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1984

Título original: Nineteen Eighty-Four
  • 1984
  • 13
  • 1h 53min
PUNTUACIÓN EN IMDb
7,0/10
86 mil
TU PUNTUACIÓN
POPULARIDAD
1990
285
Richard Burton, John Hurt, Bob Flag, and Suzanna Hamilton in 1984 (1984)
Trailer
Reproducir trailer3:00
1 vídeo
99+ imágenes
Ciencia ficción distópicaCiencia ficciónDrama

En una sociedad futura totalitaria, un hombre, cuyo trabajo diario es reescribir la historia, intenta rebelarse enamorándose.En una sociedad futura totalitaria, un hombre, cuyo trabajo diario es reescribir la historia, intenta rebelarse enamorándose.En una sociedad futura totalitaria, un hombre, cuyo trabajo diario es reescribir la historia, intenta rebelarse enamorándose.

  • Director/a
    • Michael Radford
  • Guionistas
    • Michael Radford
    • George Orwell
  • Estrellas
    • John Hurt
    • Richard Burton
    • Suzanna Hamilton
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,0/10
    86 mil
    TU PUNTUACIÓN
    POPULARIDAD
    1990
    285
    • Director/a
      • Michael Radford
    • Guionistas
      • Michael Radford
      • George Orwell
    • Estrellas
      • John Hurt
      • Richard Burton
      • Suzanna Hamilton
    • 316Reseñas de usuarios
    • 83Reseñas de críticos
    • 67Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Nominado a 1 premio BAFTA
      • 6 premios y 3 nominaciones en total

    Vídeos1

    1984
    Trailer 3:00
    1984

    Imágenes151

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    + 144
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    Reparto Principal47

    Editar
    John Hurt
    John Hurt
    • Winston Smith
    Richard Burton
    Richard Burton
    • O'Brien
    Suzanna Hamilton
    Suzanna Hamilton
    • Julia
    Cyril Cusack
    Cyril Cusack
    • Charrington
    Gregor Fisher
    Gregor Fisher
    • Parsons
    James Walker
    • Syme
    Andrew Wilde
    Andrew Wilde
    • Tillotson
    David Trevena
    • Tillotson's Friend
    David Cann
    • Martin
    Anthony Benson
    • Jones
    Peter Frye
    • Rutherford
    Roger Lloyd Pack
    Roger Lloyd Pack
    • Waiter
    Rupert Baderman
    • Winston Smith as a Boy
    Corinna Seddon
    • Winston's Mother
    Martha Parsey
    • Winston's Sister
    Merelina Kendall
    Merelina Kendall
    • Mrs. Parsons
    P.J. Nicholas
    • William Parsons
    Lynne Radford
    • Susan Parsons
    • Director/a
      • Michael Radford
    • Guionistas
      • Michael Radford
      • George Orwell
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios316

    7,086.1K
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    Reseñas destacadas

    7aggelos-76652

    A well made tip of the hat to those who read the book

    This is a very well made movie the acting and atmosphere especially. This film is also very loyal to the book. The thing is it felt like you have had to read the book in order to get much needed context. The book put much much effort in world building as well as Winston's thoughts. In large both are missing here (partially limited by a movies run time I suppose), so many of the scenes greatly lose impact or straight up leave many questions to the viewer who hasn't read the book.

    Also, to me at least the missing information made the story feel like it is moving in fast forward. So the pacing felt a bit weird to me.

    Personally I enjoyed the film because it put the world and story outside my head. Making me visually look at this twisted world and also experience it from a perspective that's not mine. Which was really interesting.

    For these reasons I would recommend all people who read the book watch this movie but definitely not to people who haven't read the book.
    8framptonhollis

    chillingly brutal in its depiction of a disturbing dystopia

    This brilliant adaptation of George Orwell's immoral classic of the same name nearly matches its source material in terms of quality (which is quite the achievement, considering the fact that "1984" is by far one of the greatest novels I have ever read). The chilling direction and pitch perfect performances help make this disturbing vision all the more of a truthful gut punch. The fact that such a hard hitting and seemingly over the top story remains entirely relevant in today's chaotic political climate is both a disgrace and a testament to Orwell's genius, and the cinematic capturing of Orwell's classic is one of practically unbeatable quality. While little to nothing is added to the plot, the visual accompaniment of the story enhances its impact. The cinematography is fittingly dull, soaked entirely of the joys o color. The performances are simply perfect, making this one of the few novel adaptations I have seen in which I felt that the actors absolutely nailed their performing of the original work's dialogue. At the center of this terrifying satire is the performance of Richard Burton who is both subtle and mind blowingly horrifying in his indescribably villainous role, while John Hurt provides a sometimes timid, sometimes paranoid, and other times absolutely petrified protagonist that attempts to escape from the norms of the totalitarian society he is forced to live in.

    While not necessarily a "horror" movie, there is no doubt that "1984" is among the most genuinely SCARY films that I have ever seen. Both the book and film have succeeded in making me shake like drug addicted pepper and salt shakers. The dystopia depicted here accurately displays the horror of an overly controlling and oppressive government system forcing its propaganda upon those below, and outwardly embracing anti-free speech and pro-war beliefs. I must restate how sadly relevant this work remains.
    PIST-OFF

    Trust no government.

    So you feel like renting a movie. After a slow drive to the video store in which you try to avoid the police from extorting you, you enter a video store with enough security cameras to see parts of you that you've never seen. You would rent some porno but today you'll be paying in credit card and you sure don't want that census taker knowing you've seen all 50 volumes of clamlappers. So instead you rent 1984. The zit face behind the counter scan your card and instantly your personal information and spending history is all over the internet. When you get back home you pop in the tape, you would have a joint, but the government has decided that pot isn't in your best intrest. Neither is beer, cigarettes, fatty foods, caffine, red meat, abortions, pornography,flag burning, sex in general or any of the other things you use to enjoy. You sit down to watch your movie and relax the rest of the night when storm trooper-like police bust down your door and carry you away. Seems renting 1984 set off an alarm in all local police computers and got you on the thought police's wanted list. You should know better then to oppose your government in any way, shape, or form. You would fight back but all those gun laws eventually equled up to a ban on the second amendment. Sound like an impossible world? Sounds fictional? Watch it then take a look at the world around you. Your half way there. Enjoy what freedoms you have left before they're gone. I'm sure one day this movie will be considered illegal.
    7mr composer

    Faithful adaptation - maybe too much?

    George Orwell's literary masterpiece "1984" is presented with amazing accuracy and detail in this version filmed during the very months of the author's vision. The casting, set design, and atmosphere are all right on the mark for how I envisioned them during reading the book. This film is dark and uncompromising, and follows many of the dialogs verbatim from the book.

    The flaw in the film, for me, is that I felt like I only enjoyed and understood this movie BECAUSE I had read the book already. There is a theory I once heard and agree with: the closer an adaptation is to the source, the more necessary it is to read the source. A good adaptation is faithful to the essentials of a story but makes necessary changes so that it not only becomes cinematic, yet also becomes something that a viewer unfamiliar with the source material can understand. I think if I were ignorant of the story, there are too many things that would confuse me in this film which the book seems to go out of its way to explain.

    For example: Who/Where exactly is Oceania? How did the countries go from their current political state to the envisioned one? Why do the people gather in mass and scream passionate hateful exclamations at the screen? What exactly does Winston actually do? Who are the proles? I praise movies that can effectively tell a story without means of voice-over, a much overused device in films. In this case though, I think a little may have helped, not necessarily wall-to-wall, but sparingly used. The movie is effective by being more ambiguous than the book, but I tend to think maybe it is too ambiguous.

    In summary, read the book if you haven't (either before or after seeing the film) to get a complete overview of the author's vision. With that as a foundation, this really is a good cinematic portrayal, and of a story that is still relevant and not impossible to come to pass. Obviously 1984 is long since gone bye-bye, but 2084 or 2054? Oppression can always come as long as people desire self-centered power and the masses don't pay close attention.
    quixoboy

    One of the great screen adaptations

    Merely a few days after finishing my read of George Orwell's fantastic 1948 novel "Nineteen Eighty-Four", I was immediately keen on looking to rent the modern film version, "1984" - filmed, appropriately enough, not only during the actual YEAR of 1984, but also during the exact same short span of months that the story took place in. This, to me, is a prime example of perfect, and unbelievably well-timed, brilliance. A picture based on such complex, prophetic, and well-known material could have turned out to be a complete disaster (which it certainly had potential for, judging from the horrendous-looking DVD cover); thankfully, however, I was not disappointed.

    "1984" is probably one of the most, if not THE most, masterful transitions from book to movie I have ever seen. Easily, its most impressive aspect was its phenomenal accuracy, attention to detail, etc. In other words, this film was FAITHFUL, in every sense of the word, to its source material. One can't give such a statement about films these days.

    Amazing casting, terrific musical score, and mind-blowing sets, cinematography, and direction, "1984" is surely a unique treasure, and one that still retains the same timeless messages even decades since its release.

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    Drama

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      In poor health during most of the filming, Richard Burton had great difficulty remembering his lines and sometimes had to film a scene dozens of times before he could get it right. The scene in O'Brien's apartment where he is talking to Winston about Goldstein's book took a record of forty-one takes for Burton to say his speech without fumbling his lines.
    • Pifias
      Winston reads a newspaper article titled "INSOC IN RELATION TO CHESS BROTHER WINS." The party name should be spelled "INGSOC."
    • Citas

      Winston Smith: [reads from Goldstein's book] "In accordance to the principles of Doublethink, it does not matter if the war is not real, or when it is, that victory is not possible. The war is not meant to be won. It is meant to be continuous. The essential act of modern warfare is the destruction of the produce of human labor. A hierarchical society is only possible on the basis of poverty and ignorance. In principle, the war effort is always planned to keep society on the brink of starvation. The war is waged by the ruling group against its own subjects. And its object is not victory over Eurasia or Eastasia, but to keep the very structure of society intact." Julia? Are you awake? There is truth, and there is untruth. To be in a minority of one doesn't make you mad.

    • Créditos adicionales
      The movie begins with the title, "Who controls the past controls the future. Who controls the present controls the past."
    • Versiones alternativas
      From director of photography Roger Deakins: "Be careful which '1984' you watch as some do not have the 'Bleach Bypass' effect built in. As the effect was done on all the prints, the IP and subsequent INs do not reflect the intended look of the film."
    • Conexiones
      Edited into Orwell: 2+2=5 (2025)
    • Banda sonora
      Oceania,'Tis For Thee
      Music by Dominic Muldowney

      Lyrics by Jonathan Gems

      Sung by the London Voices, directed by Terry Edwards

      Soprano soloist: Sally Mates

      Contralto soloist: Linda Hirst

      Conducted by Dominic Muldowney

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    Preguntas frecuentes24

    • How long is 1984?Con tecnología de Alexa
    • What are the Party members chanting at the end of the Two Minutes Hate? Some sources have subtitles saying "big!".
    • What is a Proletariat?
    • What is the significance of the "Oranges and Lemons" poem?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 15 de enero de 1985 (España)
    • Países de origen
      • Reino Unido
      • Alemania Occidental
      • Países Bajos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Neunzehnhundertvierundachtzig
    • Localizaciones del rodaje
      • Battersea Power Station, 21 Circus Road West, Nine Elms, London, Greater London, Inglaterra, Reino Unido(on location)
    • Empresas productoras
      • Virgin
      • Umbrella-Rosenblum Films Production
      • Virgin Benelux
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 3.000.000 GBP (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 8.430.492 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 29.897 US$
      • 16 dic 1984
    • Recaudación en todo el mundo
      • 8.431.544 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 53min(113 min)
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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