealing with other nations, in this case Australia, something he finds by sheer coincidence. When he involves Daulton, we know the whole thing is doomed because no one into drugs, as he is, will ever amount to anything. In fact, Chris and Daulton had no conception of the scope of what they are trying to do, or its consequences.

Timothy Hutton was at this period of his career, an actor that was going places. He had proved he had talent with his work in other films, so it was a natural choice for Mr. Schlesinger to select him, a choice that pays off well. Sean Penn, also was a young actor who showed an intensity, like one hadn't seen before. In fact, at times, Mr. Penn, reminded us of a young Robert Mitchum in the making. Both actors' contribution to the film is incredible. One can't think who could have played this duo but them.

"The Falcon and the Snowman", while not up to the par with other great John Schlesinger's movies, is an interesting look to our not too distant past.

Set in the years of the Nixon/Ford administration, The Falcon And The Snowman is the story of a young man who wildly went off the track in his idealism and winds up a traitor. The idealist is the falcon part of the title and the young man who works for the Central Intelligence Agency and discovers that were doing some dirty tricks in the countries that are supposed to be allies is played by Timothy Hutton.

Hutton is as shocked as Claude Rains was to discover that gambling was going on at Rick's. After all it was father Pat Hingle who got him the job at CIA through his connections with the FBI. That he had no inkling that anything like this was going on is a bit much. But Hutton is actually shown the proper path. Do a Daniel Ellsberg and get it to the media. Instead he turns traitor and decides to sell secrets to the Soviet Union.

But this genius decides to go into partnership with an old childhood friend who's become a drug dealer to support his high living lifestyle, no pun intended. That's the snowman of the title and when he's on the screen, Sean Penn dominates the film. Hutton needs someone who knows the criminal ways, tutoring in those ways, and subterfuge if needed. Of course Penn knows that, but anyone with a brain has to realize that Penn's cocaine habit would sink them.

The ironic thing is that this is a true story otherwise no one would believe it. And then Hutton goes through another Rains like moment when he discovers the Russians can be as dirty as us, dirtier. The second best performance in the film is the BBC's Hercule Poirot, David Suchet. In playing Poirot for the BBC series, Suchet has reached the culmination of a career like J. Carrol Naish back in the days of the studio system playing an incredible variety of ethnic types. He even more reminds of another man who did the same, Herbert Lom. Had this been made 20 years earlier, I could have seen Lom very easily in the role of the exasperated Russian agent who is really losing his patience dealing with fools.

The Falcon And The Snowman boasts some really good performances, but in the end the general unlikeability of the leads makes you really want to hit these two upside the head with two by four.