Añade un argumento en tu idiomaOn the turn of the 20th century, in Netherlands, three socialist activists and brothers are imprisoned for a crime they didn't commit. The prosecutor tries to get to the truth, but their com... Leer todoOn the turn of the 20th century, in Netherlands, three socialist activists and brothers are imprisoned for a crime they didn't commit. The prosecutor tries to get to the truth, but their comrades and others betray them.On the turn of the 20th century, in Netherlands, three socialist activists and brothers are imprisoned for a crime they didn't commit. The prosecutor tries to get to the truth, but their comrades and others betray them.
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@philip_vanderveken, Frysian is the English name for Fryslân or Friesland as Dutch speakers still tent call it.
Calling the Fryske taal a dialect shows a little lack of knowledge of the Dutch language map. Flemish is not a dialect of Dutch either.
In general the plot shows the struggle of a small group of brothers to stay loyal to the Socialist cause, while knowing the real criminals. On the other hand being acussed by a maid that just wanted to take revenge for being rejected as a bride.
At the turn of the 20 the century Socialism was considered an outlawed actvity, so the loyalty to the cause was not so strange as it may seem now.
Even if the brothers would have told the names of the real robbers, they would most likely be imprissoned for knowing them.
Calling the Fryske taal a dialect shows a little lack of knowledge of the Dutch language map. Flemish is not a dialect of Dutch either.
In general the plot shows the struggle of a small group of brothers to stay loyal to the Socialist cause, while knowing the real criminals. On the other hand being acussed by a maid that just wanted to take revenge for being rejected as a bride.
At the turn of the 20 the century Socialism was considered an outlawed actvity, so the loyalty to the cause was not so strange as it may seem now.
Even if the brothers would have told the names of the real robbers, they would most likely be imprissoned for knowing them.
Being a Frisian, watching this movie was an odd experience for me. First of all the use of my motherlanguage (is that even a word?). As it does in music, it doesn't quite get to me. It all seems so... close perhaps? It makes me feel pretty uncomfortable (as it does with usage of the dutch language as well. I prefer English). Anyway, the movie is well made, and the storyline is pretty interesting as well, set at the end of the 20th century when Communism and Socialism got a grip on the poorer half of the people (and, one could argue, the more righteous, but let's not get into that). What I do like is the fact that Verhoeff didn't make the socialists too sympathetic and the 'law' too harsh. On the other side, although I believe the movie is based on a true story I found some parts a bit hard to believe. Also I'm not such a huge fan of Tuinman, the central person in the movie. In short, not a bad movie (if you can stand subtitles), and one of the few big Frisian movies made. So check it out. I personally would like to give De Dream a 6/10.
It's not often that Dutch films get seen outside of the Netherlands and this one certainly deserved to be. The plot is based on a true story from the turn of the 20th century, in which three brothers, all of them left-wing activists, were imprisoned for a crime they did not commit, partly assisted by false evidence given by the victims, one of whom is the embittered ex-lover of one of the brothers.
In the hands of a mainstream Hollywood director, the film would no doubt have been given the sledge-hammer treatment, i.e. everything in "black and white", goody-goody socialists and workers and baddie authorities. Instead, it is shown as life is, with its varying shades of grey. The hero (one of the brothers, played by Peter Tuinman) is a slightly annoying character: he is bombastic and loves nothing more than delivering long speeches in the best Fidel Castro tradition. The real perpetrators of the crime are fellow socialists and are only too happy to see their comrades falling victim to a miscarriage of justice. A local socialist hero turns out to be a coward: too frightened to get involved, he disappears abroad, despite having crucial evidence that could have proved the brothers' innocence. And, on the other side, the investigator is not a wicked man: he wants the real perpetrators to be punished but ultimately lacks the courage to take a stand. All this is portrayed with a lightness of touch that makes this a great film.
In the hands of a mainstream Hollywood director, the film would no doubt have been given the sledge-hammer treatment, i.e. everything in "black and white", goody-goody socialists and workers and baddie authorities. Instead, it is shown as life is, with its varying shades of grey. The hero (one of the brothers, played by Peter Tuinman) is a slightly annoying character: he is bombastic and loves nothing more than delivering long speeches in the best Fidel Castro tradition. The real perpetrators of the crime are fellow socialists and are only too happy to see their comrades falling victim to a miscarriage of justice. A local socialist hero turns out to be a coward: too frightened to get involved, he disappears abroad, despite having crucial evidence that could have proved the brothers' innocence. And, on the other side, the investigator is not a wicked man: he wants the real perpetrators to be punished but ultimately lacks the courage to take a stand. All this is portrayed with a lightness of touch that makes this a great film.
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- CuriosidadesThe film poster was illustrated by Dutch illustrator Walt de Rijk
- ConexionesFeatured in Slotavond van de Nederlandse Filmdagen (1985)
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