PUNTUACIÓN EN IMDb
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TU PUNTUACIÓN
La historia de una mujer que cae en una cueva helada en Stonehenge y despierta en la época artúrica en medio del triángulo amoroso entre Lancelot, la reina Ginebra y el rey Arturo.La historia de una mujer que cae en una cueva helada en Stonehenge y despierta en la época artúrica en medio del triángulo amoroso entre Lancelot, la reina Ginebra y el rey Arturo.La historia de una mujer que cae en una cueva helada en Stonehenge y despierta en la época artúrica en medio del triángulo amoroso entre Lancelot, la reina Ginebra y el rey Arturo.
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I guess Dyan Cannon, Macolm McDowell, Edward Woodward, Candy Bergen, Liam Neeson and Rupert Everett must have been in it just for the paycheck. This film is bad-- even for TV. I rented it because I was desperate for a bit of romance for my wife who was ill. Well, it was a stinker. The low budget special effects were out of the three stooges era. The fight scene with King Arthur and the "Undead knight" was a high point, reminding me of Monty Python's Holy Grail. I could go on and on about the abuses to the Arthurian legend but this film is a parody of itself and little more can be said on that account. My biggest disappointment was Candace Bergen who has been a long time fav. Another reviewer here has already noted the shortcoming in her role and we can leave it at that. Neeson was absolutely comical; Everett was ghastly; Woodward was his hambone usual delightful self and Dyan Cannon, (born the same year as myself) was great because she was playing herself. Unless, you're really bored and looking for a lampoon of a costume drama, I might not recommend this one.
This movie is, as the previous comment tells, pretty bad. However, the one redeeming quality of it is that it covers some ground that no other Arthurian movies (to my knowledge) cover: characters such as Gawain, Agravain, and Mordred have more than bit parts and the famous "rape of Guinevere" story is also dealt with. It is a very 80's film, though; the makeup and costumes capture that anachronism rather glaringly.
Merlin and the Sword (a.k.a Arthur The King) is a genuinely terrible sword and sorcery opus which features a cast full of seasoned old pros and young stars of the future. Quite how these talented actors and actresses were persuaded to lend their faces to this ridiculous production is anybody's guess, but after a while it becomes embarrassing to watch so many gifted thespians sinking in the quicksand of such a foolish script. Director Clive Donner has made some good films too, so one has to wonder what was going through his mind when he agreed to direct this turkey. Perhaps everyone involved had some overdue bills to pay!
An American tourist, Katharine (Dyan Cannon), is on a day-trip at the ancient monument of Stonehenge when she inadvertently falls down a hole. When she lands at the bottom, she finds herself in a cave - no normal cave, mind you, but a cave which which houses the famous wizard Merlin (Edward Woodward) and his lover Niniane (Lucy Gutteridge). Merlin has apparently been imprisoned with his lover in this cave for a thousand years. The arrival of Katharine gives him an excuse to tell a story, and pretty soon he is narrating a tale about his old companion King Arthur (Malcolm McDowell). Merlin tells of Arthur's marriage to the lovely Queen Guinevere (Rosalyn Landor); the poisonous plotting of Arthur's treacherous half-sister Morgan Le Fay (Candice Bergen); and the forbidden love affair between Guinevere and the trusted knight Sir Lancelot (Rupert Everett).
This cheapjack fantasy never really works in spite of the strong cast. There's something fundamentally stupid about the plot, which could have been serviceable if dealt with in a more tongue-in-cheek manner, but here comes across as merely risible. There's also something terribly wrong with the general atmosphere of the film.... maybe it's the hopelessly '80s music score which is as cheesy as a lump of mature cheddar; maybe it's the over-modernised dialogue which doesn't ring true amid the Middle Ages period trappings; maybe it's the atrocious special effects; or maybe it's just the all-round air of indifference which affects the film both infront of and behind the cameras. It's hard to believe that Rupert Everett and Liam Neeson (here guilty of lacklustre performances) ever went on to become big stars. It's equaly hard to believe that the likes of Woodward, McDowell, Bergen and Michael Gough (who has a bit-part as a forgetful archbishop) ever were big stars in their own right. On the whole, this is definitely one to skip!
An American tourist, Katharine (Dyan Cannon), is on a day-trip at the ancient monument of Stonehenge when she inadvertently falls down a hole. When she lands at the bottom, she finds herself in a cave - no normal cave, mind you, but a cave which which houses the famous wizard Merlin (Edward Woodward) and his lover Niniane (Lucy Gutteridge). Merlin has apparently been imprisoned with his lover in this cave for a thousand years. The arrival of Katharine gives him an excuse to tell a story, and pretty soon he is narrating a tale about his old companion King Arthur (Malcolm McDowell). Merlin tells of Arthur's marriage to the lovely Queen Guinevere (Rosalyn Landor); the poisonous plotting of Arthur's treacherous half-sister Morgan Le Fay (Candice Bergen); and the forbidden love affair between Guinevere and the trusted knight Sir Lancelot (Rupert Everett).
This cheapjack fantasy never really works in spite of the strong cast. There's something fundamentally stupid about the plot, which could have been serviceable if dealt with in a more tongue-in-cheek manner, but here comes across as merely risible. There's also something terribly wrong with the general atmosphere of the film.... maybe it's the hopelessly '80s music score which is as cheesy as a lump of mature cheddar; maybe it's the over-modernised dialogue which doesn't ring true amid the Middle Ages period trappings; maybe it's the atrocious special effects; or maybe it's just the all-round air of indifference which affects the film both infront of and behind the cameras. It's hard to believe that Rupert Everett and Liam Neeson (here guilty of lacklustre performances) ever went on to become big stars. It's equaly hard to believe that the likes of Woodward, McDowell, Bergen and Michael Gough (who has a bit-part as a forgetful archbishop) ever were big stars in their own right. On the whole, this is definitely one to skip!
i personally loved this movie, i especially loved Edward Woodward aka The Equalizer, as Merlin and i thought Candice did an interesting job as Morgan, she portrayed Morgan as having a really bad day with a hell of a chip on her shoulder but decent none the less. even though i don't typically like ones that put her in a bad light. i liked this since i was a child and i still think it is a charming movie, true it was done low budget and is nowhere near the blockbuster Excalibur was but still worth seeing. is is great if your interested in the story of Gawain and Lady Ragnell's relationship sice most films don't even mention the two of them. and it of course includes the romance between lance and gwen. i liked the spunk they gave to gwen in this, a girl that has some fight in her who yells no when her captors wanted to have their way with her and they back off. so all in all i would definitely recommend this film, especially if you are like me and like edward woodward. great brit actor.
The actors tried, they really did, but it was badly cast, the writing was so-so. The one redeeming virtue in this film is the only dramatization of Sir Gawain and the Loathly Lady that I've ever seen. This is a wonderful story, and should be made into its own movie. Go read it, and learn something very important -- what is it that women truly want?
¿Sabías que...?
- CuriosidadesFilmed in 1982 but not aired until 1985.
- Citas
Morgan Le Fay: And it is this manliness which will be his undoing. Manliness is a complex mixture: stupidity, courage and persistence. A potion I've not been able to find for you.
- Versiones alternativasIn the original television version, Lancelot and the scene with the dragon are completely omitted, as well as Merlin astral projecting himself in the conclusion, as it was used earlier in the movie. The funeral of King Arthur was also omitted. The TV airing was shown in two parts, with additionally footage not shown in the subsequent video release.
- ConexionesFeatured in Great Books: Le Morte d' Arthur: The Legend of the King (1993)
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By what name was Merlín y la espada (1985) officially released in India in English?
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